49 pages • 1 hour read
Freida McFaddenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section contains graphic depictions of violence.
As Nora drives home, she notices headlights in her rearview mirror and determines Henry Callahan is following her again. Rather than returning to the police station, she turns off her regular route to a windy road she knows well.
When she makes a last-minute turn, the car following her crashes into a tree. She calls in the accident but does not attempt to help the driver. Nora reflects that her father would never help anyone and that, as his daughter, she is similar to him in many ways.
When Nora arrives home, her large house feels more empty and frightening than usual. She feels guilty about leaving the scene of the accident, thinking that it’s something her father would have done. When she goes into her unfinished basement, she thinks that her father would have loved the space, which feels like a dungeon. She runs back upstairs quickly, disturbed at the growing similarities between her and her father. She feeds the stray cat and reluctantly pets it. She considers letting it sleep inside but decides against it.
Nora is energetic and happy when she wakes up the next morning. At the office, a tearful Harper shares that her boyfriend, Sonny, whom she expected to propose, actually dumped her. Nora and her medical assistant, Sheila, attempt to comfort Harper while Philip suggests that she date him instead. Nora tells Harper to use their business credit card to buy herself lunch.
Privately, Nora researches the crash and learns that the driver has been hospitalized. When a policeman visits the office to speak to Nora, she assumes it is related to the crash.
Despite her fear of the police, Nora agrees to speak to Detective Ed Barber, who informs her that her former patient, Amber Swanson, has been murdered. Nora is horrified but questions why Barber has come to her. Barber explains that Swanson’s hands were removed from her body, following the pattern of her father’s murders. Nora tells Barber that she doesn’t want to speak to him without a lawyer. Later, she uses medical records to confirm that Swanson had dark hair and blue eyes, like all her father’s victims.
Nora watches as her friends send spitballs at the back of Marjorie’s head. She doesn’t intervene but doesn’t participate. Later, she makes plans to walk home with Marjorie after school in two days. She makes Marjorie promise not to tell anyone, saying she doesn’t want to be bullied.
That night, Nora tries once again to get into her father’s basement. She hears a whirring sound and smells something rotting beneath the ever-present lavender scent. Again, her mother stops her and shuts down her questions.
Nora struggles to concentrate after Detective Barber’s visit. The scent of lavender soap in the bathroom exacerbates her nerves, ruining her mood. She turns down an offer to go out with Harper and Sheila.
Rather than going home, she drives to Christopher’s and asks Brady to take her home with him. She refuses to give him her number but accepts his and follows him home. On the front porch of his house is an elderly, skeletal woman whom Brady identifies as his landlady. After awkward small talk inside, they kiss.
Nora feels giddy after having sex with Brady and admits that she is glad she came back to see him. Brady reveals that he knew who she was immediately and had always remembered her. When he compares her to Laurie Strode, the fictional victim of Michael Myers in Halloween, Nora remembers why they broke up: his obsession with horror movies and true crime. She makes an excuse to leave. While searching for her clothes, she discovers a locked door in his apartment. Brady stands in the street watching as Nora drives away.
Nora searches Brady’s social media presence but finds nothing out of the ordinary. She reads an article about Amber Swanson and studies her social media, remembering how excited Amber was about her tiny surgery scar.
Nora hears a noise at her back door and assumes it’s the stray cat, but she sees no one. She finds a letter from her father with a stamp but no postmark. She tries to convince herself that it fell out of her normal mail pile and decides not to tell Detective Barber about it. She destroys the letter.
Nora struggles to fall asleep. Her parents are fighting loudly about her in the next room, as they often do. Nora’s mother, Linda, insists that she needs to see a therapist, while her father says that Nora is fine. Nora consoles herself by thinking of a game she is going to convince Marjorie to play with her. On a trip to the kitchen to get water, Nora impulsively tests the door to the basement. She is shocked to find that it is unlocked.
Nora visits a drugstore on her lunch break to buy new soap. While there, she encounters Mrs. Chelmsford, the elderly landlady she saw at Brady’s house. Mrs. Chelmsford warns Nora that Brady is dangerous, saying she hears women screaming in his house at night. Mrs. Chelmsford’s niece interrupts, explaining that her aunt often gets confused and that it’s best to ignore her. Nora assures herself that Brady is not her father and is not torturing women in his spare room. Regardless, she has no plans to see him again.
Nora monitors the news, hoping for an explanation for Amber Swanson’s death, but learns nothing. She continues to avoid Brady. A week later, she is dismayed to see Philip flirting with Harper. She reminds him that his pursuit is inappropriate, and he promises to stop.
A disgruntled patient named Timothy Dudley accuses Nora of operating unnecessarily and threatens to sue. Detective Barber returns with news that a second patient, Shelby Gillis, has been found murdered with her hands cut off. Nora is horrified to see that Gillis also has dark hair and blue eyes. She realizes she is being targeted.
In this section of The Locked Door, the question of The Tensions Between Nature and Nurture is once again raised. Nora’s actions in this section—such as following Marjorie home from school and wanting to “help” with her father’s activities in the basement—suggest that, at 11 years old, Nora shares her father’s violent tendencies. Although Nora worries that “the apple doesn’t fall far from the tree” (65), she insists that she has “chosen to live [her] life differently” (66).
These two contrasting thoughts reflect the popular debate about nature and nurture: Nora worries that she has inherited her father’s violent tendencies, but also believes that she does not have to repeat her father’s mistakes. Nora’s grandmother calls Aaron an “evil man” and prevents her from having any contact with him, going so far as to destroy the letters he sends her. She explains to Nora, “[I]t’s bad enough that he raised you for eleven years. I didn’t want him to poison you further” (108). This passage suggests that she believes contact with Aaron will materially harm Nora. Her decision to destroy Aaron’s letters reflects her belief that a person’s surroundings and the community that nurtures them can outweigh any traits inherited from family. The question of nature and nurture continues throughout the novel.
The chapters in this section also reveal The Lasting Effects of Childhood Trauma on victims like Nora. McFadden continues her depiction of Nora’s fear of police in Chapter 11 when Nora is “terrified” by the very presence of Detective Ed Barber. Nora’s narration explains that she has had a fear of the police “ever since that day [her] entire life changed when [she] was eleven years old” (75). The fact that adult Nora is afraid of police even though she hasn’t had “any bad interactions with police officers” suggests that the fear may be a continued traumatic response to the violence of her father’s actions and arrest (75). In this specific instance, Nora’s fear of police actively harms her: Her fear makes her appear suspicious to Detective Ed Barber. Her existing fear of police causes her to worry that Barber is going to “twist [facts] around to make [her] seem guilty” (128), and this, in turn, makes her seem guiltier. Nora’s traumatic response to police is damaging in her adult life, highlighting the lasting effects of childhood trauma for victims like Nora.
Nora also has a traumatic reaction to the scent of lavender, which she associates with her father’s crimes. Nora’s father uses lavender cleaning products and sprays in order to disguise the scent of “something rotting” in the basement. Whenever Nora passes the locked door to the basement, she smells an “overpowering” scent of lavender, which she associates with her father’s basement from that point forward. In Chapter 13, she has a physical reaction to the scent of lavender soap, which “invades [her] nostrils” and makes her “retch” (86). For the rest of the day, Nora feels “nauseated from the stench of that soap” and feels like she needs “to take a shower now to get it off [her]” (87). These passages are evidence of Nora’s continued traumatic response to her father’s crimes, which takes the form of an aversion to lavender.
By Freida McFadden