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53 pages 1 hour read

Steven Rowley

The Guncle Abroad

Fiction | Novel | Adult | Published in 2024

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Part 1, Chapters 9-12Chapter Summaries & Analyses

Part 1: “Four Weeks Earlier”

Part 1, Chapter 9 Summary

Patrick takes Maisie and Grant to Venice to see the city’s famous canals. Maisie continues to hound Patrick to intervene in her father’s wedding, but he refuses, claiming that there is still time for her to change her mind. Patrick is especially pleased when they reach the Grand Canal and the kids are stunned by its spectacle. As they walk through the city, Maisie and Grant tell Patrick about Livia’s sister, Palmina. They tell Patrick that she is a lesbian and will be their new lesbian aunt, or “launt.” Patrick immediately feels competition brewing and feels jealousy toward this new, mysterious figure.

That night, Patrick brings the kids for authentic Italian pizza, and over dinner, Maisie and Grant interrogate him about what went wrong in his relationship with Emory. They question his qualifications to teach them about love when his own love ended, and Patrick defends himself by saying that their love did not end. He decides to be honest and explains that sometimes love is not enough and that their age difference was a serious issue. Patrick is worried that Emory will not want to be with him after he turns 50. Grant tells Patrick that that is not a real problem. The kids reveal that they still speak with Emory, much to Patrick’s surprise.

As Patrick, Grant, and Maisie walk through Venice at night for gelato, Patrick introduces love language number five. He tells them that spending time together is what marriage is all about and that you need to find someone you love being around. When Maisie asks why anyone should even bother with love because it just seems like a way to get hurt, Patrick tells her that it is in spite of the pain that people love. He brings Sara up as an example, asking Maisie if she would not want to love her mom just to avoid the pain of losing her. Patrick tells Grant and Maisie that he will always support them. He also wonders if he is convincing the kids about the good side of love, or himself.

Part 1, Chapter 10 Summary

Patrick drives Maisie and Grant in a rental car up to the Grand Hotel Tremezzo on Lake Como for the wedding. The roads are tight and everyone speeds by, putting Patrick on edge. When they arrive, Greg and Livia meet them in the lobby, and as Greg hugs Maisie and Grant, Patrick feels truly alone. Patrick watches Livia, formal with the children she knows are against her. He struggles to understand her, seeing a caring, motherly figure one moment and an evil stepmother the next.

Later, Patrick takes some alone time on the bar veranda with a bottle of wine. Greg, Livia, and the children go out to dinner. Patrick is surprised when Livia joins him, explaining that she believes that Greg and the kids deserve some alone time together. They begin to chat, and Patrick realizes that he likes Livia; she is less critical than she often appears, though he can understand why Maisie and Grant dislike her. Livia thanks Patrick for taking the kids, and he explains to her that it was no problem. Patrick then tells Livia that as Maisie and Grant grow older, he is finding it harder to relate to them. He warns Livia that they see her as a threat to losing the memory of their mother and their idea of family with Greg. Livia tells Patrick that she wants to be a mother and that though she tried to be for years, she never could. Patrick sympathizes and advises her to express her desire not just to be a mother, but to be Maisie and Grant’s mother, specifically.

Part 1, Chapter 11 Summary

The next morning, Grant, Maisie, Patrick, and Greg take the ferry to Bellagio as Livia’s family arrives at the hotel. Maisie declares that she invited Livia and wonders if that is why Livia did not come. When Patrick tells Maisie that he is proud of her for extending the invitation, Maisie tells him, “I was hoping she’d walk the plank” (134). She continues to push Patrick to talk to Greg, but Patrick still refuses. When Maisie asks him if he thinks that Greg will let her get highlights, Patrick suggests that she ask Livia. Angered, Maisie tells him that she might ask her new “launt” instead. Patrick relents and promises that they can highlight her hair with lemons. Maisie remarks Palmina bothers Patrick, and he admits that he does not like competition.

Greg tells Patrick that their sister, Clara, is arriving later that night, and he suggests to Maisie and Grant that they find a present for Livia. They find a silk scarf store and Patrick helps Maisie and Grant pick out one with mushrooms on it. The kids love it, and though Greg is skeptical, he buys it for them to give to Livia. When they walk outside, it begins pouring rain. They huddle together under an awning, and after it stops, they walk back to the boat. As they do, Patrick speaks with Greg, commenting that they make a good duo for the kids. Patrick tests Greg’s intentions with Livia, suggesting that maybe Maisie and Grant do not need her if they have him and Greg. Greg tells Patrick that he needs Livia.

Part 1, Chapter 12 Summary

Later that night, Patrick finds Clara as Greg and Livia’s family meet for drinks. Clara and Patrick once had a rocky relationship, and during the summer when Patrick watched Maisie and Grant, she tried to take them from him, claiming that he was doing a bad job. Five years later, she is divorced and a new person. When Clara and Patrick meet Livia’s parents, Livia’s father is impressed and excited to discover that Patrick is an actor. Patrick loves the attention, but he is soon stunned by the arrival of Palmina. She is dressed stylishly and seems effortlessly confident and cool, trailed by an entourage of three women. Palmina introduces herself to Patrick and calls him “GUNK,” much to his dismay. He immediately thinks of her as a supervillain. They begin exchanging playful insults, a rivalry springing up between them. After she leaves, Maisie and Grant gush over how cool she is, annoying Patrick.

Patrick excuses himself to the bar, where he thinks of Emory and how lonely he is. In a moment of weakness, he almost texts Emory, but he stops himself. Patrick is sure that Emory is already moving on. Palmina soon joins him, and when he tells her that he almost texted his ex-boyfriend, she asks why they are not together. When Patrick cannot explain, she tells him that he will not know what he wants until he understands himself. Palmina shares that she also just broke up with her partner, though she did so because her older partner was too possessive, not because of her age. They seem to garner a begrudging respect for each other. When Palmina leaves, Clara finds Patrick and expresses her own doubts about the wedding, saying that they must think of how it will impact Maisie and Grant.

Part 1, Chapters 9-12 Analysis

Grief is ever-present in The Guncle Abroad, even though the novel takes place years after the tragic loss of Maisie and Grant’s mother. Grant and Maisie’s grief often forces them to be more mature than they should be: “Patrick winced. He often forgot how young Grant still was. Like the boy wizard, he had lost a great deal and been forced to grow up too fast” (105). Grant is still a child in The Guncle Abroad, and was only six when Sara died. Patrick feels a shock when he realizes that Grant is still a child and it dawns on him just how much grief and loss impact Grant. Rowley uses a simile to compare Grant to Harry Potter, the “boy wizard,” drawing on popular culture to generate an instant image of a boy impacted by grief. Once again, he highlights The Persistence of Grief in the healing process. 

As the wedding nears, the tension in the rising action builds. Patrick finds it more difficult than ever to connect with Grant and Maisie. He finds Maisie’s angst insurmountable and realizes that his usual tricks do not work on the children anymore. Patrick begins to worry that he will not be as connected with his niece and nephew in this new stage of their life and fears that he is passing through the best part of their mutual relationship. He feels The Tension of Aging as they travel across Europe and he begins to realize that as they all age, their relationships will change: “He didn’t mention that he was emerging on the far side of a sweet spot he’d found with both kids, and now that they were adolescents, he found it at times a struggle once again to relate” (128). As Patrick grows older and the children grow into independent adults, he finds that he cannot relate to them in the same way as he did before, and once again their journey across Europe reflects each of their growth as characters. He is also not the ultimate authority that they once saw him as, either, meaning that his characterization as a sage diminishes and his internal conflicts become more prominent. His conversations with them begin leading to nowhere, and more than once, his efforts to relieve the tension between them fail, and Grant and Maisie turn on him.

As Patrick tries to help Grant and Maisie navigate their grief and worries over Livia, he also tries to navigate his own insecurities about age. The subplot about Emory develops as the text casts doubt on Patrick’s perception of their relationship, enhancing his characterization as someone who needs advice as much as he gives it. He does not consider that Emory may be okay with their age difference and is well aware that there is evidence suggesting that Emory wants to be with him no matter Patrick’s age: “He never commented on the graying around Patrick’s temples of the salt that grew in his beard. When they played tennis, Emory would get winded, too—or at least pretend he did” (114). Emory’s love for Patrick leads him to act in ways that support Patrick and make him more comfortable with his insecurities. Emory tries to foster an image of their relationship for Patrick in which they are united and age does not make a difference. Emory’s feelings and actions demonstrate The Impact of Love on Self-Perception because he attempts to use love to give Patrick a more positive self-image. He tries to show Patrick what their relationship can be despite their age difference, though Patrick does not believe it.

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