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39 pages 1 hour read

Betsy Byars

The Summer of the Swans

Fiction | Novel | Middle Grade | Published in 1970

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Character Analysis

Sara Godfrey

From the very beginning, protagonist Sara Godfrey is convinced her 14th summer is the worst. She becomes preoccupied with her own perceived imperfections, especially the physical. She constantly compares herself to her peers and older sister Wanda. She’s convinced that there’s nothing special about her, that she has no talents or skills, and frequently finds herself angry or in tears. Sara’s relationships with her family were once pleasant and without significant conflict, but are now grating and unsympathetic. Though Sara is not the narrator, readers are privy to her thoughts and opinions. As someone who tends to exaggerate, Sara’s assessment of her social standing may very well be unreliable.

Sara and her siblings are cared for by Aunt Willie, a woman she finds insufferable. As for her own charge, Sara expresses frustration with Charlie on a daily basis—albeit fueled by her own adolescent struggles rather than disdain. She treats everyone in her life similarly, but reserves at least a bit of patience for her brother. She has zero tolerance for slights against the younger, answering any and all with retaliation. Sara herself is troubled by the recent changes in her mood. She hates how she feels, the sense of powerlessness that pervades her new reality; this feeling prevents her from fully empathizing with other people. As the novel progresses, Sara realizes that her opinions are formed on limited knowledge and learns to consider different perspectives. In the wake of Charlie’s disappearance and return, her sense of self is forever changed.

Charlie Godfrey

As the result of consecutive illnesses at the age of three, 10-year-old Charlie Godfrey lives with an intellectual disability. He has strong attachments to Aunt Willie and sisters Sara and Wanda, and spends most of his time with Sara, attending the same school and socializing together at home. Though he attends school and can read and write, Charlie is nonverbal, his cognitive abilities unaligned with those of his age. He instead communicates with his family via facial expressions, gestures, and the occasional shout when under stress.

Charlie enjoys keeping to routine and becomes overwhelmed when forced to adjust to new or unexpected variables. He tends to retreat into himself or seek privacy when too many people or stimuli disrupt his environment. Apart from his tendency to wander (which directly leads to his disappearance), Charlie is depicted as being easy to care for.

Personality-wise, Charlie struggles with patience and can be very stubborn. He experiences periods of memory loss but is well aware of these lapses. He also fixates on matters such as his missing button, or his watch not working, and often acts rashly in order to rectify said situations. Like Sara, Charlie feels a certain detachment from others. The boy knows when he’s not being included, and can tell when Sara is talking to herself rather than him. As complicated as their bond is, Charlie getting lost proves a harrowing experience, and he’s overjoyed when reunited with her.

Aunt Willie Godfrey

Early in the novel, Sara frames Aunt Willie as “too old” to ride on a motor scooter. Aunt Willie objects that she’s barely 40, but aspects of her behavior and habits do align with those of an older woman. She’s described as having a physical limitation wherein her legs prevent her from walking steadily. She’s frequently disgruntled and scolds Wanda and Sara for speaking to each other after dark, accusing them of arguing when they were simply chatting. She’s also a bit theatrical and prone to overreaction. As the novel progresses, it becomes apparent that both loss and responsibility took a toll on her. Aunt Willie’s uncle and brother were killed in a tragic mine accident; her husband passed away after an illness; and her sister-in-law, the children’s mother, also passed away at a young age. Aunt Willie promised to care for the children on their mother’s behalf, recognizing that Charlie needs care and supervision for the rest of his life. Though Aunt Willie relies on Sara to watch Charlie and tend to his needs, she bears ultimate responsibility—describing the boy’s disappearance as her “blackest day.” She’s grateful toward her brother, the children’s father, and speaks warmly about those close to her heart. Whether it be rooted in physical limitation—or expectations of women in rural West Virginia—Aunt Willie’s lack of work is unclear. The woman does what she can with her brother’s financial support and takes her role as caregiver very seriously.

Wanda Godfrey

Nineteen-year-old Wanda attends university and works at the local hospital. She has a boyfriend named Frank and spends most of her free time with him. She’s tolerant of Sara’s need to vent her frustrations but discourages the younger from dwelling on growing pains—knowing there’s more to life past adolescence.

Early in the novel, Wanda and Aunt Willie argue over the safety of Frank’s motor scooter; Wanda reminds her that she doesn’t need permission to do as she likes. At the end of the novel, Wanda’s hurt upon learning of Charlie’s disappearance via radio speaks to her growing independence—an inevitable chasm born of conflicting obligations. Wanda’s brief mention of Frank’s baby nephew hints at marriage conventions in the late 1960s to early 1970s; Wanda getting married at 19 wouldn’t be out of the ordinary. Though Sara serves as the protagonist, Wanda leading a life of her own has implications for the whole family. The younger Godfreys being close in age is one of the reasons why Sara was tasked with Charlie’s care. Wanda may have a good relationship with Charlie, but she doesn’t assume the same level of responsibility as Sara.

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