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66 pages 2 hours read

Stieg Larsson

The Girl with the Dragon Tattoo

Fiction | Novel | Adult | Published in 2005

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Symbols & Motifs

The Pressed Flowers

The pressed flowers symbolize the loss of Harriet’s innocence and the desire to preserve the beauty that she was denied as a child. The flowers are “always beautiful and for the most part rare” (5). Pressed behind glass, they remain safe and represent Harriet’s present feelings of security, contrasted with her past experiences of oppression. Through the flowers, she maintains a connection to Vanger as a person she trusts rather than isolate herself completely from her family. The flowers also initiate and help sustain the novel’s mysterious tone. As Blomkvist uncovers the layers of Harriet’s disappearance and Gottfried’s and Martin’s brutal crimes, the significance of the flowers remains unclear. Only after Blomkvist discovers Harriet’s whereabouts does he confirm that she is the one to send them. Lastly, the flowers also function as an ironic “twist” in the novel. Harriet believes that by sending them to Vanger every year, she is comforting him with evidence that she is alive and safe. In contrast, Vanger views the flowers as a tormenting ritual that affirms her death and the sadistic bravado of her murderer.

The Cat

Tjorven is a stray cat who becomes Blomkvist’s companion during his isolated stay at Hedeby and represents Salander’s independence. The cat belongs to no one and comes and goes whenever it pleases, just as Salander holds few personal attachments and follows her own schedule. During her first month working for Armanksy, he even compares her to a stray cat, noting that “She turned up at the office now and then…and she quickly became an outsider wandering the corridors of Milton like a stray cat. She was generally considered a hopeless case” (42). Armansky quickly learns that he misjudged her and honors Salander’s independence by promoting her to a freelance position where she could “work the way she wanted to” (50) and “only when she felt like it” (51).

The cat’s visits to Blomkvist’s cabin also mirror the relationship Blomkvist develops with Salander. Like the cat, she begins to spend the night with him, and they begin sleeping together without defining their relationship. After they first sleep together, their morning-after optimism is cut abruptly short and juxtaposed with Salander’s discovery of Tjorven’s mutilated and charred remains. Tjorven’s shocking death foreshadows the violent encounters with Martin and the unlikelihood of Blomkvist and Salander becoming a traditional couple.

Tattoos

Salander’s many tattoos serve as a form of self-expression and represent her strength and control over her body. The wasp on her neck and the dragon on her shoulder are emblems of self-empowerment, as the creatures communicate that she is someone capable of both attack and defense. The tattoos, along with her piercings and punk-goth attire, reflect her nonconformist attitudes and anti-establishment stance. Her physical appearance challenges the hypocrisy of the upper-middle class and gendered codes of “respectability;” she forces conservative men like Armansky and Frode to acknowledge the error of their prejudices when she demonstrates her investigative acumen. Additionally, her tattoos function as a ritual of healing from the trauma of physical and sexual assaults. After Bjurman rapes her for the second time, Salander gets a tattoo of a band around her ankle as a “reminder” (278), not of her vulnerability but her resilience. Tattoos are painful procedures, and her ability to command the pain functions as a ritual of strength and control over her body.

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