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53 pages 1 hour read

Drew Hayden Taylor

The Night Wanderer

Fiction | Novel | YA | Published in 2007

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Chapters 7-12Chapter Summaries & Analyses

Chapter 7 Summary

As Granny Ruth knits, the narrative compares her practice of knitting to her practice of the Anishinaabe language, for both are considered obsolete in the modern world. Suddenly, the dog, Midnight, begins to howl in alarm and distress. She goes to check but hears a knock at the door and welcomes Pierre, their guest, inside. She contemplates how much more Indigenous he looks than she anticipated. She makes him tea in a hurry because his hands are cold and engages him in an entirely one-sided conversation until a single murmur of Pierre’s stops her in her tracks.

Keith emerges and greets Pierre, questioning why he would want to stay on a relatively unknown reserve like theirs. Pierre carefully explains that he has ancestors from the Otter Lake area. Ruth and Keith assume that he has relatives who went over to Europe during the world wars, and he agrees with this. Pierre also explains that he spends all of his waking hours at night and promises not to disturb them. They show Pierre to his room, but he insists that he needs complete darkness, so they switch him with Tiffany again and give him the space in the basement. To their confusion, he pays them extra for their trouble. When Pierre is finally alone in the basement, he opens a small, ground-level window and inhales the scent of Otter Lake.

Chapter 8 Summary

Outside the Hunter house, an owl sits and hunts for prey. It observes Pierre crawling out of the window; he brushes himself off and scans the forest, then makes eye contact with the owl. Pierre emits a perfect owl call; the owl, confused, flies into the night.

Pierre goes on his own hunt through the forests, observing the animal life around him. He recalls that, once, his name was Owl, back when he was with his parents. He has forgotten many of his memories over time. Now, he sits in his homeland after having killed many defenseless people. He heads toward the village.

Chapter 9 Summary

At Tiffany’s first bush party with Tony and his friends, the teens sit around a large fire and drink beer and soda. Tiffany dreads going home, but she also feels awkward; she is the only Indigenous person at the party, and Tony repeatedly leaves her alone by the car. Eventually, Tony returns, but she notices over a kiss that he has recently smoked a joint; he claims that he smoked it away from her because he was thoughtful. She asks him how many of his friends know Indigenous people, and he shrugs it off, saying that sometimes his friends will hire Indigenous people. Tiffany then questions why people are looking at her strangely, and he says that no Indigenous teen has ever attended one of their parties. Tiffany and Tony acknowledge that they are each other’s first significant other from their respective races. A girl named Julie arrives, and when Tony leaves to greet her, she kisses him on the cheek. Tiffany tries to talk to some of the boys by the fire, but they leave without explanation after only exchanging a few words.

On the drive back, Tony drives fast while Tiffany berates him for his behavior at the party. She randomly shares that her mother left the family for a white man, and Tony acknowledges that her father probably hates him for similar reasons. When she questions him about Julie, he insists that they have been friends for years. The exchange frustrates Tiffany. When they arrive at Tiffany’s home, she asks Tony how he feels about her, and Tony kisses her in response, to her disappointment. She asks him to take her on a fancy date, and he agrees. As Tiffany heads toward her house, she notices Midnight shaking in his doghouse for no apparent reason. She feels eyes on her and runs inside the house, spooked, but even inside the house, the feeling doesn’t dissipate.

Chapter 10 Summary

Tiffany takes a fly swatter and descends into the basement, but when she opens the carpeted wall, she sees unfamiliar luggage. A man asks, “May I help you?” (72), which scares her so badly that she stumbles backward and tears down the carpet. She slams herself backward and hits her head, then gets stuck in the carpet and hits her head again. A strong arm lifts her up, and she observes the guest, confused by the fact that his appearance reveals him to be Indigenous. Pierre introduces himself and explains that she has her old room back. She notices that Pierre talks without showing his teeth. Pierre hangs the carpet up again, driving in the nails with just his thumbs, then asks Tiffany to respect his privacy. Tiffany agrees nonchalantly and goes to bed.

Pierre returns outside, grateful that he did not have to take dire action to protect himself and his secrets. He recalls a memory of being Owl, his childhood self. He was adventurous and full of dreams about the world beyond his knowledge. The memories distress Pierre, and he disappears into the night to evade them.

Chapter 11 Summary

Pierre explores the reserve and disturbs various residents. James Jack hears a thump on the roof and goes to investigate but realizes that the thump was too heavy to be a raccoon. He sees a six-foot tall figure on top of the house and panics; running around the house, he sees two footprints in the earth. As he grows more afraid, Pierre watches him from an unseen hiding place and grows hungrier. James runs for the door just as Pierre restrains himself; he barely turns around and glimpses Pierre’s red eyes watching him through the window.

Later, Rachel Stoney, an ancient stroke survivor in a senior citizen’s home, sits near the lakeside. She watches the stars silently and thinks about all the people she misses. She hears the alarmed cries of crows and sees a man standing up on a branch, illuminated fully against the moon. He disappears, and she glimpses him crawling down the tree. The next day, the staff at the nursing home find her dead from a heart attack due to the shock of seeing Pierre.

Chapter 12 Summary

Granny Ruth gets up early to make pancakes for Keith before he goes duck hunting. As Keith prepares to leave, Pierre surprises him, making him drop his gun; Pierre picks it up with too much ease and hands it back. Pierre smells the maple syrup and delightedly tastes a drop, not daring to have more lest he get sick. The syrup sparks another memory from Pierre’s childhood, when he took the sap, boiled it, and poured it into the snow to make candy. At the time, his father told him that visitors from the east—fur traders— would coming to visit, and this excited him.

Keith notices the effect of the memory on Pierre and checks to make sure that he is all right. They bond over their similar childhood experiences of putting maple syrup in the snow. Keith encourages Pierre to stay up and see the sunrise, insisting he will “swear [he’s] died and gone to heaven” (89), which Pierre weakly says he believes. Pierre notices a speck of blood on Keith’s face and fixates on it hungrily, then asks why Keith lives alone; Keith bitterly explains that his wife left him.

Keith then experiences his own flashback to the night that Claudia left. She came into the living room and insisted that she was tired of living with him and his grumpiness and said that she was no longer in love with him. Later that night, when Tiffany returned from a friend’s house, the two of them sat together on the couch for hours in shock.

Now, Pierre makes up more lies about his family history, which Keith accepts. Keith’s companion arrives to take him hunting. Upon seeing Pierre, Keith’s friend comments that the man looks strange, but Keith attributes this to Pierre being European.

Chapters 7-12 Analysis

The motif of food and drink recurs heavily in this portion of the novel. Because Pierre cannot consume human food without getting sick, the presence of food distances him from the Hunters, who invite him to share in their household meals. In addition to highlighting Pierre’s “otherness,” this contrast also emphasizes the degree to which people attempt to connect over food. For example, tea becomes Granny Ruth’s way of welcoming Pierre into her care when he arrives, and she grows concerned about his low body temperature and makes him tea “like a marine preparing for battle” (53). Later, Pierre inadvertently bonds with Keith over their shared childhood memories of pouring syrup in the snow, despite the centuries-long gap between their respective childhoods. Thus, it is readily apparent that the characters use food to connect with one another and build emotional and cultural closeness. Pierre cannot participate fully in humanity because he must consume blood, yet the Hunters continually invite him to share at their table without pressuring him unduly. Their welcoming nature despite the fractured state of their household helps to emphasize the degree of unity possible between the Anishinaabe people. Even though Pierre is “European” and not part of their family, the Hunters welcome him without reservation. Just as those with shared experiences of food find reasons to bond, other characters, such as Tony, advertise their disconnection by refusing to respect the rules of sharing a meal. For example, Tiffany begs for a more meaningful connection by asking him to make amends for his poor behavior and take her to a real restaurant, but as the narrative will show, he never honors his promise to do so.

The theme of Disconnection and Return to Post-Colonial Home and Culture is extremely prominent in Pierre’s early exploration of Otter Lake after spending centuries in Europe. The novel explores this theme heavily by describing Pierre’s connection to the natural world, particularly the way his special relationship to death is reflected in his interactions with the Otter Lake landscape. Even though both the land and Pierre himself have changed greatly over the centuries, the spiritual nature of the land has endured, and Pierre is able to connect with it once again. The narrative conveys the deep emotion of this moment when it states, “He squeezed the earth till it fell out of his fingers. This was the land he remembered” (76). Similarly, Pierre’s painful flashbacks to his childhood as Owl are often precipitated by his experience of the natural world, and just as it helps him reconnect to who he was, it will later help Tiffany to reconnect to her own heritage and love of life. The novel therefore implies that despite the intense and painful changes that colonialism has wrought upon Indigenous lands and populations, many things remain stable. Even after his long absence from his homeland, Pierre can return and recognize it because the earth, which he still deeply loves despite his transformation, still recognizes him, too.

As with the first section, the motif of fear—specifically the intense fear that Pierre inspires in others—continues to build throughout this section. However, although Pierre’s uncanny behavior and predatory aura continue to terrorize individuals around Otter Lake, the fear that Tiffany experiences around Pierre is much less supernatural. While she refers to him as “a monster coming out of the dark” (73), this description is largely in jest; instead, she and the rest of her family simply view him as human, if a bit odd. Tiffany’s lack of belief in the supernatural and Pierre’s controlling, mandatory belief in it helps them to reach one another, if only through contrast and conflict. From the beginning, Tiffany is able to humanize Pierre in ways that others cannot. While the people around Otter Lake respond to Pierre’s hidden presence with terror and transform themselves into prey, Tiffany’s overwhelming life problems help her to regard him as just another person in need of belonging, much like herself.

An additional layer to this section of the novel is the revelation that Pierre’s childhood name was Owl. The novel characterizes Owl and Pierre as entirely different entities, despite their shared experiences and body. Pierre is the name of the distant, grieving European vampire, and even his adopted surname “L’Errant” means “the wanderer” in French, emphasizing his disconnected state. However, his origins are equally fraught, for Owl is the name of the Anishinaabe child he used to be—the boy who suffered colonization and a series of mounting tragedies that ultimately led to the death of his human self. Pierre’s names and dual identities also reveal much about his life. For example, his childhood name of Owl functions as a retroactive foreshadowing of his eventual undead fate, as owls are traditionally Anishinaabe symbols for death. Owl as a name has intense personal meaning, while the name of Pierre distances him from his heritage, as does his surname, L’Errant. Thus, Pierre’s use of names and identities is a tool to separate himself from his past. As a vampire, he wants nothing more to do with the meaning and heritage he was forced to leave behind centuries before.

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