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63 pages 2 hours read

Miranda Cowley Heller

The Paper Palace

Fiction | Novel | Adult | Published in 2021

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Character Analysis

Eleanor “Elle” Bishop

Elle Bishop is the first-person narrator and protagonist of the novel. The Paper Palace centers on her life from birth through the present. As readers, we see Elle contend with the choice that she made in the past to not save her stepbrother Conrad when he is drowning, a decision she made with Jonas, her childhood friend. Another significant choice for Elle in the novel is the one between her husband Peter and best friend Jonas. After having an affair with Jonas, she thinks, “now there is no turning back. No more regrets for what I haven’t done. I love him, I hate myself; I love myself; I hate him. This is the end of a long story.” Because of the way that her choices haunt her, she stays away from Jonas to avoid confronting her guilt.

Elle first shows growth when she holds her ground against her father and choses to disown him when he mistreats her grandmother. This is the first time she does not let herself be subordinate to a man in her life. She defines her own worth, as well as holds her father accountable for treating her with the respect she deserves. This is Elle’s initial push towards establishing authority in her life.

Finally, when Elle faces the reality of her past, she is able to forgive herself for her mistakes, knowing that Conrad was a true monster. Knowing the full picture of the past, Elle realizes that “If I had told Peter about Conrad, about that day on the boat, I know he would have forgiven me. And that is why I couldn’t tell him. Because I did not want to be forgiven” (354). Elle recognizes that she was hiding from the past, and therefore hiding from herself. Telling her mother about the past and unburdening her as well as herself allows her to swim towards Jonas at the end of the novel, making a choice for her own happiness.

Peter

Peter is Elle’s husband whom she meets in London. He is a British journalist. Peter represents a steady, dependable love for Elle. He is a foil to Jonas, as Jonas represents Elle’s messy past and all the truth of what she’s done and regrets. Elle even chooses to lie about herself to Peter, telling him that she’s a virgin and never telling him the full story of the day on the boat with Conrad. She describes him as, “a handsome man. Not beautiful, but handsome in an old-fashioned movie star way. Tall. Elegant. British. [...] Patient, but formidable when angered. He can keep a secret. He rarely misses a beat” (20). Elle genuinely loves Peter for the love he shows their children, the care he gives to Wallace, and the devotion he shows to her.

Jonas

Throughout The Paper Palace, Elle finds herself torn between her husband and her childhood friend, Jonas. For her, Jonas represents the past, and their relationship is interwoven with their decision to not save Conrad, making him a foil to Elle’s stepbrother. Jonas first meets Elle as she flees Conrad, who has been spying on her in the bathroom. Later, when she admits to him that Conrad is abusing her, Jonas helps to protect her by allowing Conrad to drown. Consequently, Elle feels that their relationship is tainted by this decision, and she thinks that she has “forced him to collude, to carry my life. It’s as if I have stolen his virginity” (204). This is also symbolized in the green glass ring Jonas gives her after Conrad dies when they swear to keep everything a secret. For Jonas, it is a symbol of their love, and he tries to convince her that their love is still real, despite their mistakes.

Jonas is a static character who doesn’t change much throughout the novel. Jonas feels justified in killing Conrad and is in love with Elle during each of their interactions. He only says he doesn’t love Elle when he plans to marry Gina, but he’s quick to tell Elle he lied when she asks about it. Jonas shows an interest in nature, a detail that Heller uses to imply he’s a part of the Back Woods. Elle first meets him as he’s lost in the woods, he becomes an adept sailor alongside Elle, he hunts a snapping turtle, and his wife catches him trying to find an osprey nest. Just as the Back Woods make Elle come alive again, so does Jonas, who is an integral part of the landscape to Elle.

Wallace Bishop

Wallace Bishop is Elle’s mother. She was sexually abused by her stepfather, an experience that had a profound effect both on her life and on her daughter’s. When Wallace’s mother, Nanette, discovered the abuse, she slapped Wallace on the face, which caused her to “los[e] her respect for women but not for men. Her stepfather’s perversion was a hard truth, but it was her mother’s weak-willed betrayal that made her go cold” (43). To Elle, this meant that “[i]n my mother’s world, the men are given respect. She believes in the glass ceiling” (26). Because of this belief, Elle feels unable to come to her and confide in her about Conrad. When Wallace later discovers that Elle was abused by reading her journal, she asks why Elle didn’t confide in her, and Elle admits that she didn’t want her mother to hate her.

However, Wallace at the end also seemingly provides some degree of absolution for Elle. When Elle admits to Wallace how she and Jonas did not throw Conrad the life vest when he drowned, Wallace comforts her, and Elle lets go of the bitterness she felt toward her mother. As they finish talking, Wallace seems to sense that Elle is torn between Peter and Jonas and gives her one last piece of advice, suggesting that there are some swims she might regret, but Elle will never know unless she dives in. The novel ends with Elle diving into the pond and swimming toward Jonas.

Anna Bishop

Elle describes her older sister, Anna, as someone who “thrives on confrontation. She doesn’t give a shit about what other people think. She doesn’t need to be liked. Anna is a warrior” (182). Like Elle, Anna suffers from the negative gender influences in their family. When their stepfather Leo decides to send her to boarding school, Anna grows distant from the family, especially Wallace.

Nonetheless, she remains close to Elle. As kids, Elle felt protective over Anna. This can be seen when she sees how sad Anna is when leaving for boarding school, saying, “Because I know she’s scared and homesick, even before she’s left. And I know she wishes our mother had chosen her” (90). Elle relates to her sister’s feelings of loneliness and resentment towards the family, but there is a juxtaposition in how they react and manifest their bitterness as adults. Anna ultimately moves to Los Angeles and tragically passes away from ovarian cancer when in her thirties. Elle never gets the chance to tell her sister the truth about Conrad.

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