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As soon as Diana and Lissa find Georgie in the woods, he runs away. Diana catches up and holds him against a tree until he calms down and listens to her. She explains that “it’s okay to be friends with Lissa” (88), and Lissa adds that she won’t tell their strict parents. Georgie realizes that Diana lied but remains silent. Diana and Lissa try to convince Georgie, but he refuses, saying “I don’t need friends. And neither does Diana. We have each other” (88).
Finally, Lissa grows tired of Georgie’s temper and demands that he return her book and bear. She begins to cry, feeling guilty for yelling at Georgie, but Diana assures her not to worry. Georgie returns with Lissa’s items in tow and Nero at his side. He tells Lissa to leave them alone, as “Something terrible is going to happen […] And it will be your fault, Diana. Yours and hers” (91). With that, Georgie walks away. Lissa questions Georgie’s words, but Diana tells her that they need to get home before dark.
Mr. Morrison offers to let Diana stay for dinner, but she leaves, citing her strict parents. She finds her brother asleep in the shed. Although she is “tempted to wake Georgie and try to explain about Lissa and [herself, she] doubted it would help” (93). Diana curls up next to him and weeps for all that she’s lost.
The chapter ends with a diary entry: Lissa recounts her meeting the siblings and plans to peek inside the old Willis place while her father is at Home Depot the next day.
When Diana awakes the next morning, Georgie is gone. She waits for him for hours, “but in the end [she can’t] stand the loneliness any longer” (99) and leaves to meet Lissa on the terrace, finding her “looking as lonesome as [Diana] felt” (100). Lissa wants to know why Georgie is so concerned about breaking the rules, but Diana changes the subject. She suggests they go to the trailer to avoid the oncoming storm.
Lissa shrugs off Diana’s suggestion and instead presents her with “a big, old-fashioned house key” (100) that resembles one entrusted to Diana’s parents when they worked for Miss Lilian. She stole it from her father and intends to go inside the old Willis place. She shares rumors about Miss Lilian, how she “never left the house […], her garbage piled up everywhere” (103) and wants to see where she died. Diana begs Lissa not to go inside; even Macduff refuses to move. Lissa ignores Diana, and she feels she has no choice but to follow.
Lissa bounds through the house, trying on Miss Lilian’s clothes and making even more of a mess. Diana grows anxious, the final straw being when Lissa bangs her keys on Miss Lilian’s beloved piano. Fearful that the noise will wake Miss Lilian in the parlor, Diana fights to keep Lissa off the piano. When she plays even louder, Diana weeps. Lissa feels guilty and agrees to leave. However, she sees the door to the parlor, rushes to it, and places her hand on the knob
Diana tries to stop Lissa from opening the parlor door. As the girls struggle, Diana hears a voice in her head telling her to let Lissa open the door. Despite Diana’s efforts, Lissa pushes her aside, swinging the parlor door open. A large gust of cold wind blows over them and up the stairs. At the top of the stairs is “Miss Lilian herself, […] tall and gaunt, bent with arthritis, wrathful, hateful” (116). She points at Diana and says “You! You!” (116) before letting out a loud wail and fleeing to her bedroom.
Diana stands frozen at the bottom of the stairs with Lissa, who begins to scream. Though livid at Lissa for not listening to her, Diana grabs her hand and drags her out of the old Willis place. They run back to the trailer and sit “huddled on the sofa, wet and cold and shaking” (118). Lissa claims she had no control over her body when she opened the parlor door. Frustrated with herself for wanting to be friends with Lissa, Diana worries about Georgie. She gets up and assures Lissa that Miss Lilian is after the siblings, not her. Diana leaves Lissa in search of her brother, hoping she will find him before Miss Lilian does.
Lissa writes about the incident, saying “it was like something had ahold of me and it was making me turn the knob and open the door” (121). She is convinced the strange force was the ghost of Miss Lilian. Lissa is terrified and even more confused about the grounds’ secrets.
Diana finds Georgie in the shed. She confesses to breaking the rules, and that it’s her fault that Miss Lilian is now free to hunt them. Georgie throws himself at Diana, blaming her for not listening to him about befriending Lissa. His anger eventually subsides, and he asks to hear the story about their old life and how they died. This time, he doesn’t want to skip their deaths.
Diana recounts her and Georgie’s days on the farm with their parents: In spite of Miss Lilian’s cruelty, their lives were beautiful and full of love. One day, Georgie cut his leg, and they went to look for their mother. Instead, they ran into Miss Lilian, who screamed and chased them around the house. To escape, Diana and Georgie ran to their special place—a room in the cellar they had made into a clubhouse, “hidden in a dark corner, behind piles of boxes and old furniture” (126). Miss Lilian locked the cellar door and said she’d only let them out “when [they were] ready to apologize” (127). However, she never returned. Diana and Georgie pounded on the door and yelled for help—but days passed, and no one heard them. They found candles to light and ate the few crackers in the cellar. Eventually, it grew dark and cold, and Diana recalls the two of them falling into “a deep sleep” (127). When they awoke, they were outside.
Without explanation, two rules formed in Diana and Georgie’s heads: “Rule One: Do not let anyone see you. Rule Two: Do not leave Oak Hill Manor” (129). The siblings could roam the grounds and play in the woods all day, but they couldn’t tell their parents what had happened to them. Eventually, Miss Lilian fired the children’s parents; a tearful Diana and Georgie watched them drive away from the front gate.
With their parents gone, Diana and Georgie decided to tease Miss Lilian. They would go in the house and make a mess, play her piano at night, and torment her in revenge. One day, the house was still, and “things changed again” (135). Diana and Georgie searched for Miss Lilian and eventually found her dead in the parlor. A week passed before someone came and found the body. Two new rules formed in the siblings’ heads: “Rule Three: Stay away from the house. Rule Four: Do not disturb Miss Lilian’s slumber” (136). With this story, it becomes clear that Diana, Georgie, and Miss Lilian are the ghosts said to haunt Oak Hill Manor.
Though Diana does everything she can to mediate between Georgie and Lissa, her brother feels that she crossed a line in her attempts at friendship. Georgie returns Lissa’s items but wants nothing to do with either girl. In the moment, Diana feels she is making the right choice. However, she is forced to face the consequences of breaking the rules—and betraying Georgie—when Lissa insists on going inside Oak Hill Manor.
These chapters build in suspense, leading up to the release of Miss Lilian’s ghost from the parlor. The house itself is unnerving, and Lissa’s spoiled nature is on full display as she leads Diana from room to room. She refuses to listen to Diana’s pleas to leave, and her recklessness puts her—and the readers—on edge. Diana describes the “little sounds from behind the closed parlor door. Murmurs and sighs, shuffling noises […] She was there all right, trapped in that room” (108). The longer the girls linger, the more unsettling the novel’s tone becomes.
Diana and Lissa have their first real fight (physical and verbal) when the latter opens the door to the parlor. Diana does everything she can to push Lissa away, but Miss Lilian’s control over her new friend is strong. She hears Miss Lilian’s voice in her ear, saying, “Let the girl open the door. You and I have business to settle, miss” (116). When Lissa eventually overpowers Diana and opens the door, the trust between them is broken.
Diana’s priorities suddenly shift back to Georgie, whom she put in danger by breaking the rules. Lissa doesn’t understand why Miss Lilian is interested in Diana and Georgie. Diana finds herself “[looking] at Lissa long and hard, tired of her questions, tired of her ignorance” (119). She leaves Lissa alone with Macduff, as “All [she] cared about was Georgie. [She] was his big sister. [She] had to keep him safe” (120) this time.
One of the most important parts of this section is the story of how Diana and Georgie died, which simultaneously reveals why they are so afraid of Miss Lilian: They are afraid because Miss Lilian is responsible for their deaths. The front gate is significant because it is the last place that the children saw their parents. As far as the rules go, “[n]o one had written them down and handed them to [Diana and Georgie]. They were just there, in [their] heads” (129). Diana, Georgie, and Miss Lilian’s deaths are directly tied to these unexplained rules. Like the gate, the rules tether the children (and presumably, Miss Lilian) to the grounds.
In her diary, Lissa writes that she has been asking around about Diana and Georgie. None of the local children know them, but they do mention two ghost children that haunt the grounds. Just as Diana is beginning to question her friendship with Lissa, Lissa is starting to ponder Diana’s secrets.
By Mary Downing Hahn
Brothers & Sisters
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Childhood & Youth
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Family
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Forgiveness
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Friendship
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Guilt
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Juvenile Literature
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Loyalty & Betrayal
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Mortality & Death
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Popular Study Guides
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Religion & Spirituality
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Truth & Lies
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YA Horror, Thrillers, & Suspense
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YA Mystery & Crime
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