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54 pages 1 hour read

Jennifer Robson

The Gown

Fiction | Novel | Adult | Published in 2018

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Character Analysis

Ann Hughes

Ann is a plain girl from Barking, a suburb of London, and she works for a living, having never been married or even proposed to. At the beginning of the novel, she is content to work as a senior embroiderer for the famous English designer Norman Hartnell, and she is starstruck by the royals, hardly believing that she could have a hand in making gowns for them. She is practical and aware of her station in life. Her one pleasure that is not practical is her flower garden. She expects nothing to change in her life. The narrator says:

All the while her certainty had grown that this was all she would ever know. The house on Morley Road and the workrooms at Hartnell and the anonymous spaces in between. This life, this succession of gray days and cold nights and loved ones forever lost, was the furthest her dreams would ever stretch (7).

Ann has been slowly beaten down by the war, so she doesn’t allow herself to hope. She lives her practical life expecting it to be the same forever.

Ann’s life begins to change when she invites Miriam to be her roommate and they are commissioned to make Princess Elizabeth’s wedding gown. In Miriam, Ann makes her first close friend outside of her sister-in-law Milly. Ann’s kindness helps bring Miriam out of her shell, and Miriam pushes Ann to dream. After Ann begins work on the wedding gown, she starts being wooed by the rich, handsome, enigmatic Captain Jeremy Thickett-Milne. Ann is never swept off her feet completely because she is practical and doesn’t believe that rich men like Jeremy are interested in girls like her: “Ann had never expected to be the girl in the fairy tale. She didn’t believe in them, for a start, and she wasn’t certain she believed in this. She shouldn’t allow herself to believe” (115). Jeremy turns out to be the villain in the tale because he tries to get Ann to reveal the wedding dress. Ann’s practicality prevents her from being swept up by the seeming fairy tale Jeremy presents. Ann is also intensely loyal. She would never reveal the details of Princess Elizabeth’s wedding gown because that would betray Mr. Hartnell, her friends at work, and the princess. Jeremy’s charm doesn’t work because Ann would never betray someone she cares about.

When Ann is raped and betrayed by Jeremy, she must make hard choices for herself and her baby that she never thought she would have to make. She never dreamed of leaving her job at Hartnell and moving across the ocean. She does it so she can keep her baby and not be shunned. The one thing Jeremy gave her is a child, which she never allowed herself to dream about because men never thought her beautiful. When Miss Duley offers Ann the option of giving the baby up for adoption, Ann says, “I would, only I want this baby. I never saw myself getting married, you know, not really, but I did want to be a mum. Now I have the chance” (348-49). Ann wanted to be a mother but hadn’t allowed herself to dream like that, so she finds a silver lining in Jeremy’s terrible betrayal. Ann knows the best option is to leave everything she loves and go to Canada. She must never look back.

This severance from her old life ties into Ann’s relationship with Heather. She never reveals the details of her life in England because it is too painful to think of. After her death, she leaves a hint for Heather, wanting her to understand why she made the choices she did. Ann was a survivor, and she wouldn’t allow herself to be a victim, so she made choices for a better life for herself and never regretted it even if it meant leaving Miriam behind. Considering what she would say to Miriam at the end of her life, Ann thinks:

She would tell her friend that she had been happy. Her daughter was happy, too, and was married to a good man, and she had a daughter of her own. She would tell Miriam about Heather, her only grandchild, and the light of her life. A single smile from that child was worth more than everything Ann had left behind, and she had never, not once in all the years cine, ever had cause to regret what she had done (363).

In the end, Ann has no regrets about her life and lives out her dreams of having a family, something she never thought possible at the beginning of the novel.

Miriam Dassin

Miriam is a Jew who survived Nazi-occupied France by hiding her identity. Nonetheless, she was arrested for aiding the French Resistance and imprisoned in Ravensbrück. She arrives in England after the war tired, afraid, traumatized, and filled with survivor’s guilt. She left France because of the continued hatred toward the Jews. The man who was responsible for her family being interred in the concentration camps wasn’t sentenced for his crimes, and after his trial, Miriam realized things hadn’t changed in France: “What she had seen instead was hatred. Corrosive, incendiary hatred, and she had looked around the courtroom and recognized it in the eyes of others there, too” (20). Miriam is afraid and tired of living on edge, so she leaves France to start over in England.

At first, Miriam is terrified to be in England because she is scared somebody will know she is a Jew. It isn’t until Ann invites Miriam to live with her that Miriam starts to come out of her shell. Ann’s kindness causes Miriam to start to heal. Miriam also begins to change through her relationship with Walter Kaczmarek. She meets him on the street and is immediately drawn to him despite not wanting to be. The day of their first date, when she impulsively decides to call and meet him for lunch, is when Miriam first encounters other Jews in England. She is shocked that they are outwardly congregating in the streets and synagogues. The sight triggers Miriam’s fear that somebody will attack, but she calms down by reminding herself that this isn’t Nazi-occupied France. Miriam longs to connect with her people and heritage but isn’t ready to face the trauma of the past: “To hear and see and sign would be to remember. To let the wounds be opened once more, and the bitter pain of loss consume her. Not today. Not yet” (160). This sighting starts to draw Miriam back to the past and influences her choice to tell Miriam and Walter her story. Ann and Walter’s steadfast love and patience help Miriam heal. After Miriam tells them about her past, the survivor’s guilt she holds starts to dissolve.

When Ann’s pregnancy is revealed, Miriam supports her friend as Ann did for her in the beginning. Miriam comforts Ann and helps give her the strength to move to Canada. In the conversation with Ann about the pregnancy, Miriam reveals how she healed and the steps forward for Ann:

‘So is distance the cure? To simply take myself to the opposite side of the world?’
‘It will help. It helped me, and I did not go so very far. But time is also important. Time will help you to heal, and it will wash away some of the memories that trouble you.’
‘I don’t think I can ever forget.’
‘No,’ Miriam admitted. ‘You will not. But the weight of it is not so much after a while. Perhaps it is the case that you grow stronger? For you will. I promise you will.’
‘And until then?’
‘You endure. You have done it before’ (330-31).

Miriam was able to heal from her past with time, distance, and friendship. She endured and found something better on the other side, and her change allows her to be there for Ann in her time of need.

Heather Mackenzie

After Heather’s grandmother dies, she goes into a tailspin with the discovery of the embroidered flowers that she left for her, which hinted at an important past that her grandmother never told her about. Heather told her grandmother everything, so she grieves not only the loss of her grandmother but also the feeling of the floor being ripped from under her. The grandmother Heather thought she knew is gone, and Heather is grappling with this new grandmother she never knew. Heather takes the gift as a sign that her grandmother wanted her to discover her past.

Heather’s quest is accelerated by losing her job. Instead of being depressed about a jobless future, Heather is excited that she will finally discover her purpose and find what she’s passionate about. The narrator observes,

Maybe this would give her a break. A chance to step off the hamster wheel and think about what she really wanted to do with her life. She hadn’t stopped scampering on that wheel for years. From high school to university to internship to job to job to job, she’d always said yes to the offers she'd been given, always convinced that forward was the only way to go. She’d had her head down for more than a decade now, staring at the wheel beneath err feet, so sure she’d trip and fall if she ever looked up (131-32).

Losing her job is the catalyst for her finding her purpose, and she does that by looking into her grandmother’s past. Heather pushes through the doubt she has about digging into Ann’s life to find out why her grandmother made the choices she did.

Meeting Miriam helps Heather come to terms with who her grandmother was in England, and why she kept things from her. Her grandmother had been badly hurt and couldn’t face revealing it to her grandchild, so she left a clue for Heather to figure out. In the end, Heather accepts that her grandmother sent her on a quest to find out who she was, and Heather wants to share that knowledge with the world. Heather decides she wants to write stories that she is passionate about, the first one being about Ann, Miriam, and the women who worked on the royal wedding gown. It is Heather’s tribute to Ann and one that she had to go on a personal journey to create.

Jeremy Thickett-Milne

Captain Jeremy Thickett-Milne is introduced as the man who sweeps Ann off her feet by singling her out and dancing with her. Ann isn’t the prettiest in the room, and she isn’t wealthy, so this rich army captain wooing her seems like a fairy tale. Jeremy at first seems to be the charming, romantic hero that a woman in Ann’s position could only dream of.

Things quickly change when Ann calls him and a woman picks up telling her not to call again. Jeremy runs into Ann outside of work and sweeps the incident under the rug by saying his sister was playing a cruel prank. Ann is hurt still but agrees to go out with him. At the Italian café, Jeremy again appears charming, calling Ann pretty and nice, so Ann agrees to go out with him again. The fancy restaurant Jeremy takes Ann to makes it seem like Jeremy is a true gentleman and serious about his intentions, but when a rich couple stops by their table and he doesn’t introduce Ann, his character is thrown in doubt again. Ann wants to believe him when he says they are snobs, but she can’t help feeling this relationship will never work out because of class differences.

Jeremy’s character is revealed when he refuses to acknowledge Ann in front of his friends at Hartnell. Jeremy begs to be forgiven. Ann blames herself for the snub because of their difference in class, again showing Jeremy’s manipulation. Jeremy reveals his true colors to Ann when he says she’s been a waste of time for not telling him about the royal wedding gown, which is the only reason he was dating her. All the suspicions about what lies behind Jeremy’s charming façade are confirmed: Jeremy is manipulative and insincere, and he eventually becomes a rapist and fugitive.

Walter Kaczmarek

Walter is a steady presence in Miriam’s life from the moment he is introduced. Since he’s a journalist, it would be easy to assume that he would pressure Miriam for an inside look into Princess Elizabeth’s gown, but he doesn’t. Unlike Jeremy, who doesn’t seem like a threat to expose the royal dress, Walter’s profession as a journalist might make him seem dangerous. But he soon dispels the reader’s worry that he will try to get the details from Miriam. He keeps his word that he won’t ask and even warns his friends from asking.

Walter is also patient with Miriam. He senses that she is reluctant to talk about the war, and he doesn’t push her to do so until she’s ready. When he finds out she’s terrified of dogs, he has his friends put them away. He assumed Miriam was Jewish because of her name and the fact she wouldn’t talk about the war, but he waits for her to tell him. When she finally does, he comforts her and reminds her that she shouldn’t feel guilty for surviving. He’s the unassuming hero that Miriam needs to help her heal, and their happiness seems well deserved.

Daniel Friedman

Daniel is an immediately likable character because he helps Heather, a stranger to him, find information about her grandmother. Daniel goes out of his way to help Heather’s quest, and when she questions his motives, he says that his grandmother is still alive, and he has knowledge of the past, so why wouldn’t he help? His answer shows that he is kind and generous, and he understands wanting to know about one’s heritage. Daniel is also the reason that Miriam puts her works on exhibit. He was persistent with Miriam about wanting her story to be told and her legacy to live on. He is a cheerleader in Miriam and Heather’s lives and encourages them to share their stories with the world. Although Daniel isn’t a large part of the story, nor is he conventionally heroic, his character functions as a romantic hero in the sense that he supports Heather’s aspirations and is the means by which they are fulfilled.

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