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51 pages 1 hour read

Mitch Albom

The Magic Strings of Frankie Presto

Fiction | Novel | Adult | Published in 2012

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Chapters 11-16Chapter Summaries & Analyses

Chapter 11 Summary

Frankie blossoms into a disciplined musician under El Maestro’s tutelage. They become close.

Chapter 12 Summary

One day, Frankie goes with Baffa to the sardine factory. While Baffa works, Frankie wanders into the woods. There, he meets Aurora York sitting in a tree. At first, he thinks she’s a boy, but once he climbs up beside her, he’s captivated by her beauty. The two bond when they watch soldiers dump dead bodies into an unmarked grave. After the soldiers leave, Frankie plays the deceased people a song, and he and Aurora make them flowers out of bent guitar strings.

Chapter 13 Summary

Frankie goes back to Baffa’s factory, but the police are there. When Frankie asks for his papa, Luis, one of Baffa’s employees, lies and tells the police that his papa is sick at home today. Frankie realizes something is desperately wrong, and he runs towards home. Tired from the run, he takes a ride from a group of gypsies, but he must pay for the ride with his guitar. Music says, “On the same day Frankie Presto found love, he lost his home” (107).

Interlude 5 Summary: “Abby Cruz: Songwriter, producer”

Abby is a Latino songwriter in 1961. She’s pregnant and fears she’ll lose her job because she hasn’t produced as many hits as her coworkers. Everyone else is at lunch, and Abby’s playing the piano when Frankie comes in and starts playing an impromptu guitar accompaniment.

After having her baby and taking a maternity leave, she comes back to work to find the sheet music for the song she and Frankie made together. It says, “Written by Frankie Presto and Abby Cruz” (111). That song goes on to be a huge hit, and her job is secure. Over the years, Frankie sends her notes at her office, and one day he meets her little girl. 

Chapter 14 Summary

When Frankie returns to Baffa’s house, it looks abandoned, and Frankie realizes his father isn’t coming back. Miraculously, their hairless dog shows up at the door, and Frankie puts on a nice outfit, takes the dog, and goes to El Maestro’s. Frankie explains what happened, and El Maestro lets him stay. Music says, “student and teacher had a profound effect on each other, as humans thrown together by trauma often do” (118). To pay for Frankie’s care, El Maestro stops drinking and starts playing at a local bar again. 

Chapter 15 Summary

Frankie stops going to school and studies music all day with El Maestro. Before Frankie came to live with him, El Maestro was living in regret over the loss of his wife, but living with Frankie has a positive physical effect on him.

El Maestro visits Baffa in prison. Baffa reveals that he’s not Frankie’s real father, and he asks El Maestro to send Frankie away to America. He tells him where he’s hidden his life’s savings.

Chapter 16 Summary

El Maestro gets Baffa’s money and enlists the help of his supposed friend Alberto, the conga player in his band at the bar. He pays Alberto to lead him around and do the necessary errands to get Frankie out of the country. El Maestro buys Frankie the nicest guitar in the guitar shop and some food, then takes him to the bar that night so that Frankie can watch him perform.

That night, El Maestro drinks at the bar for courage. El Maestro plays unfiltered that night, not caring about the government restrictions on music. Then, he calls Frankie up to the stage and asks him to accompany him in a song. At first, the audience is entranced, but eventually the audience realizes what’s happening and calls Frankie and El Maestro traitors.

Frankie and El Maestro escape, and Alberto drives them to a harbor. On the way, El Maestro gives Frankie his special strings—he says they were a gift from his late wife and are very special. Music, who knows all the paths a life could take, says, “had El Maestro been able to see […] Frankie’s dark grape hair and deep blue eyes and the curl of his lips. He would have seen in the boy’s face the unmistakable reflection of his wife, Carmencita” (150).

El Maestro leaves Frankie with the men, and he’s unable to say goodbye because he’s too sad. When he and Alberto are about to leave, Alberto steals the rest of El Maestro’s money and pushes him into the water, where he presumably drowns. 

Chapters 11-16 Analysis

These chapters focus on Frankie and El Maestro’s deepening relationship. The two become like father and son, neither knowing that they are biologically father and son. This is an ironic development of the theme “The Bands We Join,” as Music specified that bands can be family or people Frankie chooses to associate with. El Maestro, unbeknownst to either of them, is both.

These chapters also reveal El Maestro’s history, and how the tragedy of war has shaped him. Before the war, El Maestro was a popular nightclub performer. He had a beautiful pregnant wife, a career, and was happy. But it was because of the war that he lost his vision, his wife, his son, and ultimately his health and happiness. However, once Frankie comes to live with him, it gives El Maestro a sense of purpose. He stops drinking and once again plays in public. Interestingly, without the aid of the magical strings, Frankie seems to save El Maestro’s life by giving him a reason to live. When El Maestro gives Frankie his beloved guitar strings from his late wife, this is a sign that he is letting go of his past.

During these chapters, Spain is still at war and “under martial law, and anything that offended the Generalissimo’s political or religious beliefs was punished by prison, even death” (122). When El Maestro returns to playing music at the bar, he can no longer freely play the songs that he used to play before the war. Instead, he must play national anthems. The Generalissimo also expects everyone in Spain to speak Spanish, which is why, in an act of rebellion, El Maestro makes Frankie speak English when they’re alone. 

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