45 pages • 1 hour read
Jennifer E. SmithA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The Prologue begins with a description of all the little things that had to happen in order for this story to take place. The main character, Hadley Sullivan, doesn’t believe in fate, but she also doesn’t believe that flights leave on time, and hers does. She is only four minutes late, but those four minutes make all the difference. She thinks of her father, in London, giving a toast, while a boy with a ticket for the next flight to London eats a powdered sugar doughnut nearby.
It is “6:56 PM Eastern Standard Time, 11:56 PM Greenwich Mean Time” (5) and Hadley is trying to avoid thinking about her claustrophobia. Being on a plane is frightening, as are airports, and now she fears she will be late for her father’s wedding, which she doesn’t want to attend anyway. She purposely arranged to fly in after the rehearsal dinner so that she could avoid sitting in a room full of people who comprise her dad’s new life. Her mother encouraged her to go, despite the fact that Hadley has never met her dad’s fiancée, Charlotte. Missing her first flight means that Hadley will be cutting it close.
Hadley calls her father to update him on her flight. Hadley has already decided to hate Charlotte, despite Charlotte’s desire for Hadley to be a bridesmaid. Now, Charlotte tries to find an empty seat in the terminal, but there are people and suitcases everywhere, and she must remind herself to breathe as the walls seem to close in. A book falls out of her backpack, and a boy reaches for it, handing it back to her after glancing at the title. He is attractive, but Hadley is in no mood to talk.
When a woman refuses to watch Hadley’s bag for a minute, the boy offers to help, but she takes the bag with her when the woman insists that it is illegal to watch someone else’s bag. The boy’s hair is too long, and there are crumbs on his shirt, but he is very attractive and has a cute English accent. As Hadley maneuvers through the crowd, the wheels on her suitcase catch, and she drops her book and her sweatshirt. Suddenly, the boy is next to her, offering to help again. Hadley trusts her gut feeling that he is lonely and doesn’t want to be left behind, so she accepts his offer and they start walking.
Hadley is grateful for the boy’s company because the thought of the airplane makes her anxious. She recalls the first time she felt this panic, in a hotel bathroom on a ski trip with her dad last year. It was the first time they went on a vacation without her mom, and Hadley had a feeling that her father’s failure to return from a semester of teaching at Oxford was because he’d met another woman. By the time he had been away for six months, he felt like a stranger to her. From the hotel bathroom, Hadley heard the phone ring and her dad answer, greeting Charlotte and using British slang expressions. His adoption of British parlance was as upsetting as the fact that he had left her mom for this Charlotte, and Hadley’s resentment grew. The next day, an elevator that Hadley and her dad were in stopped abruptly, and she panicked. She punched all the buttons, unzipping her ski jacket. Her dad realized that she was having a panic attack and told her to close her eyes and think about the wide, blue sky, and soon, her breathing slowed, and the elevator started up again.
Now, Hadley reflects that imagining the sky won’t help her when she is in the plane. The boy asks where she is going, and she mentions dinner, so they find a deli. They realize that she will be in seat 18A while he will be in 18C, and when she sees his garment bag, she presumes that he is going to London for a wedding too. His half-nod is noncommittal, but Hadley assumes it means “yes.”
Hadley’s sandwich oozes with mayonnaise despite her request for none. Hoping she doesn’t look too picky, she disassembles her sandwich to scrape the mayo off each piece. The boy comments, and she explains her fear of mayonnaise, listing it as one of her top four, along with dentists, spiders, and ovens. She also quietly adds that she hates small spaces too. They talk and eat, and she thinks of the one boyfriend she had: the uncomplicated and dull Mitchell Kelly. She can hardly believe that she dated Mitchell when someone like this gorgeous guy was in the world. He tells her that his name is Oliver, and she introduces herself. He goes to Yale, and he jokes that he’s studying the fermentation process of mayonnaise. When a man bumps into Hadley, Oliver jokingly says that he is actually studying the congestion patterns at American airports. She laughs and confesses that she hates airports; Oliver loves them.
When Hadley tells Oliver what time the wedding is, he tells her that the timeline will be tight. She asks what time he needs to be somewhere, still thinking he’s going to a wedding, and he breaks eye contact and says that he is supposed to be at the church at two. Oliver gets a call and steps away, and Hadley notes his altered body language and posture while he talks. She thinks about Harrison Doyle, the local dentist whom her mother is dating, and reflects that the relationship is proof that her mother is moving on, just like her father. Her mom told Hadley that her dad wasn’t asking for much in hoping that Hadley would attend his wedding, but Hadley feels that all he ever does is ask for things without giving anything. On the way to the airport, Hadley and her mom had a huge fight because Hadley still didn’t want to go, and she blamed her mother for the potential that her plane might crash. She stomped away from the car without a goodbye. Now, Hadley feels guilty and calls her mom to apologize. She leaves a voicemail while Oliver returns to the table, his smile restored.
Hadley has boarded the plane and is in her seat, waiting for Oliver to arrive. He sits down next to her to wait for whomever has the middle seat between them. An older woman appears, and she offers to switch seats with Oliver, assuming that he and Hadley are a couple. As they settle in, the older woman asks how they met, and Oliver tells her that they met in an airport when he offered to help Hadley with her suitcase. Hadley adds that he has been carrying her suitcase ever since, whimsically implying that they have been together for a while, and the old woman is pleased by this chivalrous and romantic story. Hadley wishes that it were true. The older woman falls asleep, leaving them to talk undisturbed.
As they chat, Hadley tells Oliver that weddings are too showy, and that real love doesn’t need to be advertised; a person shows their love by being there and holding their partner’s hand. As the plane’s engines begin to roar, Oliver distracts Hadley with questions, asking about her favorite animal. She says that she prefers elephants because of an old stuffed elephant she had as a child. Whenever she was upset about something, she and her dad would go upstairs to consult the elephant for an answer. Hadley is grateful, aware that Oliver’s chatter is keeping her panic in check.
Hadley is the protagonist, and only her character’s thoughts and feelings are shared by the third-person limited narrator. This point of view helps to draw the reader closer to Hadley’s character, leading to a deeper understanding of why she does what she does. For example, Hadley’s behavior toward her mother before her fight is not indicative of who she really is, and her thoughts—including the regret she feels—help to portray her character as flawed but ultimately kind. Because the author shares Hadley’s thoughts, the protagonist’s reasons for being so upset mitigate what might otherwise be an unfavorable impression. Similarly, while Hadley’s reluctance to attend her father’s wedding might seem petulant or rude, the underlying reasons for her anger, coupled with her claustrophobia, provide ample explanations for her mood. Knowing how she feels and why prevents a misunderstanding of her character’s qualities and makes her a more likable character.
The liminal settings of the airport and the airplane are places of movement, change, and new opportunities, and as such, they are often associated with a sense of risk and discomfort as travelers dare to abandon what is familiar (willingly or otherwise) and encounter events beyond their daily experience. Thus, these settings reflect the ongoing theme of The Unpredictability of Life and Love, for such places can also be exhilarating and full of possibility. Despite the promising nature of Oliver and Hadley’s first meeting, it is clear that Hadley has no great love of airports or planes and finds them unpredictable and restrictive. Similarly, she preferred her family’s previous status quo, and she resists all the changes that have recently taken place. By contrast, Oliver enjoys the feeling of being “suspended” between here and there and is grateful that he cannot do anything other than be present in the moment. For him, the immediacy of traveling is akin to a state of mindfulness. The setting therefore serves to bring out the key qualities of each character’s personality; faced with the prospect of unfamiliarity and change, Hadley finds the experience to be panic-inducing, while Oliver embraces the temporary release from worries and obligations.
Due to the narrative’s focus on Hadley’s perspective, Oliver’s thoughts remain a mystery, and certain aspects of his behavior foreshadow that his reasons for traveling are far more dolorous than Hadley’s. For example, he never directly confirms that he is going to a wedding, and when she asks him what time the wedding is, he “lowers his eyes” (34) and evasively states that he must be at the church by two o’clock. Finally, when he takes his phone call, his entire attitude changes and he seems like a “less substantial version” (35) of himself, with curved shoulders and a bent neck. His failure to maintain eye contact and vague wording suggest that he is hiding something, and his demeanor while on the phone hints that he contains depths beyond his overt chivalry and wit.
Because the entire plot of the novel revolves around the serendipity of chance encounters, the author makes it a point to introduce The Inevitability of Fate in the Prologue. In the last line of the Prologue, for example, the narrative poses the rhetorical question, “Who would have guessed that four minutes could change everything?” (3). This question suggests that seemingly insignificant events can prove to be crucial turning points that change the course of a life. In further support of this worldview, the litany of small delays and mishaps that lead to Hadley’s lateness imply that there are no accidents, only fateful events that masquerade as coincidences. Despite Hadley’s skepticism about “things like fate or destiny” (2), the fact that she also does not trust the airline industry to be punctual implies that if the plane can leave on time, then fate can be real as well; if Hadley is wrong about one, then she can be wrong about the other. Hadley’s experiences also emphasize The Unpredictability of Life and Love, for she views her chance meeting with Oliver as “something good […] something unexpected” (32). This meeting will ultimately help Hadley to forgive her father for falling in love with Charlotte, for he encounters his soon-to-be wife in a similar fashion; he did not go to Oxford expecting to meet someone; it just happened without warning.
By Jennifer E. Smith