64 pages • 2 hours read
Richard OsmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
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Character Analysis
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From its inception, the Thursday Murder Club series shows how strong and capable the elderly can be, arguing that it is possible to lead a rich and dynamic life in retirement. Elizabeth, Joyce, Ibrahim, and Ron routinely prove that they are more than up to the challenge of solving cases that have stumped the local police, and this pattern continues in The Last Devil to Die.
Even in the face of tremendous physical and emotional adversity, the Thursday Murder Club displays resilience and resourcefulness. When Elizabeth and Joyce attempt to search Kuldesh’s shop for clues and are rebuffed, they head down the street to the local café, where they manage to secure CCTV footage that the police haven’t found. Shortly after this, the gang stakes out Dominic Holt’s warehouse in Ron’s car. Dom shows up and threatens them, going so far as to slash their tires and smash their windshield, but they are unperturbed and even mildly insulted: “‘An old woman too scared to use her gun?’ says Elizabeth, as the car clunks toward the ground again. ‘We’ll see about that’” (79). Here, Elizabeth directly challenges the stereotypes surrounding elderly individuals, implying that they can be just as brave and decisive as anyone else.
The characters are similarly enterprising when off the case. One relatively minor example of this is the Coopers Chase New Year’s Eve party. Many in the community have early bedtimes, but that doesn’t preclude an enjoyable holiday celebration. Computer Bob connects their party to a countdown three hours ahead of their own so that they can celebrate at an earlier hour. Joyce is effusive in her praise of him in her diary:
To look at Bob in the restaurant, or wandering through the village, you might dismiss him as boring. He is quiet and shy, and is always in a gray jumper over a stiff white shirt. But this man had the wherewithal to give us all a wonderful evening. To be able to get Turkish TV on an English telly, and also have the kindness to understand how much everyone would enjoy it, well, that takes quite a man (34).
One of the more serious bits of resilience on display in The Last Devil to Die is Elizabeth’s ability to function at all, let alone contribute meaningfully to the investigation, while dealing with the heartbreak of Stephen’s deterioration and ultimate death. She is always prepared for a gunfight, and she never comes across a lock that she cannot pick. As Joyce writes, “[W]e agreed to leave the KGB to her, and local councils to me. Everyone has to have a specialty. For example, I asked Elizabeth how we were going to get into the lock-up without a key, and she laughed” (194). After Stephen’s death, it is Elizabeth who finally realizes how he had been trying to help guide them all along. She may not play the same leading role that she played in past books, but she is still very much involved and integral to the team.
It’s no coincidence that the victim in The Last Devil to Die is someone very close to one of the characters. Throughout the series, new and old friendships feature prominently among the books’ plots and subplots, but The Last Devil to Die amplifies this trend. This is the first time that the Thursday Murder Club has been personally and emotionally invested in a case from the beginning, and their relationship to the deceased is only one of the ways in which the theme of friendship and camaraderie among retirees is explored.
The importance of friendship among those in their later years is a subject that comes up again and again. In Chapter 1, the gang is celebrating Christmas together and has invited Mervyn along. Joyce is chasing after a potential romance, but they learn that he is already involved with someone: In his loneliness, he has allowed himself to be catfished, although he refuses to accept this when confronted about it later. In Chapter 3, Joyce provides details about the gang’s Christmas gifts to each other. Chapter 4 touches upon the shared loneliness of the widows and widowers who own shops near Kuldesh’s. Chapter 7 describes the Coopers Chase New Year’s Eve party. In Chapter 55, Joyce does not know what to do with herself without Elizabeth around, and she ends up watching snooker with Ibrahim, Ron, and Computer Bob. Some of these episodes explicitly address the importance of companionship in old age, while others imply it by showing the characters engaged in conversations and activities with one another. In all cases, however, the message is the same: Human connection is as vital to older individuals as it is to anyone else.
There are two moments where the exploration of this theme is most pronounced. The first occurs at the impromptu funeral for “Snowy” the fox, where residents say goodbye to their wild friend. Joyce writes about the event in her diary: “There was a surprisingly big turn-out. I think we all thought he was our own special secret, but, once the details were put on the noticeboard, half the village turned out to pay their respects” (216). The residents of Coopers Chase even have their secrets and private anguishes in common.
The second moment involves sharing one such secret. In Chapter 72, Ibrahim opens up to someone for the very first time about his relationship with Marius. He feels comfortable with Bob, and Bob seems to feel comfortable with him. When Ibrahim asks if he’s had fun being involved with the Thursday Murder Club, Bob says that he has: “Often I just do online quizzes, or read up about things, or wait for lunch, and this has given me something else to do. I think I spend too much time alone” (288). This leads to the conversation that Ibrahim has been waiting close to six decades to have with someone, and afterward, Bob says that he is interested in what will happen next in Ibrahim’s story. Even toward the end of their lives, Bob is looking forward to a future with Ibrahim.
One of the tenets of the murder mystery genre is that there is rarely only one crime committed over the course of a story, and often there are multiple murders. Protagonists must therefore take care that they do not wind up as one of the secondary or tertiary corpses. As the series progresses, the members of the Thursday Murder Club are less and less surprised when they find themselves in physical danger as a result of their investigations, but the challenges and dangers themselves haven’t lessened.
The challenges of becoming involved in an investigation like this don’t vary much from case to case. Working in their unofficial capacity, the members of the Thursday Murder Club are often able to pry information out of suspects or witnesses who might be less willing to speak to the police, but when someone isn’t willing to talk, they don’t have the power of the official police apparatus to back them up. Likewise, they do not have the same access to crime scenes and evidence as the police do; even Chris and Donna, with whom the group has a working relationship, prevent Elizabeth and Joyce from entering Kuldesh’s shop. The group uses a variety of methods to circumvent these impediments, some of which are downright illegal. The Last Devil to Die culminates in the group helping Garth to flee the country in exchange for his help extracting a confession from Kuldesh’s killer.
The challenges are nothing compared to the dangers, though. There are a few places in The Last Devil to Die where the gang find themselves in genuine peril. The first instance is when Dom catches them staking out his warehouse. He slashes their tires, smashes their windshield, and threatens to kill them if they continue to follow him. Not long afterward, Ron is attacked when Mitch Maxwell breaks into his house. He tries to act tough, but it’s impossible to ignore the pain that he’s in. After Mitch’s discussion with the entire gang about the missing heroin, he asks Ron whether he really hurt his hip. Ron replies, “Course you did. I’m an old man, you idiot” (113), highlighting that his age makes him more vulnerable to physical dangers of the investigation. Joyce’s apartment is also broken into, this time by Garth, although she isn’t home at the time and so fares a bit better than Ron. There are also multiple situations in which the members of the Thursday Murder Club are threatened with guns. When Jeremmy comes for the money that was promised to Tatiana and learns that he isn’t going to get it, he tells them that he’s going to shoot someone. Later that same evening, it is Mitch’s turn to threaten the gang with a gun. He becomes desperate when he learns that they won’t be giving him the missing heroin. Garth, who has by this time figured everything out, then pulls a gun on Mitch. Luckily no one is shot, but it typifies the type of danger encountered during the Thursday Murder Club’s investigations.
To a certain extent, the series has always focused on the struggles one faces when nearing the end of a long life, but The Last Devil to Die takes this theme further than any of the previous three books. The impact of aging, dementia, and mortality is explored in a much deeper and more emotionally developed way from the very first chapter—in fact, even earlier. Osman often introduces a book’s main crime in a short prologue. In the Prologue, the reader is privy to some of Kuldesh’s final thoughts and reflections moments before he’s murdered. Kuldesh is willing to risk being murdered by drug dealers to repatriate a priceless archaeological specimen precisely because he is nearing the end of his life. He understands that he’s going to die soon anyway and wonders, “[W]hen better to take that risk?” (1). The Prologue further elaborates that Kuldesh has lost much of what once tied him to life: “The world is becoming a whisper to Kuldesh. Wife gone, friends falling. He misses the roar of life” (1). Kuldesh also reflects on his friend Stephen and thinks about what age has done to him, all in this vein of thinking about how much his life has changed as he’s aged, making him feel as though he has less to live for.
This focus only intensifies as the book, and Stephen’s illness, progresses. Part 1 ends with Stephen reading Elizabeth a letter that he sent to himself regarding his suspicions that he might have dementia. However, before Elizabeth even hears the letter, she is thinking of what has already been lost:
She slips off her coat and hangs it on one of the hooks in the hall. It is next to Stephen’s waxed Barbour jacket. The walks they used to take, the two of them. Yomping for hours, then a pub with a fire and a friendly dog, help Stephen with the crossword. Now they try for an hour a day, through the woods. No country fireplaces. Another thing lost, and so little left. She touches the sleeve of the jacket (65).
Elizabeth is rarely emotional or nostalgic; that role is more often filled by Joyce, who frequently includes remembrances of her dead husband, Gerry, in her diary entries. Elizabeth is calm, cool, and calculating, but even she is no match for the power death holds over everyone and that looms ever larger as one ages. There are brief moments of clarity for Stephen throughout the book—he even helps the Thursday Murder Club solve Kuldesh’s murder—but eventually his disease is too much for him, and he chooses to self-administer a lethal injection procured from Viktor.
Stephen’s funeral is not the first of the novel. Kuldesh’s takes place in Chapter 15. Both are sparsely attended affairs. Neither had much family, and it is implied that many of the friends who might have attended have predeceased them. There is also a funeral for Snowy the fox, attended by many of the residents of Coopers Chase. Snowy’s funeral isn’t better attended because he is more beloved than Stephen or Kuldesh but rather because so many in Coopers Chase live with the weight of loss every day. They’ve survived long enough to see many others go, and by remembering and celebrating Snowy, they are able to grieve collectively for the things and people they’ve lost individually. Soon it will be their turn, as Joyce points out when she tells her diary about Stephen’s death: “You always wonder where the ambulance is going, that’s only natural. One day it will come for you, and other people will look, and other people will talk. That’s the way of things” (246). Although the novel and series generally present their elderly characters as living live to the fullest, that portrayal exists in tension with the recognition that things that negatively impact one’s quality of life—disease, grief, etc.—do tend to become more prevalent as one ages.
By Richard Osman