39 pages • 1 hour read
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Anthony’s lawyer arrives to settle Anthony’s estate. He shares with Laura a story of Anthony’s childhood and why the song “The Very Thought of You” was so special for him. When Anthony was a little boy, the night before his father shipped out during World War 2, he and his parents danced together to the record. His father departed the next morning and never came home, killed during an escape attempt from a German POW camp. In addition, the letter Anthony leaves for Laura explains the importance of Therese’s lost Communion medallion and in turn the importance of his lifelong obsession with returning lost things to their owners. He then explains that now returning the objects is Laura’s mission, news that both pleases and overwhelms Laura: “Anthony had chosen her as his successor and she was proud and grateful, but also terrified of failing him” (94). As she is unpacking her few boxes of things to move into Padua, she meets Felicity, Freddy’s abrasive but fetching girlfriend, who initially mistakes Laura for the maid. The neighbors wonder about Laura, as she overhears while she lunches alone at a pub.
The narrative turns back to Eunice. It is 1984. Eunice understands now, approaching 40, after working for Bomber for 10 years, that Bomber, the man she loves, will never be hers: “Every man came second best to Bomber, and no man deserved to be forever runner-up” (91). She suspects that perhaps Bomber might be gay but never directly asks. Three years later, Bomber wrestles with the devastating implications of his father’s slow descent into Alzheimer’s. Bomber confides in Eunice that his father has begun to wander the neighborhood and leave on appliances unattended. The risks are mounting, and the family considers putting him in a facility.
Back in Padua, weeks after Anthony’s death, Laura, Freddy, and Sunshine plan a simple memorial service in Padua’s sumptuous rose garden. Sunshine is fascinated by Anthony’s study with its shelves teeming with lost things. One in particular attracts her: a lady’s navy-blue leather glove. When she picks it up, she screams in pain. The author then provides the story of the glove: It was lost by a young, desolate mother who dropped the glove before she leaped to her death off a bridge. Sunshine’s intense reaction bothers Laura—perhaps the study with its contents is too much for the impressionable girl. Sunshine reassures her she can handle it: “If you never get sadness, how do you know what happy is like? (109). The memorial service goes off without a hitch. Anthony’s ashes are scattered in the rose garden. Laura believes the two lovers are at last together.
Freddy agrees to help Laura build a website, called The Keeper of Lost Things, to help locate at least some of the owners of the tagged items.
Laura, determined to start her life anew, goes on what turns out to be a disastrous date with a friend of her ex-husband’s. The two have little to talk about over dinner, and the good night kiss is obligatory and awkward. Angry and frustrated, Laura drinks herself to sleep. The next morning, she is hung over and depressed when Sarah, a longtime friend of hers, unexpectedly shows up. Apparently, a very drunk Laura left a half dozen messages on Sarah’s phone. Laura opens up to her friend about her fears of being alone and of ending up “living in a house full of mice and cobwebs and other people’s lost property” (139). Sarah reassures Laura that self-pity is an emotional dead end. Sarah advises her to stop punishing herself over her ruinous marriage and her abandoned dreams, and to follow her heart and not be afraid to be Sunshine’s friend—to let someone else into her life. Laura takes the advice to heart. She and Sunshine begin the immense work of building the website’s database, one item at a time.
It is now Christmastime. Unexpectedly, Laura’s ex-husband, Vince, shows up at the door. Laura suspects he has gotten wind of her inheritance. The conversation quickly escalates into confrontational rhetoric until a desperate Laura heaves a carton of milk at Vince. Freddy appears, and the two men exchange heated words before Freddy decks Vince with one quick punch to the face. That night Laura is awakened by music coming from the downstairs gramophone: “The Very Thought of You.” When the song ends, Laura is not sure if it was real or a dream. Unable to sleep, she goes downstairs. She enters the study to work on the database. She selects a child’s umbrella from the shelves. We read the story of Alice, a rich girl living in New York City, who has an encounter in Central Park with Marvin, a homeless schizophrenic who spends his days gathering broken umbrellas from trash cans, fixing them as best he can, and then handing them out to others. When Marvin hands Alice an umbrella, her mother, shocked at the boldness of the gesture, pulls the girl away, calling Marvin a dangerous moron. The girl blows him a kiss, and Marvin leaves the umbrella against the park’s statue of Alice in Wonderland.
These chapters highlight the importance of Eunice to the plot, the emergence of Sunshine as an agency for Laura’s redemption, and Laura’s own determination to start to live again now that she is the proprietor of Padua. Given the narrative focus on Anthony’s eccentric collection and now Laura, like Alice in Wonderland, as its new caretaker, the storyline of Eunice and Bomber can seem jarringly out of place. Until the last handful of pages when Eunice and Laura meet, the storyline of Eunice’s work as Bomber’s secretary at a publishing house and Bomber’s emerging awareness of the implications of his father’s dementia may seem unrelated to Laura’s investigation into the archives of Anthony’s collection and her discovery of the importance of his past and his love of Therese.
However, both Anthony and Laura are presented as characters already destroyed by their past. They are haunted characters, Anthony by his memory of love and Laura by her certainty—after her messy divorce, her lost child, and her abandoned dreams of being a writer—that she is not worth loving. They are less characters than ghosts. In the story of Eunice and her unrequited love for Bomber, the novel offers an anatomy of love in the present tense. Eunice comes to understands that she cannot expect a traditional romantic relationship with Bomber. She suspects he is gay. Rather than play that for tragedy or abandon entirely the man who so intrigues her, Eunice opts to invest her emotional capital in friendship.
That relationship unfolds in the present tense with an immediacy that registers with the reader. Readers do what they cannot do with Anthony and Therese or with Laura and Vince. The reader watches Eunice’s love in real time. Her narrative unfolds across 40 years with chapters headed by the year. Over that time, Eunice accepts that the friendship with Bomber is all she will have and, at the same, everything she wants. That relationship, uncomplicated by sexuality and sustained by mutual interests, respect, and compassion, will sustain Eunice and Bomber both.
In addition to paralleling the love stories of Laura, Anthony, and Bomber, this section introduces the importance of the character of Sunshine. As her name underscores, she has an unironic appreciation for the moment. In a novel in which so many characters are bound by the past, Sunshine brings a sense of embracing the moment. The novel uses the reality of Down syndrome to give Sunshine an unforced, unapologetic optimism and an unguarded immediacy. Given the haunted nights Laura spends at Padua, she needs sunshine. Because Laura’s life has taught her the brutal risk of opening up to others (Laura is initially put off by Sunshine’s in-your-face honesty and openness), Sunshine is Laura’s chance to learn what Eunice’s storyline reveals to the reader: In a world of lost things, relish the moment and risk opening a heart to others. As Laura begins to appreciate the implications of Sunshine’s friendship, the two begin the immense work of cataloging Anthony’s trove. The website, which will be instrumental in identifying the owners of the lost things, represents Laura’s first hesitant movement away from herself and toward others.
That evolution demands Laura let go of the past. This happens in this section in two ways: the confrontation with her ex-husband in which he is forcibly and at last removed from her life and then the fortuitous return of her childhood friend, Sarah. It is Christmastime, the season that celebrates miracles and that promises peace (Padua’s peace is still unsettled by paranormal phenomena that suggest a persistent disquiet and unease). Vince’s brief appearance justifies Laura’s decision years earlier to leave him. He is caustic, brooding, snarky, and selfish. Unlike in her past, here, Laura at last stands up to him. Throwing the milk carton is Laura’s tipping point. When Vince then snarls a threat at her, Freddy enters and dispatches Vince with the only logic Vince understands: violence. It is the moment of Laura’s rebirth. Although her date is a hilarious catastrophe, the debacle leads her to reach out to the friend she has not seen in years. It is Sarah who tells Laura it is time to stop feeling sorry for herself and start living. With that the evolution of Laura is set: Freed of the past, armed with a life philosophy she has never embraced, and accompanied now by Sunshine and Freddy, Laura is no longer a lost thing. She is ready to live.