58 pages • 1 hour read
Sally HepworthA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section depicts murder and suicide and discusses mental health conditions.
Out her kitchen window, Pippa Gerard sees someone standing at the edge of The Drop, the cliff near her house. She tells her husband, Gabe, and he goes outside to speak to the person. When they moved there, they didn’t know that The Drop was recognized as a place where people come to die by suicide. Since the couple moved in a year ago, they have witnessed seven people contemplate suicide at The Drop. Gabe has talked them all into reconsidering. Now, he goes outside while Pippa calls the police. Pippa’s sister, Kat, distracts Pippa’s daughters, Freya and Asha.
The first time Gabe stopped someone from jumping, the police were surprised, but Pippa wasn’t: She thinks that he is a “hero” and considers it characteristic of Gabe, who is handsome and charismatic. Now he has become known for his ability to talk people away from the edge.
Pippa sees Gabe facing a small woman standing near the edge of the cliff. It is raining and incredibly windy. Gabe is standing closer than normal—the police have always warned him to keep a safe distance and never reach out to the distressed person. The woman waves her arms, and Gabe steps toward her. Pippa’s daughters distract her for a moment, and when she turns back to the window, the woman is no longer on the cliff. Gabe is standing alone, arms outstretched, palms facing out.
Pippa runs outside to Gabe and guides him inside. Pippa has always worried about the day when Gabe wouldn’t be able to save someone and the toll it would take on him.
The police arrive and question Gabe about the incident. He says that the woman said her husband was unfaithful and then screamed and jumped. The officer asks if Pippa saw anything out the window. She realizes that Gabe’s hands were outstretched the way they might be if he had pushed her instead of reaching out to save her—but she doesn’t say anything.
Pippa doesn’t know why she lied to the police since they have nothing to hide. She is usually “the epitome of a good citizen” but feels the need to protect Gabe (13). She watches the crime scene out the window. It is several hours before they find the body.
Pippa checks on her sleeping daughters. Her parents, who live nearby, text to see how Gabe is doing, and Pippa reflects on how much they love him. They were immensely supportive 18 months ago when Pippa and Gabe’s life “hit rock bottom” (16). Now, Pippa is working full-time, and Gabe is their daughters’ primary caregiver. When the family moved to Portsea, Pippa’s parents moved there too, along with Pippa’s sister, Kat, and her wife, Mei. Pippa’s family has always been close and supportive.
Amanda tells the reader that she is dead. She remembers the sudden shock of it, especially because she didn’t go to The Drop to die.
The next morning, when Pippa gets up, Gabe is already gone, and she knows that he has gone surfing. She worries since they haven’t talked about what happened. While she waits for Gabe to return, she thinks about her girlfriends, who don’t understand the unconditional love she has for Gabe—they are much more critical of their own husbands.
Pippa goes down to the shore, where Gabe is standing on the rocks and looking out at the ocean. She sees him drop something small between the rocks. When he hears her, he turns, and she can see that he is crying. Pippa suggests that he see his therapist, whom he hasn’t visited in months. She broaches the topic of how he was standing the night before, and he admits that he tried to grab the woman. When she asks him what he just dropped, he tells her that it was a piece of surfboard wax.
The narrative flashes back to when Pippa and Gabe first meet in a park. Pippa is heartbroken and crying in her pajamas, and Gabe is the best man at a wedding taking place in the park. He walks away in the middle of the ceremony to ask if she is okay. Gabe asks for Pippa’s phone number and returns to the wedding. He doesn’t call Pippa for three weeks.
Amanda reflects on how death “isn’t so bad” (32). Knowing this would’ve made her feel better when her mom died. Amanda’s mother spent her life with Amanda’s father, an abusive man who was chronically unfaithful. Amanda spent her childhood humiliated by her father’s behavior and angry that everyone acted like her mother was to blame. When Amanda was 10, her father left them for her teacher, and Amanda’s mother never recovered. She insisted until her death that he was her soulmate. Amanda decided that she would never marry her soulmate. Her marriage would be a contractual matter so that she would never end up like her mother.
In death, Amanda watches Max getting the news of her death. When the officer tells him that her body was found at The Drop, he is stunned. She hadn’t considered how the news would affect him, especially considering that his mother and brother both died by suicide. Max refuses to believe that Amanda died by suicide and begins to cry. Despite herself, Amanda feels heartbroken for him.
The narrative shifts to Amanda’s past. Thirty years ago, she meets Max when she is serving tables at his parents’ anniversary party. As she’s leaving, he asks her to dinner, and she gives him her phone number.
The police are at The Drop all the next day. Freya and Asha watch through the window and ask Pippa questions. Pippa’s parents, Kat, and Mei come over to support Pippa. They talk about what it would be like to see someone die. Pippa says that she couldn’t handle it, and Kat remarks that Pippa might handle it better than anyone else, a comment that Pippa doesn’t understand.
Detective Tamil comes to their door and asks Gabe some questions. Pippa invites herself along, and they go out to the cliff. Gabe walks Tamil through what happened, and Pippa reflects that she doesn’t remember the scene as he describes it. He admits that he tried to grab the woman, but when he demonstrates, Pippa notes that his arms aren’t in the right position. Tamil doesn’t seem to suspect anything, but Pippa can’t stop thinking about it.
Gabe calls Pippa three weeks after they first met and explains that he’s been in the hospital with a broken leg. He was hit by a car while helping an elderly wedding guest cross the street. On their first date, Gabe and Pippa go to the botanical gardens, and it is perfect. She spends the next two nights at his apartment. Three weeks after their first date, they get engaged.
Pippa loves that Gabe is always the first one to help someone, but over time, she begins to notice other things too: He is “all or nothing” (53). Pippa wonders if Gabe’s spontaneity and instability are what attracted her to him, as it is so different from her safe and stable upbringing.
While Gabe reads the girls a bedtime story, Pippa pours herself a glass of wine and searches online for information about the woman, but there is nothing. She wonders if the woman’s family was prepared for her death by suicide. It reminds her of a conversation she had with Gabe. She’d come home one day in the middle of the afternoon to find Gabe on the couch in his pajamas. He described a feeling of universal sadness, and she wonders if that’s how the woman felt.
In the first year of their marriage, Gabe moves jobs five times. Each one captures his interest completely until the next job catches his eye. When a wealthy landscaping client offers him an internship at a media company, Gabe rises quickly in the company, and that success boosts his confidence. He works a lot of late nights and does a lot of work-based socializing.
Gabe leaves the house one morning, excited to be pitching to new investors. He doesn’t come home all night. The next morning, Pippa is about to call the police when a taxi pulls up and he gets out. He smells like cigarettes and alcohol but is excited because he won the pitch. As he talks about the deal, Pippa is excited too. She calls in sick to work and stays home, and he tells her all about it.
Pippa is on a video call with clients—she is a wills and estate lawyer. Although most people don’t go into law thinking of her specialty, she did. She likes the control she offers people over their lives. Her father arrives while she’s working, and she can hear him in her kitchen, unloading the dishwasher.
That morning, Gabe took the girls to school. Their teacher, Mrs. Punch, adores Gabe and praises everything he does. He will be staying at the school to help that day, and Pippa knows that Mrs. Punch will be thrilled.
After she ends her call, Pippa goes into the kitchen and looks through the local newspaper. She sees an article about the recent suicide and is stunned when she reads the woman’s name.
Amanda is still watching Max, who hasn’t eaten since he found out about her death two days before. She knows that it is because he suspects something wrong about her death. Max knows some shady people who could be involved. Amanda thinks that she should be enjoying watching him torture himself, but she’s not.
When Max first comes to Amanda’s house and meets her mother, Amanda is nervous. She and her mother live simply, and Max is from a wealthy family. However, Max is a perfect gentleman and gains the love and approval of her mother. While her mother speaks of love, however, Amanda corrects her, saying, “He’s a good choice […] It makes sense” (74).
Over the years, Max and Amanda have dinner regularly with her mother. When Amanda’s mother dies suddenly one day, Max’s grief is so pronounced that the hospital staff think she was his mother, not Amanda’s.
Pippa recognizes the woman’s name in the newspaper: Amanda Cameron. Amanda was the wife of Max Cameron, Gabe’s former boss. Pippa immediately goes to the school and shows Gabe the newspaper. He apologizes for not telling her that it was Amanda: He’d only met her a few times and hadn’t recognized her at first. The fact that it was Amanda changes things for Pippa. Her comments on the clifftop about her husband’s unfaithfulness show that she knew about Pippa and Max.
The Soulmate relies on an unusual structure, which is established from the beginning. Two characters, Pippa and Amanda, offer first-person points of view, and in Amanda’s case, her view is from beyond the grave. In addition, Pippa and Amanda each have two timelines, past and present, in essence offering the reader four different perspectives from which Hepworth reveals the whole story. These different perspectives and timeframes allow the novel to withhold and reveal details in order to shape the thriller plot, building mystery and suspense. Pippa’s voice both opens and closes the novel, and she is a more prominent protagonist than Amanda throughout.
These opening chapters deliberately invite questions about the reliability of Pippa as a narrator, establishing the theme of Appearance Versus Reality. Through Pippa’s adoration of Gabe, Hepworth seeds doubt about the accuracy of her perceptions: Her view of Gabe is shaped heavily by her emotion and love for Gabe, and the novel clearly implies that she may not have the clearest view of him. To her, he is “golden” and a “hero,” and in fact, Pippa gives the reader more characterization of Gabe than she does of herself. This reflects Pippa’s understanding of herself as the “helper,” while she positions Gabe as the “hero,” and establishes the status quo of their marriage and family dynamic. This imbalance creates a dramatic tension that the reader can expect to be resolved as the novel progresses. As a result, this tension is crucial to understanding Pippa’s character arc.
The novel shows that Pippa is also sometimes wrong in her self-assessments. In Chapter 9, Pippa says, “I’ve never seen anyone die. […] Thank goodness. I’m not sure I could handle that sort of trauma” (44). However, in this moment, Hepworth makes it clear that the rest of her family has a different view of her when Kat says, “Actually […] I’d say if anyone could cope with it, it’s you” (44). Pippa’s reaction to Kat’s comment is telling: “It gives me a weird feeling, so instead of replying I lift my cup to my mouth and take a big slurp” (44). In this moment, it becomes clear that Pippa is not a reliable narrator, at least when it comes to her perspective on herself and her marriage. Her words here show that she would rather stay silent than reveal her true fears.
The first section also uses Pippa’s voice directly to offer hints that their marriage hasn’t always been smooth with comments like, “He’s been a different man—a better man—since we moved to the beach” (18). Pippa’s behavior is also telling, as she doesn’t seem to trust Gabe. When Detective Tamil questions Gabe, Pippa insists on being there. This scene is crucial to the novel’s intertwining of both emotional and mystery plots and foreshadows the fact that Gabe’s true actions on the cliff will never be known.
Amanda’s perspective offers another view of marriage in these chapters. Especially in the novel’s earlier sections, Amanda’s voice and approach to marriage seem to provide a contrast to Pippa, although they will grow closer together as the narrative progresses. Unlike Pippa, who says that her marriage is based on intense love and passion, Amanda sees her marriage as an arrangement. In these chapters, the two women seemingly agree only on one thing: that loyalty is The Foundation of a Marriage. Amanda establishes her view on marriage by revealing the story of her mother’s marriage to her father, which shaped her in a fundamental way. In Chapter 15, she also tells the story of her own marriage to Max and when he met her mother. Amanda is ashamed of her mother after years of watching her remain devoted to a man who abuses and mistreats her. Max, however, develops a kinship with her mother that includes a weekly dinner arrangement. The depth of his connection to her mother is highlighted when Amanda’s mother dies and Max is grief-stricken. Although, over the course of the novel, Amanda will reveal Max’s sometimes ruthless business practices, this scene illustrates his sensitivity. Max’s feelings and behavior hint at the later revelation that he was always in love with Amanda and considered their marriage “real” even though he was afraid to tell her.
By Sally Hepworth