33 pages • 1 hour read
Ana CastilloA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Teresa is of Mexican-indigenous descent and was raised partially by her grandmother. She becomes a professional poet and a teacher as the story progresses. In her early and mid-twenties, she relishes Mexican food and drink, and in general she seems more gregarious and passionate than Alicia. Her first marriage to Libra seems to have been spontaneous and emotionally driven, although the relationship is difficult, and she eventually leaves Libra. Early in the story Teresa attracts more male attention than Alicia and therefore places less emotional weight on it; she’s also more willing to reject societal beauty standards for women. Although she hadn’t been to Mexico before the study abroad trip, Teresa develops a strong enough connection to the country that she moves there several years after she and Alicia take their second trip. She raises her son in Mexico near her son’s grandparents, and it’s implied that she marries someone else after having her baby. Despite negative experiences with her grandmother’s Catholicism, Teresa harbors deep beliefs in supernatural realities and experiences, and begins praying a rosary during the incident in Ponce’s house. She also relates dreams that she believes are significant, further revealing her belief in symbolic, intuitive experiences. Teresa is decidedly the narrator of The Mixquiahuala Letters. We see the world and the other characters solely through her eyes and depend on her interpretation of people and events.
Alicia is an Anglo American raised in New York City by a racially prejudiced father whose approval she can never seem to meet. She defiantly becomes involved with Rodney, a black man, and considers raising a child with him. Her parents initially disapprove of her artistic career but accept it when she achieves commercial, mainstream recognition and success later in the book. Despite what Teresa regards as Alicia’s privileged status as a white woman, Alicia has low self-esteem and body image issues. She seems more fragile and aloof than Teresa in their interactions with men, and often turns to sketching to place distance between herself and others. Alicia doesn’t drink, unlike Teresa, which is another form of self-control. However, she is sexually promiscuous, especially early in the story up until her breakup with El Gallo. Dancing also provides her with physical and emotional release, the way alcohol might for other people. Alicia never narrates her side of the story, and we see her only through Teresa’s eyes, making her an important central character but not the narrator.
By Ana Castillo