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Having now agreed with Gil-Martin’s suggestion to kill his father and brother, Robert stalks George through the city and finds himself disgusted by his brother’s sinful behavior. When he attacks George, Robert is put in jail and Wringhim steps in to have him freed. In spite of his imprisonment, Robert continues to stalk George. Gil-Martin urges him to do so. When George becomes scared and hides indoors, Robert is pleased. At the same time, however, he develops his own illness and must stay indoors. During this time, Robert begins to have feelings of disassociation and feels as though he is “bewitched” (116). He feels like he is both George and Gil-Martin, rather than himself. Wondering whether his sickness is a punishment from God, Robert receives word that he has supposedly continued to stalk his brother in spite of his confinement. He suspects Gil-Martin may have posed as him. When he gets better, Robert meets with Gil-Martin. They immediately hatch another plot against George, planning to attack him on a hill path. As Robert ascends the hill in pursuit of his brother, however, he starts to suffer from “sinful doubtings” (118). A woman in white appears to him out of the fog, criticizing his behavior. She vanishes, leaving Robert sure that he has experienced a vision. Amid his doubts, Gil-Martin appears and urges Robert to take this “golden opportunity” (119).
Robert finds his brother but cannot bring himself to hurt George. The brothers fight but George flees. Gil-Martin condemns Robert, claiming that Robert has failed. Instead, he suggests that Robert could lodge a complaint against George and have him arrested. Robert does so, but the case is thrown out of court. Since Robert sees himself as an inherently “justified person” under his Calvinist faith (123), he believes he can do no wrong and instead blames Gil-Martin for the verdict, though Gil-Martin blames the “wicked judge” (124) who is found dead a few days later. Gil-Martin continues to scheme against George, securing Robert’s support again. Gil-Martin dresses in “Highland garb” (127) and plans to confront George, challenging him to a duel. As George is out socializing with friends, Gil-Martin poses as Drummond and issues his challenge. Meanwhile, Robert lurks in the shadows. Gil-Martin fights George, who seems to get the upper hand. Robert springs from his hiding place and, in a confusing flurry of activity, George is badly hurt. Gil-Martin laughs and dismisses Robert’s worry about witnesses, leading Robert away as George lies dying in the street. While Drummond is accused of murder, Robert keeps a low profile. Next, Gil-Martin wants Robert to kill his father, Laird Colwan. Robert is relieved when his father instead dies from grief, rather than murder. Robert inherits the family estate, though most of Colwan’s money is left to the “voluptuous and unworthy” (130) Arabella.
Robert and his mother and step-father move into the Colwan estate, though most of the servants leave. One day, he is visited by a woman who says that Robert got her daughter pregnant. Though Robert is insistent that he could never have had sex with this woman’s daughter, the woman and Gil-Martin convince him that he may have done so while he was drunk and in “a state of utter delirium” (132). A lawyer brings up legal issues concerning Robert, of which Robert has no memory. At the same time, it is remarked that Gil-Martin looks exactly like George Colwan. Robert is shown a collection of documents bearing his signature, but he denies having ever seen the documents. The lawyer says that Robert is the legal owner of a townswoman’s properties, as well as much more land. Growing concerned, Robert speaks to Gil-Martin in private. Gil-Martin is surprised that Robert has no memories of these recent events.
Robert is beset by medical issues. He feels increasingly as though he has a completely different self, who operates on his behalf while he experiences this “state of consciousness and unconsciousness” (137). Robert also grows irritated by Gil-Martin’s constant presence in his life, though he knows that he cannot send his friend away as they are now bound together by their secrets. Gil-Martin is still a mystery to Robert, who begins to suspect that his friend may be “a powerful necromancer” (137). Robert is increasingly irritated by everyone, including his own mother and Wringhim. His only pleasure comes from religious conversations with Wringhim and Gil-Martin. One day, Robert wakes up after seemingly been unconscious for a long time, only to be told that his longtime servant died six months previously and that Gil-Martin and his mother have not lived at the house for some time.
Robert finds himself at the center of a swirl of rumors and accusations. During a walk around the city, he spots someone who looks just like George. Understanding this to be Gil-Martin, he begs to be released from Gil-Martin’s influence. Gil-Martin refuses him. He and Robert “are amalgamated” (142), he says, so they cannot be split apart. Robert is now accused of murdering both his own mother and the supposed mother of his child. Gil-Martin says that he has returned to help Robert, whose life seems increasingly sinful and confusing. Robert is accused of a litany of sins. He remembers none of these crimes, but consoles himself that he enjoys a “justified and infallible state” under his religion (144). According to local rumors, however, Robert is in league with the devil. Hearing stories about people who make deals with the devil, Robert grows suspicious of Gil-Martin. When he tries to stay away from Gil-Martin, however, Gil-Martin threatens to tell the authorities about Robert’s crimes. Gil-Martin warns Robert that a mob has assembled to arrest him, so he recommends that Robert flee the castle. The mob, Gil-Martin says, has the bodies of Robert’s supposed victims and they want to tear him “limb frae limb” (154). Gil-Martin offers to help Robert escape; he will adopt Robert’s appearance, he says, then allow Robert to slip away. They swap clothes and Robert exits the castle, passing two dead bodies carried on boards by the mob. Robert feels a strange mix of relief and worry, hearing people talk about him as though he is a monster. Though Robert escapes, his flight is hindered by his lack of money. He tries to evade the authorities by staying in peasants’ homes, only for them to grow suspicious of him. When one host turns on him, he manages to flee again.
Now all alone, Robert flees to Edinburgh. Introducing himself as Eliot, he stays with a “flippant, unstable” (164) man named Linton and secures a job at the publishing company where Linton works. Robert convinces James Watson, the owner of the company, to publish his memoirs. Robert prints his memoir, presenting it as a religious pamphlet that he hopes will warn others against following in his footsteps.
The remainder of the memoirs take the form of short journal entries. Robert is told that the publishing company employees view his work as satanic. Watson burns the remaining copies, while someone who might be Gil-Martin is seen around the company’s property. Robert flees Scotland, heading south to England. He carries with him the only remaining copy of his memoirs. Staying at a house belonging to a yeoman, he hears the horses make noise in the night. They have been spooked by the arrival of a stranger in dark clothes. Robert flees and, in the following days, meets Gil-Martin on the road. Gil-Martin is still presenting himself as George. He tells Robert that they cannot be separated, even as Robert begs Gil-Martin to leave him alone. Gil-Martin delights in torturing him, Robert believes. Even when Robert tries to take a room in an inn, the people inside accuse him of being associated with the devil. Robert is thrown out of the inn. That night, “hideous” (173) monsters attack Robert, but Gil-Martin appears to save him. Once the monsters are defeated, Gil-Martin tells Robert that they must now die by suicide together. Robert runs away, trying to hide himself. Wherever he stays, rumors and accusations continue to plague him. He tries to take a job as a cowherd, but people cannot stand to be around him. This casts Robert into a severe depression, during which time Gil-Martin appears again. This time, Robert agrees to die by suicide. He ends the memories with a final entry, claiming that his fate is “inevitable” (178).
Content Warning: This section of the guide discusses suicide.
The editor includes Robert’s confession after his own introduction for the audience’s consideration. Robert has a tendency to celebrate his actions, even when he is seemingly making an unflattering confession. In Robert’s version of events, his confrontation with George is re-presented. The editor’s narrative, reliant on court documents and witness testimonies, portrays the encounter as strange and violent. In this first version, Robert emerges from the fog while George is in a reverie and attacks. In Robert’s account, however, the incident is more complicated. The transcendence of George’s vision in the clouds while walking contrasts with the doubt and resentment that Robert is beginning to feel toward Gil-Martin. He knows nothing of George’s moment of private reverie as, to him, this is a mere opportunity for revenge against the brother who he believes has wronged him. Robert’s version of events is dark and grimy, a gradual build to inevitable violence that contrasts with George’s shock and surprise that the figure from the mist should leap out and attack him. Also remarkable about these incidents is the way in which Robert and Gil-Martin constantly lose against George. The editor notes the ways in which George frequently offers his hand in apology, only for Robert to kick it away. Robert prides himself on dismissing his brother’s attempts at reconciliation, illustrating the way in which he still cannot comprehend any way in which George might be innocent. As Robert believes he has been pre-determined by God as a good and redeemable person, he has pre-determined his brother to be evil and is unwilling to accept any truce or evidence to the contrary.
Instead of Robert’s version of events accounting for all the missing details from the editor’s record, Robert cannot even account for the holes in his memory. The extended periods of blackout and memory loss are vital parts of Robert’s story. Despite Robert’s confusion, it is clear to the reader that Gil Martin is assuming his form and committing various crimes and misdeeds to frame Robert and further isolate him from his community to ensure that Gil-Martin remains his only trusted companion. The accusations of the townspeople offend Robert, which serves to highlight his hypocrisy; he is shocked they believe him capable of murder even after he has murdered his own brother and considered killing his father. The hypocritical disconnect between Robert’s narration and his actions also illustrates the strength of his religious beliefs. Because he believes himself justified in the eyes of God, it takes a long time before the negative opinions of his community, the judge, his peasant hosts, and his would-be publisher start to affect his view of himself.
After the death of his hated father and brother, living in the Dalcastle estate feels to Robert like a symbolic rebuke of their estrangement from him. He interprets inheriting the house as a victory, and further evidence of God’s endorsement of his actions. As his life and mental state begin to unravel, however, Robert is chased out of his father’s home while being accused of terrible crimes. By this time, he has finally come to suspect that Gil-Martin may not have his best intentions in mind. Nevertheless, he continues to accept help from Gil-Martin. Robert’s story becomes increasingly wild and supernatural. His clothes change during the night, and Gil-Martin appears from nowhere to protect him from hordes of violent, supernatural creatures. The linear narrative of the novel also begins to unravel, with weeks and months passing in a flash as the desperate Robert loses track of his sense of self and his sense of time. He becomes consumed by fear and paranoia until, eventually, he gives himself up to Gil-Martin’s suggestion that they should both take their own lives. According to the Christian doctrine followed by Robert, suicide is a serious sin because it obliterates the relationship between the individual and God. Those who die by suicide ostracize themselves from heaven. This ending creates a narrative inversion of the justified Robert. Robert grew up with the belief that he was predestined to enter heaven. When he dies by suicide, he understands that he will not be saved. Robert’s death is significant as it functions as a final rejection of God, the ironic full stop at the end of the life of a man who always assumed himself to be divinely blessed.