65 pages • 2 hours read
Megan BannenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The anonymous letters that Hart and Mercy write to each other illustrate the novel’s thematic focus on Seeking New Connections to Overcome Loneliness. In fact, Hart’s first letter is an explicit expression of his overwhelming loneliness, and although he does not expect to reach anyone, his missive nonetheless illustrates his need to reach out and find some form of human connection. Likewise, Mercy’s compassionate response demonstrates her need to ameliorate her own loneliness, even though she lives in a close-knit family. As she empathizes with her unknown pen pal, her discussion of the difference between being alone and being lonely demonstrates her inherent need for a version of human connection that goes beyond surface-level interactions.
As the letters and their long-distance friendship progress, Hart and Mercy come to embody this vital need for connection, and their confessions and interactions, while essentially healing, also indicate the limits of a connection made only through anonymous letters. As Lillian and Bassareus observe, the anonymity of the letters allows Hart and Mercy to curate the best parts of themselves and create an appealing image, or “paper doll” (159) that proves to be a mere imitation of their true selves. This dynamic allows them to avoid the honest vulnerability that creates deep and lasting relationships. The letters therefore symbolize the protagonists’ desire for connection and their fear of vulnerability. While both Hart and Marcy use the letters as a shield against that vulnerability, Mercy eventually overcomes her fear and reveals her true identity; however, Hart tries to mitigate this risk by keeping his letter-writing persona separate from his real self.
The zombie-like drudges arise when the lost souls in Tanria take over dead bodies. As the Warden explains to Hart, the lost souls in Tanria have become confused and believe that they should still be alive, and they therefore resist his attempts to usher them into the House of the Unknown God. Thus, the drudges symbolize the very human fear of dying and seeking to hold onto some form of life at any cost. The lost souls are so afraid of dying that they are willing to kill living humans and take over their bodies.
Because these drudges are devoid of consciousness or any spark of the personality that once resided in the soul, they represent a stubborn desire to cling to life, even at the expense of their personal identity. This issue is made clear when Hart reminds Duckers that the drudges are already dead; he says this to comfort his apprentice and to emphasize that the woman whose body the lost soul has stolen is far beyond their help. Ultimately, the lost souls can only find peace and a restored sense of self when they accept the inevitability of death and return “home” to the Unknown God. To reinforce this concept, the drudges lack the keys (and therefore the identities) needed for proper funeral rites to be conducted.
While the drudges symbolize an instinctive avoidance of death, the keys conversely symbolize the acceptance of death, as well as the human need to ritualize death and give it meaning. The keys identify a person’s remains for legal purposes and also serve a vital function in their religious funeral rites. Each person receives a key when they are born, and they later receive a second key when they make funeral arrangements with a certified undertaker. Together, these keys represent that person’s soul and allow them to enter the House of the Unknown God upon their death. Throughout history, humans have devised elaborate rituals around death, from the elaborate burials of the Egyptian pharaohs to the Greek tradition of providing the dead with a coin that was required to pay the ferryman of the river Styx. In Bannen’s world-building, the humans of this world rely on their keys in a similar fashion, seeing them as a way to enter the proper region of the afterlife. This belief proves to be literally true in Chapter 36 when Hart uses his mother’s birth key to unlock the farmhouse door in the meadow and usher the lost souls into the realm of death. In Bannen’s world, making funeral arrangements and possessing specific keys allows people to demonstrate their acceptance of the inevitability of death.