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50 pages 1 hour read

Anita Shreve

The Pilot's Wife

Fiction | Novel | Adult | Published in 1998

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Part 2, Chapters 11-15Chapter Summaries & Analyses

Part 2

Part 2, Chapter 11 Summary

Eleven days have passed since Jack’s death. After staying with Julia, Kathryn has returned home to clean the house so that she and Mattie can return. She has lost her motivation, however, and is laying on the bed in the spare room. Christmas has passed, as has the memorial service, and Robert has returned to Washington. She and Julia had kept themselves busy during the holidays, handling last-minute gift shipping for Julia’s antique store. Now, Kathryn has instructed Julia to rest instead of helping her at the house. Kathryn has, over the past days, been dealing with her grief, trying not to take it out on others.

After her interview with the Safety Board, Robert had taken her to the local Catholic church to speak to the priest about Jack’s memorial. Kathryn understands the importance of a memorial to honor Jack, especially in light of what is being said about him in the news. When she gets home, she calls Jack’s mother, asking the nursing home receptionist to inform her that he is dead. In the course of the conversation, the receptionist realizes that Jack’s death is in connection with the Vision Airlines crash on the news.

After first meeting Father Paul, Kathryn meets with him several times, and credits him for the success of the memorial service. At the memorial, the church is filled with pilots and Kathryn’s students. A photograph of Kathryn, taken as she leaves the church, shows the ravages of grief on her face. She is upset by all the photographs that have been taken, and begins to avoid the media altogether.

Katherine is at home, laying on the bed in the spare room instead of cleaning. She hears footsteps and thinks it is Julia, but Robert enters the room. He has returned from Washington on his own personal time. He tells her that they have discovered that Jack hadn’t slept in the crew apartment the night before the crash. They do not know where he was, but Robert wanted to break it to her before she heard it on the news. They also know that he made a dinner reservation that night for two people. Kathryn and Robert reconsider the suicide theory, but then set it aside for the moment. Robert is there, on his personal time, to support her. Together, they begin cleaning the house.

Part 2, Chapter 12 Summary

In the past, it is awards night at the high school where Kathryn teaches history and music, as well as leading the school band. Kathryn is directing the school band in the auditorium as the night begins. Mattie receives an award, but Jack is not there to see it. When Kathryn tries to call him in London so that Mattie can tell him about her award, there is no answer at the crew apartment. She tries the number a few times that night, but gets no response. Finally, at nearly one o’clock in the morning, Jack calls. He tells her that he turned the ringer off the phone as he is coming down with the flu, and apologizes for being unavailable. Kathryn asks him if he still loves her, and he replies that of course he does. She can feel that something is wrong, but brushes it off.

Part 2, Chapter 13 Summary

With Robert helping, Kathryn finds cleaning the house easier than it might have been. When they are done, he brings in lobsters for dinner. Kathryn is suddenly struck by a memory of doing the same thing with Jack. When Robert apologizes, she brushes it off as something that happens frequently. They share a quiet, intimate moment. Kathryn briefly considers letting it develop into more, when Robert breaks the spell. He asks Kathryn about her music collection and tells her that he used to play piano.

Kathryn shifts the conversation back to the suicide theory. She brings up Jack’s actions that day and his making plans for the future to prove that he was not in that state of mind. Thinking about the dinner reservation Jack had made for two, she remembers the papers that she found in Jack’s jeans. One of them has a string of numbers that looks like a London telephone number. She calls but when a woman answers Kathryn is unable to speak, and the woman hangs up. Kathryn decides to approach the mystery from a different angle, and asks Robert for a list of everyone Jack ever flew with. While he does that, Kathryn spreads out the contents of Jack’s pockets again, reconsidering each item. The poem in particular draws her in. She pulls a poetry anthology from their bookshelf to see if she can find the passage.

After a few phone calls, Robert has the list of crew members she asked for. She realizes that, with his connections, he must know what is on the CVR tape, even if he hasn’t heard it himself. She asks and he agrees, after hesitating, to describe what he has heard about the tape. On it, one of the pilots goes into Jack’s bag looking for headphones, but finds something unexpected, although it is not clear what. When Jack returns to the cockpit from the bathroom, there is what sounds like a struggle. Jack swears and the tape ends. Kathryn quickly draws the conclusion that there was an armed bomb in his bag, but Robert points out that the recording could be interpreted differently. He tells her that smuggling small items through customs is common among airplane crews. Kathryn, however, follows the bomb theory, thinking that if Jack hadn’t known what it was, it would be obvious on the tape.

As she scans the list of crew member names, one stands out: Muire Boland. Kathryn connects the name with the list she had found in Jack’s desk that said Muire 3:30. She calls the London telephone number again and asks for Muire. The woman who answers knows Muire, but she is not there. Kathryn asks Robert to find an address for Muire Boland, and then calls Julia. The area is due for a huge snowstorm, and Julia tells Kathryn to stay at her house. When Kathryn protests, Julia tells her that Mattie and Kathryn both need space and time apart. Kathryn eventually agrees, and then takes a long, hot shower. When she goes back downstairs, Robert is playing the piano. He has found Muire Boland’s address for her, and left it on Jack’s desk. Kathryn picks up the poetry anthology again; she eventually finds the poem, but still does not understand the connection.

Kathryn goes to sleep and wakes, after 12 hours, in the middle of the night. She goes to Jack’s office and finds Muire’s contact information, with Robert’s note that the phone number was incorrect. Using London’s phone directory, she tries all of the phone numbers for M. Boland, and eventually finds one that, though the woman denies being Muire Boland, seems likely. When Robert wakes up in the morning, Kathryn tells him that she is going to London, and he decides to go with her.

Part 2, Chapter 14 Summary

In the past, Kathryn, Jack, and Mattie are at the annual school picnic. Mattie is 15 years old. Jack is willing to participate, but he is clearly not having a good time. When they have a moment alone, Kathryn raises the idea of her going with him for his two-week training session in London, which happens twice a year. He tells her she will be bored because he’ll be busy, but she pushes the idea. He evades her, instead inviting her to meet him in Spain after London. She agrees, but is not happy about it. Later, one of the other men teases Jack about flight attendants, a common, tired stereotype, and he is annoyed.

Part 2, Chapter 15 Summary

Kathryn and Robert are in the airport, waiting to board their flight to London. Kathryn only plans to be there for two days, but worries about the separation from Mattie. Julia, however, encourages her to go, saying the distance might be a good thing. As the plane takes off, Kathryn is overtaken by terror. She had never been afraid on a flight before because Jack had not been. When the plane is over the ocean, she imagines what it must have felt like to be on Jack’s plane as the bomb went off.

From the airport, Kathryn and Robert go straight to Muire Boland’s address, but Kathryn is not ready to confront her, so they go to their hotel. At lunch in the hotel’s pub, Robert has something that he wants to tell Kathryn, but she forestalls him, instead deciding to go meet Muire alone. She takes a taxi to the address. A woman answers the door, holding a baby that shocks Kathryn.

Part 2, Chapters 11-15 Analysis

In Chapter 11, the narrative moves forward, past both Christmas and the memorial, to where Kathryn is trying to put her life back together and move on. She is finally preparing to reenter her home, and is undertaking the difficult task of dealing with Jack’s possessions. When Robert arrives with the information about the crew apartment and the restaurant reservation, Kathryn is set back once again. The fact that Jack did not sleep at the crew apartment, combined with the dinner reservation for two, hints at a new, developing theory—the possibility of an affair. Kathryn quickly becomes absorbed in the new mystery that she has been given: Where was Jack staying in London, and who was he having dinner with?

In this section, Shreve also develops the relationship between Kathryn and Robert. When Robert returns on personal time, it becomes clear, if it was not already, that his interest in Kathryn is more than professional. He consistently shows himself to be supportive and does not hesitate to help out, even when it means a last-minute trip to London.

In the short flashback chapters in this section, Shreve continues to share Kathryn’s memories which she might view differently now that she has more information. These include small, everyday events—a school awards night, a community picnic—but they show the small cracks in her marriage. Jack’s reluctance to have her in London and his disgust over a joke about flight attendants ring differently in light of what the narrative is beginning to reveal about his work life and time in London. Kathryn’s memories, so innocuous before, now seem fraught with meaning, particularly that of the night she called him at the crew apartment and could not reach him.

The narrative creates suspense about Jack; it shows that he was Keeping Secrets and was not what he appeared to be. Shreve provides clues, as with the introduction of Father Paul LeFevre, the priest at the local Catholic church. Upon hearing about Jack’s death, “the color left the priest’s face for just a moment and then returned” (144). Does this indicate a closer connection between Jack and the priest that Kathryn doesn’t know about, or does the priest recognize Jack only from hearing about him on the news? Kathryn is left unsure—her understanding of her husband has unraveled to the point where anything seems possible. With the priest, Kathryn again asserts that she and Jack had a good marriage, that they “were in love for a long time, longer than most couples” (147). Once again, Kathryn has misunderstood, maybe deliberately, the state of her marriage, finding normalcy in their distance.

In this section, Kathryn’s illusions about her good marriage disintegrate, even if she denies it to others. The discovery of an affair seemed bad enough, but just as she has rallied to deal with it, she is confronted by a new devastating twist—the woman who answers the door has a baby. Yet Kathryn does not shy away from truths as she discovers them. Upon learning about Jack’s mother, Kathryn calls the nursing home, determined to speak to Jack’s mother directly. Although it is not possible, Kathryn’s willingness to confront the truth continues, and will lead her to London.

When Kathryn calls the nursing home, Shreve shows what is being said about the crash outside of Kathryn’s sphere. The receptionist offers Kathryn a chance to gauge common public perception of the crash. Shreve juxtaposes this perception with Kathryn’s interior grieving process, showing the contrast between the two, while reminding the reader that, in the world outside Kathryn’s sphere, people are forming opinions about Jack and what happened.

Shreve also gives insight into Kathryn’s grieving process when Kathryn remembers lobster dinners with Jack, reminded by her present dinner with Robert. Robert is immediately apologetic, but she responds, “[M]y life is filled with these. Hundreds of little memories that catch me off guard. They’re like mines in a field, waiting to detonate” (169). Kathryn equates grief with “a private weather system, one in which she was continuously tossed and buffeted by bits of news and information” (140). It is difficult for her to maintain any degree of normalcy in her life, and this is complicated by the fact that, just as she adjusts to her new reality, information comes along which causes her to rethink everything. Shreve ends this section with another devastating reveal for Katherine—not only does Jack appear to be having an affair, but there is a child involved. Once again, there is more to the story and another mystery to be solved.

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