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43 pages 1 hour read

Nancy Jooyoun Kim

The Last Story of Mina Lee

Fiction | Novel | Adult | Published in 2020

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Chapters 15-19Chapter Summaries & Analyses

Chapter 15 Summary: “Margot: Fall 2014”

Margot goes to the address that the waitress gave her. Mrs. Baek lets her into her apartment, and Margot questions her. She says that she sold her store because business was slow, but Margot isn’t sure that she’s telling the truth. She confirms that Mr. Kim is Margot’s father. Mina didn’t tell Margot because Mr. Kim was dying. She didn’t want Margot to meet her father only to have to say goodbye to him immediately after. Margot says she can’t move on until she knows the truth about her mother’s death. She tells Mrs. Baek she feels guilty for not checking on her mother more often.

Margot remembers her mother telling her that she should be more grateful, and that there is no fun in the world. Mrs. Baek says Mina was lonely and that Margot kept her safe. She says Margot saved her. Margot doesn’t believe that she saved her mother. She drives to the pier and imagines driving off the edge and drowning. Then she goes to the Ferris wheel and gets on.

Chapter 16 Summary: “Mina: Winter 1987-1988”

Mina remembers her first kiss with Mr. Kim. Mr. Kim is kind in ways her husband never was. She worries that she is losing herself to “the illusion of potential happiness” (180). They’ve spent several nights together and went to Las Vegas. Mrs. Baek and the landlady notice a difference in her and that she is dressing up.

During dinner with Mrs. Baek, Mrs. Baek says she doesn’t need a man because she has books and music. Mina takes her comment the wrong way and starts to leave. She thinks Mrs. Baek is implying that she is too educated and interesting to be bored or interested in men. Mrs. Baek clarifies that she can’t ever trust men again. She was married and ran away from her husband because he treated her horribly. Mina realizes that she and Mrs. Baek need each other.

Mina and Mr. Kim see a TV special about Koreans reunited long after the separation of North and South Korea. Mr. Kim begins crying. He wonders if Mina’s parents might not have made it across. Mina goes in the other room. She’s upset that he suggested her parents might not have survived.

Mr. Kim apologizes and says he wanted to watch the show because he hoped he would see his father. His mother left the North when she was pregnant with him. His father stayed behind to work. They never saw him again, and she raised him alone. She is in Busan and never married again because she thought he might be alive. Mr. Kim wanted to come to America and get rich so he could find his father.

Mina wonders if she will be able to face her husband in the afterlife. She is worried that her time with Mr. Kim will end. She remembers her first day at the orphanage. It took her days for her stomach to unclench enough to eat.

At the supermarket, a woman screams from Mr. Park’s office. Mr. Kim pounds on his door and goes in. Mina hears Mr. Park yelling that he is fired as Mr. Kim exits with his arm around Lupe. Mr. Kim’s face is bleeding. He and Mina take Lupe home. Mr. Kim tells her that he saw Mr. Park holding Lupe down, preparing to assault her. Mr. Park threw Lupe off and punched Mr. Kim. Mina wants to kill Mr. Park, but Mr. Kim says that Mr. Park has friends and that he could get rid of them all if he wanted. He believes Mr. Park was responsible for Mario’s deportation. Mr. Kim thinks he should hide. He can’t get arrested because he let his student visa expire. He tries to give her a gun, but she refuses. He says she has to pretend that nothing happened and to keep her job.

Chapter 17 Summary: “Margot: Fall 2014”

Margot drives to Calabasas. She wonders about the connection between Mr. Park and her mother’s death. She worries that if she confronts Mr. Park she could endanger Mrs. Baek. She’s also upset that her mother never told her about her father. She wants to know why he left her mother and came to Los Angeles. Margot now believes that pretending not to care about her father was a mask for her real feelings. She feels that she has been preparing herself for the truth, however hard it may be.

She goes to Mrs. Kim’s house. Mrs. Kim is expensively dressed. When Margot tells her about the obituary, she mentions that her mother’s name was Mina Lee. Mrs. Kim recognizes the name. She saw Mina’s name in her husband’s phone a lot. Mrs. and Mrs. Kim had an open marriage. She says Mr. Kim spent a lot of money on Mina. He hired an investigator who worked to find missing people in Korea, but she doesn’t know what he found. She says that Margot is sentimental like her father. She misses her husband and plans to sell their supermarkets and travel. Mrs. Kim gives Margot her number.

Margot asks the driver, Sungmin, if he knew anything about her father. He says she must leave and pushes her out the door. The push is not hard, but insistent enough to disturb her. Margot then spends two day in bed, sick. She wonders if Mrs. Kim wanted revenge on her mother. She sketches her mother’s Virgin Mary statue and remembers her love for art as a child. In sixth grade, she drew her mother. Her mother looked at the sketch asked if she really looked that old. From then on, Margot was confused about what to draw. She switched from portraits to landscapes because she never wanted to hurt her mother’s feelings again.

Margot thinks about the nonprofit where she worked after college. She realizes that she used to be good at compartmentalizing different pieces of her life, but her mother’s death has changed that.

Chapter 18 Summary: “Mina: Winter 1988”

Mina’s next day at work is oppressive and tense. She tries to call Mr. Kim during a break, but he doesn’t answer. She put his gun in her purse before work, revealing that he talked her into keeping it. She almost steps in front of the bus that night. The bus driver asks her if she’s trying to kill herself.

She eats dinner with Mrs. Baek after Mr. Kim doesn’t answer another phone call. Mr. Kim calls from the airport in the middle of the night. He is going to stay with a cousin in Chicago for a while. He says it will be easier for him to hide alone. He’s not willing to risk her safety by taking her with him, or by staying with her.

When he says I love you, Mina throws the phone. She thinks about killing Mr. Park, and then herself. Mrs. Baek comes in to check on her. Mina throws up, and they know she is pregnant.

Chapter 19 Summary: “Margot: Winter 2014”

Margot feels better before Christmas. As she recovers, she thinks about her childhood. She hated using chopsticks while growing up. She remembers wanting to live like “real Americans” on TV, and they used silverware. Her mother did nothing but get by; she never did anything fun or nice for herself. Margot believes that her success and independence relied on distance from her mother. If she had stayed in Los Angeles with her, then she might have ended up in a similar situation.

She cleans the kitchen, and then her mother’s room. She squeezes a white teddy bear and feels something inside the heart. There is a key inside with a box number and a bank name. She remembers taking a bath and asking where her father was. Her mother cried and said she never had a father either. When Margot was a teenager, questions about her father enraged her. She hated that they didn’t have enough money to take control of their lives, and that she had so few answers.

Margot sees the landlord outside and asks why he lied to the police. He says he doesn’t trust them and doesn’t want anyone else to get hurt. He says that he is stuck like the rest of them, and that developers want to take the apartments and turn them into condos. He says that Mrs. Baek might be able to help her; he believes she is having trouble, too, because a man is stalking her. Margot wonders who would want her mother dead that much.

Chapters 15-19 Analysis

During her visit with Mrs. Baek, Margot wonders, “Did stories keep us alive or kill us? It depends on who wrote them perhaps” (174). The stories people tell depend on context. Consider the title of the book: The Last Story of Mina Lee. What might each character say that Mina’s story—or her last story—was? Mrs. Baek knows that Mina’s literal last story was about an argument with her, and a gun, and an accident. Mr. Kim might have hoped that Mina’s last story was about her brief reunion with him. The landlord has reason to believe that Mina’s last story involved yelling and a confrontation.

Margot’s pursuit of Mina’s last story—of the truth of her last moments—propels her throughout the book. When she learns about the Grand Canyon tour, when she finds the obituary, and when she learns about her mother’s boyfriend, Margot realizes that there is more to her mother’s story than she knew. When she remembers her mother crying as she gave Margot her bath, it challenges her story of her mother as an invincible, emotionless force:

In these rare moments of great tenderness and fragility, their sanity rattling like glass cups in a cupboard during a quake, Margot learned that families were our greatest source of pain, whether they had lost or abandoned us or simply scrubbed our heads (221).

The fact that Margot sees families as the greatest source of pain explains a lot about her relationship with Mina. Most of Margot’s memories of her mother involve pain. Mina’s life—even if Margot doesn’t know why—gave her daughter a role model whose actions insisted that relationships were dangerous and painful. She watched her mother avoid intimacy, fun, travel, and learning to communicate better with her daughter. Margot spends her life erecting similar walls. She pretends not to care about her father’s identity or whereabouts because not caring protects her from painful truths. Families can be the greatest source of pain because they know each other so well. Family members understand each other’s vulnerabilities more than anyone else can.

Margot and Mina both pursue inauthentic lives. Mina tries to create a life that doesn’t involve emotions, or other people, two aspects of life that can’t be avoided. Margot avoids healthy relationships, relying instead on impulsive, brief dalliances with Jonathan. She remains in a job she doesn’t love instead of working on her art because her job is easier and more certain than her dreams. Likewise, Margot views realness through a distorted lens. When she talks about authentic Americans, she often thinks in terms of TV programs: “She wanted to live like ‘real Americans’ on television with their clean surfaces, their walls without cracks and chipped paint, their dishwashers and shiny appliances” (218). As a child, she considers the staged, scripted America portrayed on TV as more worthwhile and authentic than her actual life in America. She does not believe she can be a real American until she achieves an ideal that is itself unreal.

Mrs. Kim lives a very different life as an immigrant. She is wealthy, sexually liberal, and adventurous. However, she tells Margot, “I used to feel so much, you know? But feelings are dangerous” (202). Real intimacy requires the riskiness of feeling. The danger of feeling too much is what leads to the most pivotal event in the novel: Mr. Park’s attack on Lupe, and Mr. Kim’s reaction. It causes the disintegration of Mr. Kim’s relationship with Mina, Mina’s hopes for her future, Lupe’s hopes of supporting her family at the store, and Margot’s chances at growing closer with her mother. It is ironic that Mr. Park—himself an immigrant—preys on another immigrant. As a predator, he shows that not having feelings can be dangerous as well. He is a criminal who is indifferent to other people’s suffering. He feels nothing but contempt for people he considers to be beneath him and has no qualms about treating people—women in particular—as commodities to be used and mistreated for his own ends.

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