125 pages • 4 hours read
Ray BradburyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Summary
Story Summaries & Analyses
“January 1999: Rocket Summer”
“February 1999: Ylla”
“August 1999: The Summer Night”
“August 1999: The Earth Men”
“March 2000: The Taxpayer”
“April 2000: The Third Expedition”
“June 2001: —And the Moon Be Still as Bright”
“August 2001: The Settlers”
“December 2001: The Green Morning”
“February 2002: The Locusts”
“August 2002: Night Meeting”
“October 2002: The Shore”
“February 2003: Interim”
“April 2003: The Musicians”
“June 2003: Way in the Middle Air”
“2004-2005: The Naming of Names”
“April 2005: Usher II”
“August 2005: The Old Ones”
“September 2005: The Martian”
“November 2005: The Luggage Store”
“November 2005: The Off Season”
“November 2005: The Watchers”
“December 2005: The Silent Towns”
“April 2026: The Long Years”
“August 2026: There Will Come Soft Rains”
“October 2026: The Million-Year Picnic”
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
On his way to a party in Mars’s blue hills, Tomás Gomez stops for gas at a lonely service station and speaks with the man behind the counter, who he calls Pop. Pop claims he came to Mars because every aspect of it is different from Earth, suggesting that even time acts differently on Mars. He criticizes the attempts to recreate Earth on Mars. Pops believes that people shouldn’t ask Mars “to be nothing else but what it is” (105), and Gomez agrees. Happy after the interaction, Gomez sets out on the night road.
Gomez next stops in an abandoned Martian town, noting, “there was a smell of Time in the air” (105). He considers the Martian ruins perfect, and another mile down the road spends a contemplative moment surveying the landscape with happiness. To his surprise, a Martian operating an insect-like vehicle appears, and the two warmly greet one another. The Martian introduces himself as Muhe Ca.
When they attempt to exchange items, Gomez and Muhe discover that they are on different physical planes, and each assumes the other is a ghost. Despite this, they are on similar trajectories. Each hopes to attend a party and flirt with women. Muhe has no memory of the human arrival and claims the Martian towns are still filled with Martians, and he is unable to see any human construction on the planet’s surface. Gomez claims the opposite, human settlements are populated, while Martian cities are destitute. Each agrees that one is living in the past and one is living in the future, but they cannot decide which is which. After declaring that each would like to attend the other’s party, Gomez and Muhe part as friends.
Bradbury re-introduces Jeff Spender’s philosophy in a benevolent manner through Pops who speaks of achieving harmony with the land by not requiring anything of it. His message is opposite to that of the Locusts who arrived and immediately set to altering the landscape to in their image. Here, Bradbury presents an intriguing portrait of the possibility of human-Martian relations outside of the feckless drive of the Lonely Ones and the Locusts, who strive to recreate their planet and become lost in nostalgia.
Though Gomez and Muhe see the other as “a ghostly prism flashing the accumulated light of distant worlds” (109), each recognizes the fundamental worth of the other, the reality of their perspective and experience, and express a genuine longing that they cannot share experiences together. Here, race relations are presented in their most optimistic form. Tellingly, Bradbury alters time, so that there is no power differential between the two, each is a member of the ascendant culture, neither is trying to oppress, or wipe out the other, suggesting this type of interaction is only possible under these circumstances. It is telling that the white settlers don’t interact with the Martian phantoms. Muhe and Gomez experience the phantom hope of the planet, showing it can support both species, even if human philosophy does not afford equivalency to an Other.
By Ray Bradbury