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27 pages 54 minutes read

Neil Gaiman

The Sleeper and the Spindle

Fiction | Graphic Novel/Book | YA | Published in 2014

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Background

Authorial Context: Neil Gaiman’s Fairy Tale Worlds

Neil Gaiman is a prolific fantasy author known for upending the conventions of pre-existing fairy tales, myths, and folklore. One of the best known examples of this style is his comic book series Sandman, which began in the 1980s and broke new ground, expanding traditional expectations of comic books. The Sandman series revisited a range of myths and legends from around the world as well as the works of William Shakespeare (one award-winning issue retold A Midsummer Night’s Dream), showcasing these classic archetypes in new ways. Gaiman’s novel American Gods and the adjacent companion novel Anansi Boys both bring comparative world mythologies together in the modern world.

Closer in tone to The Sleeper and the Spindle is Gaiman’s 1997 novel Stardust, an original fairy tale (rather than a retelling of a pre-existing story), that draws several motifs from the classic fairy tale tradition. In his short story “Snow, Glass, Apples,” which was released as a similar standalone illustrated edition, Neil Gaiman approaches Snow White from another direction—this time painting her as a vampire and the stepmother as the story’s hero. In The Sleeper and the Spindle, he depicts a Snow White closer to the recognizable Grimms’s version, but with an updated nuance and depth. Through all of these acclaimed literary works, Gaiman examines the conventions of these stories and asks what lessons we can learn from them today.

Authorial Context: Chris Riddell’s Artistic Inspiration

Chris Riddell provides the distinctive artwork for The Sleeper and the Spindle, one of several collaborations with Neil Gaiman. The illustrations are monochromatic apart from the addition of gold foil. For this book, Riddell drew inspiration from other artists like Gustave Dore, Aubrey Beardsley, William Morris, John Tenniel, and William Heath Robinson. There are also elements of classic illumination techniques, such as the elongated panels alongside the text. In 2016, Riddell was awarded the CILIP Kate Greenaway medal for his work in The Sleeper and the Spindle, making him the only illustrator to ever win this prestigious award three times. Riddell has also collaborated with Neil Gaiman on illustrated editions of The Graveyard Book; Coraline; Neverwhere, Odd and the Frost Giants, and Fortunately, the Milk, as well as the nonfiction book Art Matters. He also illustrated another classic fairy tale retelling, Russell Brand’s adaptation of The Pied Piper of Hamelin. Riddell compares his illustrative style to calligraphy, referring to the textural use of lines. Many of his works, including The Sleeper and the Spindle, feature illustrated lines of text in order to highlight particular moments of a story.

Riddell was the Children’s Laureate for the UK from 2015 to 2017, an office he held at the publication of The Sleeper and the Spindle. In 2019 he was made an official officer of the Order of the British Empire for services to illustration and charity. 

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