55 pages • 1 hour read
Beth LincolnA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death and graphic violence.
Through Shenanigan’s adventures, the author explores the struggle for self-determination. Characters in literature often seek to find a balance between others’ expectations and their desire to set their own course in life. The Swifts’ expectations are uniquely restrictive because they believe people’s destinies are defined from the moment they’re named. The messaging that Shenanigan receives as a result is a key reason for her struggle to determine her own fate: “The Dictionary has enormous power, after all. She wouldn’t be called Shenanigan if it wasn’t who she’s meant to be” (18). Although the girl loves playing pranks, she wants her actions to be recognized as her own choices, not “just her moving along the track the Dictionary had laid out for her the day she was born” (140). Over the course of the novel, the protagonist proves that she’s capable of more than “[t]omfoolery, skulduggery, mischief of all varieties” by responsibly prioritizing the search for Aunt Schadenfreude’s attacker over her personal treasure hunt (48), maturely apologizing to her older sisters first, saving her family from the laughing gas, and sending the distress signal. Shenanigan’s experiences help her overcome her fear that her fate is fettered by nominative determinism, and she eventually realizes that her choices are her own, whether she’s causing problems or finding solutions.
Lincoln further develops the theme of the struggle for self-determination by examining the interplay of familial expectations and gender identity. Fauna understands this struggle on a deeply personal level because she’s a transgender woman: “The doctors said I was a boy. My parents bought me boys’ clothes. I had to learn to talk in order to explain the situation to them” (217). Her story emphasizes that no one can decide someone else’s identity and that family members may be supportive if given the opportunity. Erf’s character arc adds another dimension to this theme. The nonbinary child is initially reluctant to explain to their grandmother why they have chosen a new name: “[Y]ou know what she’s like. How much she believes in the Dictionary and stuff. I’m not sure she’d think we’re allowed to go about changing things” (216). By the end of the novel, even Aunt Inheritance acknowledges that the dictionary doesn’t “know everything” (322), a major milestone in her relationship with her grandchild and a victory for self-determination. Lincoln’s novel offers her young audience the affirming message that they can decide who they are and be loved for their full, authentic selves.
Lincoln’s novel examines how tradition can pose an obstacle to progress. For much of the story, the Swifts are more interested in maintaining their family’s age-old customs and beliefs than evaluating whether these ideas and practices are beneficial. As the archivist, Aunt Inheritance is the character most closely bound to tradition because she makes preserving the Swifts’ history her life’s work. The rosy view of the family’s past that is held by her and many other Swifts whitewashes the violence and exploitation that their family has committed in the pursuit of wealth and prestige. As Atrocious points out, “The history of our Family, as Inheritance could tell you, is one of heroism, intrigue, adventure. But it’s also one of deceit, and theft, and plain old nastiness” (137). On a more personal level, Inheritance’s devotion to tradition interferes with progress because it makes Erf reluctant to tell their grandmother about their chosen name and nonbinary identity. Although Inheritance initially believes that holding onto the past is in the family’s best interest, her unquestioning adherence to tradition poses an obstacle to progress that would benefit her loved ones.
Candour’s relationship with tradition presents the antagonist as a monster of the Swifts’ own making. The family’s traditional view of themselves encourages them to be insular and selfish. For example, Inheritance maintains that society’s “rules don’t apply” to them because “Swifts aren’t normal people” (35). This mindset leads her to place Gumshoe on the case instead of contacting the police after Aunt Schadenfreude is attacked. Based on Swift tradition, this is the correct course of action because Gumshoe’s name means that he’s destined to be a detective. However, Inheritance’s decision only stymies progress and creates more danger. Ultimately, trying to handle the situation in the traditional way leads to Gumshoe’s and Pamplemousse’s deaths and gives Candour the opportunity to attempt to murder everyone gathered for the reunion. Candour embodies the worst of his family’s traditions through his obsession with names and wealth and his conviction in his own superiority. According to Lore and Law of the Family Swift, “Candour committed no crime” while exploiting, attacking, and killing people (315), showing how the Swifts’ traditions permit selfishness, greed, and hunger for power. Candour’s schemes to seize the family fortune and the rank of patriarch make it clear that the Swifts’ traditions no longer serve the greater good.
The novel’s hopeful ending illustrates the family’s changing understanding of tradition and their first steps toward progress. Fauna’s appointment marks a milestone in this theme, and she encourages the Swifts to “allow [them]selves, and one another, to change and grow” just as languages change and grow (329). Candour’s arrest also represents progress. As Felicity argues, “If we let [Candour] out into the world, how long will it be before he finds someone else to cheat, and manipulate, and hurt? They might not be Swifts, but they’ll be someone” (330). The family’s cooperation with the police represents a significant departure from their traditional attitude of superiority over “normal people.” The Swifts’ tentative steps toward progress help them be kinder toward themselves and others. In her exploration of the classic literary theme of tradition versus change, Lincoln advises the readers not to allow adherence to custom to stand in the way of progress.
The Swift family’s history offers a warning of the dangers of greed. The story of Vile’s Hoard develops the theme and sets the stage for the novel’s mystery. In The Tragical Tale of Gramercy and Vile, Cantrip condemns her brother as one of “fortune’s fools” because he murdered Gramercy “in envy, for a shilling’s lack” (148). Adding to the folly of Vile’s covetousness, he was already wealthy, and seizing his brother’s share of the inheritance didn’t improve his life. Instead, he became a prisoner of his own greed and paranoia, locking himself away with his ill-gotten gains: “Vile’s fear grew with his wealth. He became terrified of other members of the Family, and especially terrified that one of them would come along and rob him, the way he’d robbed his brother” (25). The treasure is called “Vile’s Hoard” because he “amassed a dragon’s hoard of wealth and, like a dragon, lived atop it” (25). Thus, the name of the treasure itself is a warning that greed twists people into monsters. At the end of the novel, Lincoln reinforces this lesson with the revelation that Cantrip hid the hoard in the lake because she saw how money tore her family apart and didn’t want a similar tragedy to befall her descendants: “Cantrip had hidden the treasure somewhere fitting—in a place where the more gold you tried to carry, the more it would weigh you down” (337). Vile’s villainy offers a stark example of how greed can destroy families.
Like his ancestor, Candour possesses an insatiable greed that proves disastrous for himself and those close to him. This connects to the novel’s mystery genre because the main plot is Shenanigan’s search for the killer and greed is Candour’s driving motivation. Lincoln emphasizes the antagonist’s chief flaw by showing that he takes the wrong lessons from Vile’s story: “Grand-Uncle Vile had the right approach, you know? With me in charge, with Daisy’s fortune and ours combined, we could invest, we could expand. We could become an empire, rather than a ragtag collection of relatives” (277). Candour’s admiration of his miserly, murderous ancestor and his dreams of building an empire make it clear that he will continue to sacrifice others to further his own ends as long as he goes unchecked. In the end, Candour’s greed costs him everything, even the name of Swift that he prized so highly. His punishment emphasizes the novel’s moral lesson and gives the detective story a satisfying conclusion. The protagonist once dreamed of claiming Vile’s Hoard, but Candour’s actions make her realize that the treasure is “bad luck, born from bloodshed” (277). Through Vile’s and Candour’s examples, Shenanigan and the readers learn the perils of greed.