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66 pages 2 hours read

Sejal Badani

The Storyteller's Secret

Fiction | Novel | Adult | Published in 2018

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Character Analysis

Jaya

One of the novel’s two protagonists, Jaya is a journalist who suffers her third miscarriage at the beginning of the narrative. Her relationship with her husband Patrick suffers when she struggles to express her grief at these losses. Her depression is exacerbated by the fact that she feels emotionally alienated from her mother Lena. When Patrick proposes a separation, Jaya decides to travel to India in the hopes of healing her depression by discovering her previously estranged extended family.

Creating a family is deeply entwined with Jaya’s notions of self and womanhood. In India, a break from Patrick and her normal life gives Jaya the space to contemplate the privileges, blessings, and love that she has taken for granted. Though Jaya was adamantly set on carrying a child herself, visiting the Ashram’s orphanage and hearing about Amisha’s struggle with gendered restrictions allows Jaya to accept the limitations of her body. She decides to adopt a child in India, a path she has never considered before.

As Jaya learns more about her mother’s life through Amisha’s story, she sees Lena with more compassion. By the conclusion of the narrative, Jaya has bridged the emotional gap between her mother and herself, establishing a more open and connected relationship. This suggests that Jaya could only become a mother after understanding the mother that raised her.

Amisha

Jaya’s grandmother is the novel’s other protagonist. As a young woman, Amisha marries Deepak in an arrangement decided upon by their parents. Amisha is initially submissive, shy, and unsure of her identity. Her only freedom comes from her creativity—she writes compelling stories, which she uses to connect to others, explain her philosophy of life, and even subtly rebel against the strict limits placed on her as a woman in 1930s India.

After an English school is constructed in the village, Amisha’s desire to learn to write in English motivates her to transcend the strict gender norms of her community. Through her experience as a teacher and her relationship with Stephen, Amisha’s creativity reaches its fullest potential, signified by the stories she presents to Stephen.

Amisha’s love for Stephen is both powerful and empowering. With his support, Amisha builds confidence, gains a sense of independence, and finds the courage to disrupt gender norms to pursue her love of writing and teaching. Even though her relationship with Stephen is meaningful, her loyalty to her children is even stronger. She sacrifices her personal, romantic happiness for their future.

Ravi

Born to the lowest caste in Hindu society, Ravi is an Untouchable destined for a life of begging and poverty. When Amisha rescues him from this fate by hiring him as a servant in her household, Ravi is able to give his family a better future. Ravi often philosophizes when talking, quoting from the Bhagavad Gita and espousing traditional wisdom and strong cultural and religious connections, showing his deep respect for the culture he was raised in despite his frustrations with the limitations of caste and prejudice.

Ravi is Amisha’s most trusted confidant. He often serves as liaison between Amisha and Stephen. Ravi is loyal, kind, and wise, with little dynamic growth as a character; we hear little about his relationship with his wife or children. Instead, he is an instance of a trope that director Spike Lee derisively called the “Magical Negro”—characters whose race, ethnicity, or socio-economic status mark them as inferior, and whose main function is to use folksy, traditional wisdom only and specifically to help a more privileged character self-actualize. In this case, Ravi seemingly lives solely for the sake of preserving Amisha’s story and her property, putting his life in the service of Amisha’s last wishes. Ravi exists only to help Jaya learn about her grandmother and have epiphanies about her family and future.

Lena

Jaya’s mother Lena grows up in India under her harsh stepmother, Omi. Because she was born under a new moon, local superstition paints her as cursed. Believing that she can harm the fates of others, Lena develops an extremely private, distant personality.

Jaya often expresses frustration with her mother’s emotional reticence. Jaya’s voyage to India motivates Lena to be more emotional forward with her daughter, telling Jaya that she loves her and desires to comfort her after her miscarriages. Lena still worries about prying open her experiences as a child, but when Jaya learns of his history on her own, mother and daughter are able to address the trauma Lena experienced together. With Jaya’s help, Lena becomes more emotionally present just as Jaya decides to adopt a child. 

Patrick and Stephen

As the love interests for the protagonists, these men principally serve to motivate their partners’ character growth. Stephen’s culture is so different from Amisha’s that their relationship shows her that the limitations imposed on her gender are not the only way that women can live. Stephen’s grief over the loss of his brother paired with his forbidden love for Amisha motivate him toward risky behavior, such as requesting a transfer to the front lines as a soldier in the British army. His inability to reconcile sense of patriotic duty and the unfairness of Britain’s colonial oppression of India is reflected in his inability to fully actualize a family with Amisha.

For Patrick’s separation from Jaya and his casual romance with her friend Stacey are largely the reason that Jaya travels to India. Her depression overshadows his grief over Jaya’s miscarriages; while he needs communication and connection, she turns away from him. Their reconciliation is a product of Jaya’s trip to India. They are able to better express themselves and their grief after Jaya hears Amisha’s story, finally coming together as a couple only when Jaya herself has changed. In this way, Patrick remains a relatively static character whose development and actions are directly dependent upon Jaya’s decisions.

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