logo

99 pages 3 hours read

Alice Sebold

The Lovely Bones

Fiction | Novel | Adult | Published in 2002

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Chapters 10-14Chapter Summaries & Analyses

Chapter 10 Summary

Lindsey, Samuel, and Ruth go to the statewide gifted symposium, where gifted middle-school students get together for a four-week retreat in the woods. Samuel has an intuitive understanding of how things work, and he idolizes his older brother, Hal, who runs a motorcycle repair business that serves everyone from the Hell’s Angels to old ladies. Ruth has to be driven to the symposium after missing the bus due to an attack of gastritis caused by the vegetarian diet she adopted after Susie’s death.

Lindsey hides her surname as best she can at the camp, trying to hide her connection to Susie. She has been wearing the half heart that Samuel gave her all spring, but aside from sitting together at lunch and walking home after school together, “they melted into the gender-subdivided world of their peers” (115). But upon arriving at the camp, Lindsey and Samuel pair off, unchaperoned, and Susie feels the lust grow between them. Lindsey is also attracted to Samuel because he sees her for who she is and doesn’t press her about Susie like the adults and other kids. However, they only kiss, not wanting to run afoul of the counselors. In addition, Samuel wants their first time having sex to be perfect and special, whereas Lindsey just wants to get it over with so that she can achieve adulthood.

Susie watches Ruth write down everything in her journal—how she felt Susie’s spirit passing her by, how she dreams about Susie, and how she thinks about wanting to free them both. Whenever Ruth imagines Susie watching her, she feels better and less alone. Susie peers back into Ruth’s past, where a 3-year-old Ruth watched her female teenage cousin undress and take a bath and felt a desire to touch her. Later, Ruth developed crushes on her female teachers: “It was not so much, she would write in her journal, that she wanted to have sex with women, but that she wanted to disappear inside of them forever. To Hide” (118). One night, Ruth creeps into Lindsey’s dorm and asks to get into bed with her, which Lindsey accedes to. Ruth tells Lindsey about a dream she had about being inside the earth and having Susie walk over her in the cornfield.

Susie begins spending less time watching from the gazebo, and instead watches as she walks through the fields of heaven. She wonders if other people’s heavens are worse than hers, as she feels solitary watching her living peers grow and do things she wished she could have done. Susie thinks that if this were truly heaven, all her ancestors would be there, and she would feel only joy and not have a memory of her death. Franny tells her that she can’t have that yet, as she must first stop desiring certain answers:

‘If you stop asking why you were killed instead of someone else, stop investigating the vacuum left by your loss, stop wondering what everyone left on Earth is feeling,’ she said, ‘you can be free. Simply put, you have to give up on Earth’ (120).

The final project of the symposium turns out to be “How to Commit the Perfect Murder.” Lindsey, now recognized as Susie’s sister, shuts off the entire world, including herself, in response. Samuel takes Lindsey away to talk in the afternoon, and as it starts to rain, they lie down on the ground underneath a rowboat. As they lie together, Samuel gets an erection and apologizes. Lindsey then tells him that she is ready, and the two have sex. Susie watches from heaven: “At fourteen, my sister sailed away from me into a place I’d never been. In the walls of my sex there was horror and blood, in the walls of hers there were windows” (125).

Susie says that they frequently play the “perfect murder” game in heaven, and that she thinks the perfect murder would be to kill someone with an icicle. 

Chapter 11 Summary

By Summer 1974, there have been no new developments in the case. Jack continues to suspect Harvey, but whenever he mentions something that contradicts the police theories, Abigail tells him that Len says it doesn’t mean anything. She adds that she trusts the police to find out what happened. Meanwhile, Jack has lost faith in the police, and instead trusts his gut instinct that Harvey killed Susie.

Susie watches Harvey inside his house, which is laid out identical to the Salmon house. Harvey keeps his house spotlessly clean and spends his time building dollhouses, listening to the radio, and sketching blueprints for his next kill spots. He maintains his regular pattern so as not to draw suspicion, but late at night he counts the trophies he has taken (as well as his mother’s amber pendant) “like the beads on a rosary” (129). Although Harvey does not remember the names of all the girls he has killed, Susie is able to see the moment of their death and know their names. Susie also sees that Harvey has killed a number of neighborhood animals and counts their bones in an attempt to keep away his fantasies about killing another teen schoolgirl: “What I think was hardest for me [Susie] to realize was that he had tried each time to stop himself. He had killed animals, taking lesser lives to keep from killing a child” (131).

In August, Jack’s frequent calls to the precinct leads Fenerman to establish some boundaries for both their sakes. Visiting the house, Fenerman tells Jack that he needs to stop calling about Harvey and that, while Harvey is odd, there’s no evidence connecting him to Susie’s death. Fenerman tells the family that since they have stopped finding any new evidence, they are stopping the investigation. Watching Abigail react to the news, Jack realizes that she believes Fenerman over him.

That night, Jack stays up by himself in his study writing in his journal as his world falls apart. At work, he is making more mistakes and fears he is going to be fired. He also finds Abigail pulling away from him when he tries to touch her but notices her blooming in the presence of Fenerman. As he is about to retire for the night, Jack sees a flashlight moving in the direction of the cornfield. Thinking it is Harvey returning to the scene of the crime, Jack heads out, grabbing a baseball bat. As he leaves, he turns out the porchlight, which the family has left on every night since Susie’s disappearance.

Jack follows the light into the cornfield and announces that he is here to finish it. However, the person turns out to be Clarissa, who calls out for Brian, and Jack drops the bat. Jack stumbles forward in the dark and runs into Clarissa, knocking them both down as he calls out Susie’s name. Brian, heading to meet Clarissa in the cornfield, hears Susie’s name called out and runs to meet her, beating what he thinks is her assailant with his flashlight. Brian grabs the bat and continues to beat Jack, breaking his knee. Susie can do nothing but watch helplessly and snuff out the candle that remained lit in the study.

Chapter 12 Summary

At home, police sirens awake Abigail and the children. Lindsey goes to wake Jack, but he is not in the study chair, which has become his bed. Abigail realizes that Jack has gone after Harvey and gotten himself in trouble. Lindsey wants to go out and find him, but Abigail refuses, telling her that they are going to wait at home and stay out of it. When the police call about Jack, Abigail goes to the hospital, telling the children to stop there. However, Lindsey sends Buckley to his friend’s house and gets a ride to the hospital from Samuel’s older brother Hal. When Lindsey gets to Jack’s room, Abigail is not there, and Lindsey softly sings a song to him that he used to sing to her and Susie when they were children.

Fenerman arrives at the hospital at Abigail’s request, and the two touch hands tenderly. They go out to smoke while Jack is in surgery and Abigail asks Fenerman how his wife died. He explains that she committed suicide shortly after they were married, but that he never knew why she did it. Abigail pulls Fenerman in, kissing him and putting his hands on her body. They have sex up against the wall as Abigail attempts to use him to drive her dead daughter out.

Susie recalls how the Abigail, who had an MA in English and dreamed of being a teacher, would talk about mythology while she bathed Susie and Lindsey. However, Abigail’s dreams faded when she became unexpectedly pregnant with Buckley, causing her to seal the more mysterious part of her personality off. Susie realizes that Abigail has always been lonely: “[I]t was my father who grew toward us as the years went by; it was my mother who grew away” (153).

Abigail comes back inside, and Hal tells her that Lindsey is with Jack so that she can compose herself. Abigail sees Lindsey sleeping in a chair with her hand on Jack: “[She] saw that my sister and father together, had become a piece. She was glad of it” (154).

Chapter 13 Summary

Returning to school in Fall 1974, Lindsey is now not just the sister of a murdered girl, but the daughter of a crazy crackpot. Brian and Clarissa are now in high school and use the story as “a varnish of cool they could coat themselves with” (156). Buckley has now started kindergarten, and the teachers unwittingly treat him differently than the other children because of what happened. Susie sees that, however haphazardly, everyone she knew was growing up. By October, Jack is able to start walking again. Abigail continues to perform her duties as a wife and mother but becomes steadily more distant from them and frequently thinks of Fenerman.

In November, Jack watches Buckley play and can’t shake the thought that someone could also take his son from him at any moment. Jack continues to delay his return to work but decides to return after Thanksgiving to distract himself and to be away from Abigail. Grandma Lynn is due to arrive for Thanksgiving, and Lindsey follows the beauty routine she set for her. Abigail continues her affair with Fenerman, “not because she was in love with him, but because being with him was the fastest way she knew to forget” (160).

Two weeks before Lynn’s arrival, Jack takes Buckley for a piggyback ride around the house, despite his pain, for a moment of father-son normalcy. They run into Lindsey shaving her legs in the bathroom, and Jack feels a double pain—not just that his daughter is getting older, but that Susie never got to experience this coming-of-age moment. Jack sends Buckley away and gets a fresh razor for Lindsey to use, thinking that Abigail should be the one teaching her instead. Lindsey asks Jack if he still thinks that Harvey killed Susie, and he tells her that he has no doubts. Lindsey points out that if someone found something of Susie’s in Harvey’s house, the police could arrest him. Jack hesitates before saying that breaking into Harvey’s house would be illegal and that he never thought of it. However, Lindsey knows that Jack is lying but needs someone to do it for him.

When Lynn arrives, she immediately realizes that something is different with Abigail, and Lynn forces Abigail to come on a private walk with her, although the two have never been close. Lynn reveals that Abigail’s father had a long-term affair with another woman, and that she never mourned his death properly. Lynn asks Abigail about the man she’s been having an affair with; Abigail denies the implication but asks if she can use her father’s cabin if she ever needs to get away. Abigail then smells foreign cigarettes and follows the smell, away from her mother. She finds Ruana Singh smoking in her backyard while her husband is inside hosting a dinner party, and the two share a cigarette.

As Lynn walks home alone, she deliberately passes Harvey’s house. She finds it radiating malevolence, leading her to conclude that Jack has been right: Harvey killed Susie. Lynn realizes that she can do nothing but sympathize with Abigail and decides to tell her that she can use the cabin whenever she needs it.

Chapter 14 Summary

Harvey knows that the Salmon family is investigating him, as it has happened in other towns. However, he has practiced his narrative with the police and found that pretending to be a widower (using the name of his previous victim) helps him avoid suspicion. Every afternoon, Harvey drives out to a local park where he watches school children tour George Washington’s log cabin. Whenever confronted, he talks about an imaginary family, saying that he met his wife there or that he used to bring his children to the park.

All year, Lindsey has been training with the boys’ soccer team in preparation for an attempt to qualify for the all-male high school soccer league. For a week, she has been using her laps around the neighborhood to case Harvey’s house. On November 26, she pretends to have a menstrual cramp while running and slips between the trees into Harvey’s yard. She breaks the window that leads into the basement and lowers herself in, then climbs the stairs to the main floor. Although the houses are identical, “Harvey’s house was much emptier than [hers]” (179). Lindsey thinks she sees Susie run into the dining room where Harvey builds his dollhouses. Susie pushes hard to send a signal to Lindsey but fears that she “might hurt her when [she] meant to help” (180).

Lindsey finally goes into Harvey’s room upstairs and sees his sketchbook, but then she hears Harvey’s car pull into the driveway. Looking through the sketches and notes, Lindsey recognizes the picture of the hole underneath the cornfield: “[N]ow she saw what I wanted her to know. I had died inside that hole; I had screamed and fought and lost” (183). Harvey, now inside and making something to eat, hears the boards creak above him and realizes someone is in the house. Lindsey rips out the sketch of the cornfield hole, breaks the window, and rolls down the roof, landing in the bushes. Harvey gets upstairs in time to see Lindsey running away, wearing a soccer shirt with her number on it.

The Salmons are sitting together with Samuel when Lindsey returns home, covered in cuts. She admits that she broke into Harvey’s house and shows Jack the sketch. Abigail refuses to look at it and leaves. Lindsey tells Jack that she is sure Harvey killed Susie but thinks that he saw her when she ran away.

Susie, watching from the gazebo, is relieved for her sister’s safety. As she walks home, Franny gives her a folded piece of paper and tells her to look at it when she is stronger. Two days later, she follows this map into a field she has never been to before. As she enters a clearing with an old olive tree, Susie sees another young girl who introduces herself as Flora. Susie introduces herself and then “began to cry with comfort, to know another girl he had killed” (186). Flora says that Harvey’s other victims will be there soon.

Chapters 10-14 Analysis

These chapters continue to develop the two primary themes of the novel as the characters continue to process their grief, and the children experience several crucial coming-of-age moments. Chapter 14 also marks a major climax for the novel as Lindsey breaks into Harvey’s house and finds evidence linking him to Susie’s death. These chapters mark the end of the first major section of the novel.

Here we also deepen our understanding of Harvey as we learn more about him and as Susie comes to further understand him. Harvey’s lack of spiritual fulfilment is more evident as we see that his house—despite being the exact same as the Salmons’—is characterized as cold, empty, and malevolent. Similarly, Harvey lives a regimented and calculated life to divert suspicion, emphasizing his coldness and inhumanity. Much like the photographs, the snow globe, and the ships in bottles, the amber pendant with the fly trapped inside symbolizes being “stuck” in time: protected but unchanging. Harvey then collects similar trophies from his victims, which he uses like rosaries to quiet his mind. Harvey uses his kills to fill the spiritual hole inside himself to mimic the love that he cannot get from someone who loves him authentically. However, this relief is only temporary, and he is driven to kill again.

This section also marks a major coming-of-age moment and crucial encounter in the growing relationship between Samuel and Lindsey. In contrast with Harvey’s attempts to feel fleeting love through his rapes and murders, this section makes clear that Samuel and Lindsey are each other’s true love. Lindsey—who has been dealing with what she calls “walking dead syndrome,” where people see Susie instead of her—loves that Samuel sees her for who she truly is and is uninterested in pushing her about Susie. The loss of virginity is often the primary marker separating childhood from adulthood, and here Lindsey and Samuel have sex for the first time. Susie is sad because Lindsey is growing up and experiencing things that she will be unable to do, while also being happy for her sister. The novel also draws a sharp contrast between Lindsey’s first experience of sex—which is tender and loving—and Susie’s rape.

Lindsey’s healthy experience with sex also contrasts against Abigail’s reaction to Susie’s absence. Abigail begins an affair with Fenerman, not because she loves him, but because she can use sex as an escape. As Abigail pulls further away from her family, Susie realizes that Abigail never wanted to be a mother and feels that having children has crushed her dreams: The birth of her third child caused Abigail to seal away the exploratory part of her personality. As Abigail pulls away from her family and rejects her role as wife and mother, the traditional family roles become destabilized. Jack has to be the one to teach Lindsey how to shave her legs, and Lindsey has to act as a parent to Buckley. At the same time, Jack’s depression and grief lead Lindsey to treat him like a child. Lindsey (and later, Buckley) treat Jack as gently as possible in order not to hurt him, and Lindsey decides to break into Harvey’s house because she knows Jack is not capable of doing it himself. Later, Lynn arrives further complicating the family roles. Although she is an eccentric alcoholic, Lynn helps hold the family together. She brings back some light into the household, despite her faults.

blurred text
blurred text
blurred text
blurred text