47 pages • 1 hour read
Alice HoffmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section discusses life in and escape from a cult, abortion, and death.
Mia is the protagonist of the novel. She is the catalyst for all the major plot points, and her choices drive the experiences and decisions of the other characters. Her mother names her Mia as an act of rebellion—even though the children are supposed to belong to everyone, Ivy chooses to name her daughter a word that means “mine.” Mia is beautiful like her mother but with red hair rather than dark. She wears simple clothing throughout the novel, a holdover from her time at the Community, except for her mother’s red boots.
Although Mia is highly intelligent and has a deep love for literature, she is characterized by her emotions more than by her intellect. She is initially rebellious, searching for ways to escape the harsh requirements of the Community and willing to steal and hide possessions to protect herself. However, after her escape from the Community, she is haunted by her past, becoming withdrawn and isolated. She finds solace in the library, both as a child in Blackwell (where she discovers The Scarlet Letter) and as an adolescent volunteering at Constance’s public library, and in adulthood, as she successfully gets her dream job at the New York Public Library. Her journey culminates in her relationship with Nathaniel Hawthorne, who shows her that men can be nurturing and not merely controlling. Her pregnancy and the promise of the future drive her to abandon self-isolation and her pursuit of invisibility, rising to the challenge to surpass what her mother could achieve. Mia represents the ability of women in the contemporary world to claim ownership of themselves and refuse to remain invisible.
Ivy is Mia’s mother and a foil to Mia. Ivy is a strikingly beautiful woman, and her gray eyes and dark hair captivate Joel Davis when they first meet. She refuses to conform to the world she was born into and escapes when the men who are supposed to love and protect her hurt her. She is passionate about literature, though she does not excel in school. The Community and Joel offer her the promise of a life where she is honored for her actions rather than her appearance. That promise contributes to The False Security of Invisibility as she learns from Mia’s birth and Kayla’s death that Joel’s control is a cage rather than a protection. Although she allows the men in her life to dictate her actions, elements of rebellion in her personality keep her from reaching full invisibility.
Ivy’s defining characteristic, however, is motherhood. It is her love for Mia that drives her to run away from home, marry Joel, and stay in the Community to avoid potentially losing Mia. Her transgressions are all to shield Mia—even the letter to Helen is designed to provide for Mia if something happens to Ivy. Ivy’s intense love for Mia is ultimately the model for Mia’s choice to go back to her own time and raise her child alone. Ivy’s choices lead to her death, but they also lead to Mia’s freedom. As a result, Ivy is the catalyst for many of Mia’s choices, even after she dies.
Nathaniel is both Mia’s primary love interest and the novel’s example of ideal masculinity. He is described as “highly intelligent, as well as so extremely handsome that when he walk[s] through the town of Salem women […] grow faint” (129). However, he is completely unaware of his effect on women, and he cares deeply for the women in his life and the women of the past. Even though he is a major literary figure, he is portrayed as a gentle man who desires invisibility and the simple space to write. Although he is prone to occasional dark moods, he still takes care to honor the women he encounters, even women who are often rejected by society, like sex workers. He feels that it is his duty to atone for the sins of his ancestors who participated unapologetically in the Salem witch trials. Nathaniel’s words and actions allow Mia to experience romantic love, leading her to see personal connection and her own visibility as desirable and positive.
Joel is Mia’s primary antagonist. He represents the world’s damaging patriarchal controls. Although he is physically attractive and preaches love and acceptance to his followers, his primary goal is to possess and control those around him. His passion for Ivy appears sincere, especially at her death, but his willingness to use Mia to keep Ivy metaphorically chained in the Community and his deadly affair with Kayla both indicate his darker impulses. Throughout the middle of the novel, he terrorizes Mia by leaving apples and apple tree leaves where she is likely to encounter them. He calls her repeatedly when she moves to New York and finally follows her to Nathaniel’s time to retrieve the deed to the Community property. In addition to embodying masculine danger, Joel represents the haunting influence of Mia’s past, following her into all her hiding places and threatening her individuality and success. Mia’s final act in the novel is to lock him in the barn, leaving him in the past and rising victorious into her own future.
Elizabeth and Kayla are both representations of the limitations placed on women by society. Kayla is not described physically except as having a large backpack. She convinces Ivy to go to the Community and jealously competes for Joel’s attention with Ivy. Kayla’s experience with hidden sexual attention from Joel, an unplanned pregnancy, and an abortion represents how even in modern society, women’s choices can be limited, dangerous, and even deadly.
Elizabeth is known as plain, “but she [has] her own sort of beauty, one she [does] her best to hide, with clear grey eyes not unlike Nathaniel’s, and rather strong features” (163). She is as smart as her brother, and he relies heavily on her for advice and criticism of his writing. She dreams of an independent life that is off limits to her as a woman. She convinces Mia to return to her own time twice, both times highlighting the risks to women who depart from the norm in the 19th century.
By Alice Hoffman