47 pages • 1 hour read
Breanne RandallA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide refers to terminal illness, mental illness, and attempted suicide.
The need to avoid losing her magic as a result of heartbreak is the main motivation that drives Sadie, but as she seeks to protect herself from heartbreak, she risks cutting herself off from the possibility of love. She builds an identity around helping people through her magic, but she uses this identity as a shield against the need to form any real emotional connections. Ultimately, the narrative suggests that Sadie’s tendency to protect herself from heartbreak is actually what puts her most at risk of experiencing it.
Sadie’s tendency to distance herself from people who can hurt her is an important aspect of her identity. Her sense of self is closely tied to her magic, which she insists on using to help people. However, she uses helping people as a way to avoid heartbreak. Seth directly addresses this tendency of Sadie’s, telling her “People should like you for you. Not what you do for them. You’re always afraid people are going to leave, so you do anything you can to make them stay” (45). Randall thus emphasizes the paradoxical nature of Sadie’s self-protective tendency: That she avoids letting herself get too close to people in order to ensure that they will stay. Similarly, Seth tells Sadie that “Helping people isn’t the same as loving them” (57). Helping people allows Sadie to feel like a valued member of the community without exposing herself to the potential heartbreak that comes from genuine emotional intimacy. Seth begs Sadie to focus on who she is rather than her magical ability, but it isn’t until she is forced to give up her magic to save Seth that she realizes she can trust herself without its power.
In addition to Seth’s advice, Gigi tells Sadie to guard her heart, but not too closely, “Because if you can’t get hurt then you can’t love” (60). Randall emphasizes the paradoxical danger of Sadie’s overprotectiveness against heartbreak. Similarly, Gigi tells Sadie, “You’re so worried about somebody breaking your heart that you’re gonna end up breaking your own” (79). Randall therefore uses Sadie’s character trajectory to emphasize the fact that the risk of hurt and heartbreak is an essential part of love. Throughout the novel, Randall characterizes Sadie as having an identity that is based in guarding against heartbreak, helping people, and magic. Advice from Seth and Gigi provides examples of Sadie’s tendency to use helping people and distancing herself from them as a shield against heartbreak. Overall, the novel suggests the paradoxical nature of love and hurt: That the possibility of heartbreak is a requirement of experiencing real love.
Familial Grief and Coping with Terminal Illness is a central theme of the novel, as its plot centers on Gigi’s death from cancer. Randall emphasizes the personal and drawn-out process of grief, which manifests differently for each individual in Gigi’s life. Because Gigi’s loved ones know she is dying for a long time, the must endure anticipatory grief even before they actually lose her. Even though the grieving process is highly individual, the characters benefit from each other’s mutual support. Randall emphasizes the collective experience of family grief.
Sadie’s experience of grief begins when Gigi reveals that she is dying. Randall represents Elisabeth Kübler-Ross’s concept of the five stages of grief through Sadie’s progression through the experience. For example, her very first reaction to Gigi’s diagnosis is denial, as she searches for a way she can use magic to heal her grandmother. She decides to try and “heal a dead plant” or an injured animal for practice because “this would work. It had to” (57). Sadie’s attempts to heal Gigi are both a relatable experience of denial and indicative of one of her defining character traits: using her magic to help people while protecting herself from heartbreak. Sadie eventually realizes that she cannot use magic to save Gigi’s life, which prompts the anger and depression phases of her grief experience. Realistic descriptions of Gigi’s illness and death contrast the hoped-for magical solution Sadie had been seeking. For example, when Gigi starts talking about needing to cut her hair, Aunt Suzy talks about reading a hospital pamphlet when her own mother was dying about how “Toward the end, when they’re not completely lucid, they think they need to get ready for something, but they don’t know what” (191). By situating a realistic experience of illness in a magical world, Randall emphasizes the universality of death and familial grief.
Descriptions of the extended family experiencing their grief for Gigi together emphasize the power of loss to bring family together. After Gigi announces her illness to the family, Sadie observes that “their hearts were still breaking, but they were breaking together, and that was its own kind of beauty” (154). While the family members experience their grief individually, the event of Gigi’s death is what brings the family back together.
Randall also attends to the process of anticipatory grief—grieving someone before they are gone—that occurs with terminal illness. Seth tells Sadie “Don’t let your sorrow be her burden. Wait until she’s gone to mourn her” (182). Randall describes Sadie’s efforts to enjoy the time she has with Gigi while overcoming her initial grief and coping with her sadness. Randall emphasizes the stages of grief, the role of family in grief, and the uniquely difficult situation of terminal illness to suggest both the individual and universal nature of loss.
Randall emphasizes the importance of second chances throughout the novel. By including examples of familial, romantic, and personal second chances, the novel suggests the varied possibilities of redemption.
The dynamic of second chances plays out within the Revelare family in the relationship between Sadie and Seth as well as between the twins and their mother, Florence. Randall describes Seth and Sadie as having been very close, and Seth’s departure from the town is a significant heartbreak for Sadie. When he returns, Sadie is very angry at him, but they eventually apologize to one another. Sadie gives Seth another chance by forgiving him for leaving. Likewise, Seth gives Sadie another chance by sharing details about his magic and the torment it was causing him, which she hadn’t considered before. Seth and Sadie’s second chance emphasizes the mutual input required for second chances and the possibility of moving from uncanny closeness to separation and back again. Similarly, Sadie is initially guarded with and angry at her mother, Florence, despite knowing that Florence’s curse was what kept her away from her children. One of Gigi’s deathbed instructions to Seth and Sadie is to give Florence a chance, and to “try not to blame her” (181). While Seth is immediately willing to give Florence a second chance, Sadie’s process takes longer. Ultimately, though, she begins to empathize with her mother and becomes more open to reconciliation.
The romantic second chance between Jake and Sadie is in two parts: when he first returns to town after breaking Sadie’s heart in their youth, and after he reveals that he is engaged. The second chance narrative is a trope of romance narratives, and contributes to the book’s blend of genre as well as emphasizing the role of second chances in love.
Several character trajectories in the novel also include second chances. Centrally, Sadie has a second chance to reevaluate her identity and relationships with others. The ritual forces her to trust herself rather than relying only on magic for her sense of self. Seth and Raquel also experience second chances through their progress with their mental health conditions. Raquel’s psychiatric treatment provides her with a second chance to live with her bipolar disorder. The ritual and Seth’s willingness to seek treatment offer him a second chance to cope with his experience of depression and anxiety. Similarly, Florence tells Seth and Sadie about a rock bottom experience of her own, during which she contemplated suicide before deciding to give herself a second chance. Her youngest daughter, Sage, represents her second chance to be a mom.
Throughout the novel, Randall emphasizes the power and prevalence of different types of second chances.