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61 pages 2 hours read

Thomas Hardy

The Mayor of Casterbridge

Fiction | Novel | Adult | Published in 1886

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Themes

The Ripple Effects of Self-Destruction

Michael Henchard is an emotional man. When he is angry, jealous, bitter, or drunk, he acts on his emotions without thinking about the consequences, and these actions often lead to misery, suffering, and shame. The opening chapter of the novel depicts Henchard drinking alcohol and acting upon his bitter resentment of his wife, selling her to the highest bidder. The next day, he wakes up and, in the sober light of day, regrets what he has done. Yet the true ramifications of his act do not become clear for many years. In the short term, Henchard reflects on his failure and resolves to turn his life around. He makes a small fortune and becomes the Mayor of Casterbridge. When Susan arrives back in town, however, he attempts to cover up his mistakes to avoid facing the full consequences. Rather than learning to act in a careful, thoughtful manner, he demonstrates that his self-destructive tendencies were not a product of alcohol abuse, but a fundamental part of his personality. By remarrying Susan to cover for his mistake, Henchard forsakes Lucetta, the woman whose reputation he had compromised. He grows to envy Farfrae, and he reacts to his envy by firing his business advisor even though Farfrae has made him a lot of money and even though Farfrae will go into business against him as a rival. At each step, Henchard’s emotional decisions cause chaos and suffering. He is fundamentally incapable of considered action, as a perpetual drive toward self-destruction is the tragic flaw in his character.

Henchard’s self-destructive tendencies create ever-widening ripples of destruction, engulfing everyone around him so that they too suffer as a result of his decisions. When Lucetta comes to Casterbridge, Henchard is forced to confront another mistake from his past. His affair with Lucetta caused a scandal in Jersey and threatens to do the same in Casterbridge unless he marries her. Instead, Lucetta marries Farfrae and evokes even more envy from Henchard. He threatens to punish her by releasing their correspondence to the public. He makes this threat in a fit of emotion, not thinking of how he will be affected. Eventually, he relents. He agrees to return Lucetta’s letters but he sends them with Jopp, a man who has sworn revenge against him. Henchard has—on two occasions—publicly embarrassed Jopp. Jopp makes the letters public and Lucetta is publicly shamed, so much so that she experiences an epileptic seizure and she eventually dies. Henchard’s terrible decisions destroy those around him, including Lucetta, Elizabeth-Jane, and Farfrae. While Henchard is also distraught at Lucetta’s death, his self-destruction burns those around him as much as he burns himself.

Gradually, Henchard acknowledges his flaws. He tells Newson that Elizabeth-Jane is dead, for example, because he fears that Newson will take her away. Elizabeth-Jane is horrified. Out of shame, Henchard leaves Casterbridge. He drives himself into exile and only returns long enough to realize that Elizabeth-Jane no longer sees him as a father. Rather than stopping his self-destructive pattern of behavior, Henchard can only remove himself from the proximity of others. His self-imposed exile results in his final self-destruction, and he dies alone.

Forgiveness and Atonement

Given the scope of Henchard’s self-destructive behavior, the need for forgiveness and atonement is apparent. While Henchard may act emotionally and ruin his life in the process, he strives to find a way to forgive himself for these actions. The oath he swears to forego alcohol for 21 years is an example of his desperate attempt to find some sort of forgiveness from God. The oath is a direct product of his self-destruction, in which he addresses the surface cause of his behavior (his drunkenness) without addressing the root cause (his tendency toward emotional self-destruction). Henchard’s oath has the consequence of allowing him to focus on making a fortune but does nothing to repair the harm to his missing wife and daughter. When Susan comes to Casterbridge, then, Henchard has done nothing to earn her forgiveness. He may be sober, but he has not atoned to Susan for his mistake. Likewise, his attempts to deal with past mistakes often lead to even bigger mistakes. By remarrying Susan, he forsakes Lucetta. When attempting to return his scandalous letters to Lucetta, he gives Jopp everything needed to ruin her reputation. Henchard acknowledges the need for atonement, and he strives toward forgiveness. His problem is that his efforts fail to acknowledge his own role in his destruction. He cannot achieve atonement because he is trying to atone for the wrong things.

Amid Henchard’s many mistakes, he is capable of acting in an altruistic manner. The clearest example of this is mentioned in passing by Abel Whittle. Farfrae notices Henchard mistreating Whittle and he undermines Henchard’s authority by contravening his order. Whittle has been treated like a fool by Henchard, who has publicly shamed him for his lateness. When Farfrae criticizes Henchard’s actions, however, Whittle leaps to Henchard’s defense. The past winter, he explains, Henchard went out of his way to take care of Whittle’s mother. Out of the kindness of his heart, Henchard provided her with food and fuel to ensure that she survived the cold months. Henchard never mentions this to anyone. These quiet acts of charity are separate from his public and often faltering quests for atonement. Ironically, the actions that make him more sympathetic are those that he does without thinking. He takes care of Whittle’s mother because he believes that this is the right thing to do. It is not an emotional decision because Henchard does not decide; he cannot imagine doing anything else, so there is no decision for him to make. In Whittle’s eyes, Henchard is already forgiven for any harsh treatment because he has proven himself worthy.

At the end of the novel, Henchard begins to recognize that he is the common denominator in many people’s sufferings. Rather than attempt to rectify his mistakes, he simply removes himself from the situation. He goes into a self-imposed exile, abandoning the idea of forgiveness from others because he cannot begin to forgive himself. At the end of this self-imposed exile, when he becomes sick, Whittle provides a degree of symbolic atonement. He cares for Henchard, as Henchard once cared for Whittle’s mother. Henchard’s quiet good deeds indicate that he has the potential for atonement, though his continued behavior means that he struggles to achieve the forgiveness of others. Unfortunately for Elizabeth-Jane and Henchard, she does not reach him in time to make his forgiveness from her explicit. He leaves behind a will, which suggests that he believes himself to be beyond atonement. As well as physical exile, he sees spiritual exile as the only solution, asking that he be forgotten. Henchard may never be able to forgive himself but his will functions as an acknowledgment of his culpability for his actions.

Fate as Force and Scapegoat

Rather than taking responsibility for his mistakes and their consequences, Henchard is a firm believer in fate. He dresses up this belief in religion, claiming that Providence or God has allowed him to prosper. The direct result of this belief in fate as a guiding force in his life is that Henchard never needs to take ownership of his actions. He believes his downfall is the result of the universe conspiring against him, rather than the consequence of his own actions. He sold his wife and daughter, began a relationship with Lucetta, and then abandoned her, and he has told numerous lies and mistruths to protect himself from being abandoned. Each of these actions is an example of Henchard’s agency, but he chooses to consider himself to be a passive figure who is beholden to the movements of the universe. In this sense, his belief in fate is a self-defense mechanism. Henchard would rather not contend with the reality that he is directly responsible for the tragedies in his life, so fate becomes a convenient explanation that allows him to keep his ego and his pride intact.

Although Henchard mistakes consequences for fate, fate does play a role in the events of the novel. On numerous occasions, a character’s desires or actions are reframed by a twist of fate. A key example of this is Henchard’s insistence that Elizabeth-Jane takes his name. When she first arrives, he believes that she is the daughter that he sold so many years ago. By taking his surname and becoming Elizabeth-Jane Henchard, she is publicly declaring him to be her adoptive father and privately forgiving him for abandoning her at the fair. Henchard wants her to change her name because he craves this forgiveness. Just as she signs the papers, however, he discovers the truth: she is not his daughter. In this new context, her forgiveness means nothing. Fate has conspired to rob Henchard of the very thing he craves, denying him the emotional catharsis of his daughter’s forgiveness by a matter of minutes. Importantly, however, Henchard chooses not to credit this reveal to fate. To Henchard, fate is too convenient an excuse to be wasted in such a manner.

By the end of the novel, Henchard can no longer blame fate for his misfortune. He accepts his own agency, at least in a tacit sense. Henchard sends himself into exile, leaving Casterbridge and everyone that he knows. In doing so, he decides to put himself in a place where he can no longer be a negative influence on the lives of the people he loves. This is an act of agency and, in a broad sense, a declaration of power over fate. Henchard cannot make better decisions. He cannot change his emotional personality. Instead, he symbolically announces himself as a captain of his fate by ensuring that his poor decisions can no longer affect those around him. He believes himself, still, to be a victim of fate. However, he exercises his agency by trying to ensure that his inevitable emotional outbursts take place somewhere without consequence. Fate exists, Henchard asserts, but he tries to trick fate by arranging his physical location to be more favorable.

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