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53 pages 1 hour read

Steven Rowley

The Guncle Abroad

Fiction | Novel | Adult | Published in 2024

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Part 1, Chapters 4-8Chapter Summaries & Analyses

Part 1: “Four Weeks Earlier”

Part 1, Chapter 4 Summary

Patrick’s movie is a comedy titled Tongue-in-Cheek, and he stars opposite Jude Law. On the last day of filming, he brings Maisie and Grant to set and has them become extras for one of the final scenes. As he jokes with them, Patrick realizes that they no longer find him as funny or listen to him as easily. He realizes that they are growing up faster than he wants them to. As he prepares for this final scene, Patrick realizes how much he missed acting during the years he hid in Palm Springs, mourning Joe. The lights and everyone’s attention on him thrill him. On set, he finds Maisie and Grant in the crowd, dressed up to be kids with their parents in the crowd. Seeing them with parents forces Patrick to realize how much they lost with Sara’s death and how much they could gain with Greg’s marriage to Livia.

Patrick remembers a night with Sara in her dorm room early in college. Both were theater majors, hoping to make acting their careers. Sara asked Patrick if he would ever let his kids go into acting. Confused, Patrick asked her why she wondered that, and Sara admitted that her parents recently threatened to stop paying her tuition if she did not pursue a course more “practical.” Patrick suggested that Sara fight back by taking courses that seemed even less employable, like French horn. Sara had a boy coming for the night, but before she kicked Patrick out of her room, she told him that she thought she would just want her own kids to be happy, no matter what. As he left, Patrick, judgmental of the boy soon to arrive, told Sara that one day he would introduce her to someone better and that their kids would be happy.

Back on set, Patrick snaps out of the memory when there is a call to reset for another take. He realizes that he must convince Grant and Maisie to accept Livia, believing that having another mother figure in their life can bring them happiness. He decides that he will convince them to accept Livia before they reach Italy later that month.

Part 1, Chapter 5 Summary

Patrick decides to start their trip across Europe in Paris and prepares Grant and Maisie for the train. He forces them to pack lightly, sending most of Maisie’s books back to the US. On the train, Grant and Maisie once again confront Patrick about the need to talk to their father. They want Patrick to talk some sense into him about Livia. Patrick refuses, saying that people in love cannot be convinced to change their minds. He remembers how different Greg and Sara both were when they fell in love, and how Patrick went from being a brother and best friend to a clunky third wheel.

As the train passes under the English Channel, Patrick tries to convince Grant and Maisie to be open-minded, saying that he is about to show them so many new and incredible things across Europe. He wants them to think about their experiences on the trips and his lessons about love, which he calls Guncle Love Languages, and promises that if when they reach Italy, they still do not want Livia to marry their father, he will talk to Greg. The kids agree to Patrick’s terms and he introduces the first love language: Silence. They are all quiet for the rest of the journey.

Part 1, Chapter 6 Summary

Patrick and his niblings arrive in Paris. Patrick thinks of love languages the whole way there and hopes that they will help them realize why Livia and their father may be a good match. He also hopes that his introduction of love languages to them will show them how Livia might love them in ways that they cannot yet see. He does also worry, though, that he is not the best teacher, his breakup with Emory casting doubts on his own experiences with love. However, Patrick figures that they can all learn and grow together, like they did in the wake of Sara’s passing.

After checking into their hotel, Patrick brings Grant and Maisie to a tearoom at 226 rue de Rivoli and orders them all the “famous” hot chocolate. He orders in French, and Maisie tries to use her translation app, SayHi, to find out what he says exactly. The kids are skeptical, but Patrick introduces Guncle Love Language number two: “Finer Things.” He explains that nice things should be enjoyed with those you love, whenever possible. When the hot chocolate arrives, it is clear that it is unlike any chocolate the children know. It is rich and thick, not watered-down like the instant hot chocolate they are used to. Patrick wants them to enjoy the hot chocolate, but Grant drinks it all down in one big gulp.

Grant and Maisie like the hot chocolate, and are very complimentary of Patrick for introducing them to it. Patrick realizes what they are doing and warns them that flattery will not win him to their side. They complain about Livia and how her being Italian is weird to them.

Part 1, Chapter 7 Summary

Next, Patrick takes Grant and Maisie to the Sacré-Coeur Basilica. They reach the top of the steps and sit down in front of the church, looking out across the whole city. He realizes that the kids are exhausted, having already undergone a long day through the Louvre. When they saw the Mona Lisa, both kids were shocked that the famous painting was so small and plain. As they sit on the steps and look out onto the city, Patrick introduces Guncle Love Language number three: “Don’t need no credit card to ride this train” (81). He explains that money cannot buy anything better than enjoying “life’s free joys with the people you care about” (81).

Patrick remembers a time when Sara visited his house in LA after her engagement to Greg. It was Patrick’s first house, bought with the money from his first show and he shared it with Joe. On the deck, he and Sara bickered because Patrick was annoyed that she was marrying his brother. Despite this, she told Patrick that she was excited that they will be “sisters,” and Patrick realized for the first time that they would actually be family.

Maisie tries to discuss with Patrick what he should say to Greg to convince him not to marry Livia. Maisie complains about how Livia wants them to go to church. When Patrick asks if the kids pray, Maisie and Grant both say that they sometimes talk to their mother. When Maisie says that memories of her mother are becoming fuzzier, Patrick realizes that the kids’ grief is the major roadblock to them accepting Livia. They do not want to feel as though they are replacing Sara.

Maisie tells Patrick that she does not want Livia erasing Sara’s memories, and Patrick promises her that Livia can never erase their lives with and memories of Sara. It is natural for Livia to want her own life in the family, but this does not mean that Sara will disappear completely.

Part 1, Chapter 8 Summary

Patrick remembers a summer in college when he and Sara wanted to be in a production of The Sound of Music. When neither won the part they hoped for, Sara convinced Patrick to spend the summer at the beach instead. Now, in Europe, Patrick decides to honor Sara’s memory by bringing the kids to Salzburg in Austria for the official Sound of Music tour. Before they begin the tour, Maisie and Grant wonder why Patrick is forcing them to be do this with him, and he explains that their mother would love to see them doing this. He explains, “‘Guncle Love Language number four: ‘Simply remember your favorite things’” (95), reminding them to engage in activities that the people they love like. When the kids still struggle to understand, Patrick explains that they are taking the tour for Sara.

On the tour, Patrick attempts to convince Maisie to keep an open mind about Livia, but she refuses, unwilling to change her stance. The trio visit all of the famous sites from The Sound of Music, Patrick enthralled, Maisie and Grant skeptical. At the end of the tour, two college kids approach Patrick, recognizing him and wanting a picture. They wear t-shirts with the Wonder bread and Smucker’s logos on them and carry a third with Lipton tea on it, a play on the lyrics, “Tea, a drink with jam and bread” (100). In an effort to embarrass Maisie and Grant, Patrick dons the extra shirt and begins singing the song Do-Re-Mi until the entire crowd joins in and even Maisie and Grant cannot help but smile.

Part 1, Chapters 4-8 Analysis

Patrick is not the only character in The Guncle Abroad to experience the effects of aging. Both Grant and Maisie are growing up. They are in a completely new part of their lives, and they make it glaringly apparent to Patrick every chance they have: “Now they had agency to push back against his wilder antics and they were immune to his charms. On top of that they devised their own agendas and had no problem advocating for them; everything was all so straightforward in their minds” (51). Patrick notices that his relationship with his niece and nephew fundamentally changes on their trip across Europe. Their identities as growing individuals instills in them a resistance to his authority and a budding independence as they both try to discover themselves and prepare themselves for the eventuality of a stepmother. Patrick feels The Tension of Aging the more time he spends with Grant and Maisie as he realizes that they are different people now and struggles to understand the impact this has on their relationship. Throughout the novel, Patrick tries to get through to them about the positives of having Livia join their family, only to be met with a new resistance that he cannot recognize. He must find new ways to connect with his niece and nephew, taking into consideration their new ages. The age-centered conflicts in the text are therefore both intergenerational and personal, highlighting the wide impact and universality of The Tension of Aging.

The prospect of Livia joining the O’Hara family is one that Maisie and Grant, and at times Patrick, find daunting and unattractive. The children do not want Sara to be replaced and the dynamic of their family to change. Patrick understands this, having experienced a shift in his family before, when Sara, his best friend, married his brother, Greg. Witnessing their love reduced Patrick’s self-worth at first because he felt like a “third wheel.” However, the love that Greg and Sara shared for each other forced Patrick to shift his perspective on the relationship between himself and Sara: “It was the first moment it dawned on him that they would be family. And would have new entanglements that came with it” (83). This shift in perspective demonstrates The Impact of Love on Self-Perception, as Patrick analyzed his self-worth in relation to others.

Maisie and Grant’s early refusals to accept Livia, and their requests that Patrick intervene on their behalf, stem from the grief that they still feel over the loss of their mother. Part of the grief they feel in The Guncle Abroad is not fresh grief from the loss but rather grief at how their relationship to Sara’s memory changes. Maisie particularly fears forgetting Sara or moving on from her: “She’s getting fuzzier and fuzzier. Mom. The further and further we get from her she seems less sharp” (87). Maisie’s pain is not from Sara’s death but by the fact that time keeps moving, a point that is amplified by the context, as the children are on a literal journey with Patrick. The Persistence of Grief is evident, and the process of healing becomes intertwined with grief. Maisie knows that she is healing from the loss, but this evokes grief because of a sense of guilt and fear that Sara will be replaced and forgotten. Patrick tries to demonstrate to them that there can be a balance, in which they remember their mother while accepting Livia.

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