58 pages • 1 hour read
Jennifer L. ArmentroutA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novel is set in a world where gods and prophecies dictate the course of events, often leaving the characters to grapple with the extent of their agency. This is especially true for Poppy. Throughout The War of Two Queens, people like her mother, Isbeth, seek to define her identity, bind her to a predetermined destiny, and strip her of autonomy. Poppy consistently fights against this by asserting her agency in an attempt to reshape her life and future. Poppy’s struggles thus explore the conflict between fate and free will, including the question of whether the two forces are as opposed as they might seem.
The tensions between fate and agency have shaped Poppy from her earliest years. As the Maiden, she was told her purpose was to serve the gods and maintain purity by living a life of obedience and isolation. Even after she escapes this fate, another is thrust upon her in the form of the prophecy, which casts her as Bringer of Death and Destruction, destined to herald catastrophic events and wreak havoc upon the realms. The prophecy casts a shadow over Poppy, suggesting that she is merely a pawn in the larger cosmic game. Others around her, especially her enemies, are convinced she will fulfill this destiny. In this context, fate appears to be an inescapable force that defines Poppy’s identity and the role she has to play in her world. Her identity is shaped and reshaped by the expectations placed upon her by the prophecy and her own evolving sense of self. The heart of her arc in this story is whether she will be defined by the prophecy or by herself.
Poppy refuses to accept the prophecy as her only possible future. Instead of passively accepting her role, she fights to define her way despite the cosmic forces that seek to control her, saying, “My thoughts—my ideals, choices, and beliefs—were not preordained nor governed by anyone but me” (35). She actively attempts not to give in to anger and become a force of destruction. She is supported in her resolve by Casteel and Kieran, who both serve as emotional anchors for her. Their faith in her helps Poppy keep herself grounded when Isbeth attempts to destabilize her. In many ways, Poppy’s fight against the prophecy is also a fight for her identity. The prophecy of the Harbinger attempts to reduce her to a single role; Poppy resists and insists on her right to define herself on her terms.
While Poppy’s story is primarily about resisting fate, the novel also acknowledges that free will and fate are not mutually exclusive. Her role as the Harbinger isn’t to be the cause of the destruction, but instead to be part of something bigger: the ultimate cosmic reset. With her ascension to becoming the Primal of both Life and Death, she’s beginning an entirely new era that was never supposed to exist. Poppy, as the new god of both creation and destruction, beginnings and endings, is potential itself. She was always going to have this power, but this does not negate the importance of her choices, as what she does with said power is ultimately up to her.
In The War of Two Queens, the struggle for freedom and justice is a central conflict, countered by the relentless perpetuation of tyranny by those in power. Throughout the novel, Poppy and Isbeth represent two opposing approaches to power, with Isbeth embracing tyranny and cruelty while Poppy seeks a more just, humane, and empowering type of rule for both herself and her subjects.
The current regime is headed by the Ascended, immortal beings created through a ritualistic process that sacrifices the lives of mortals. The Blood Queen, Isbeth, is the main manifestation of the regime’s bloodlust. Her regime thrives on fear, lies, and the exploitation of the Rite, a ritual that sacrifices innocent lives under the guise of a divine mandate. She maintains her power through a false narrative that frames her as a godlike figure and her subjects as destined to serve her and the Ascended. This system of control, steeped in centuries of oppression, isn’t just a rule of terror but a deliberate reinforcement of a power structure designed to keep the few in control and the many subjugated.
By contrast, Poppy becomes a symbol of resistance against her mother’s rule. From her early life as the Maiden, she was stripped of her autonomy and subjected to the Ascended’s will. Her arc is defined by her fight to reclaim her identity and destiny, but her quest is not just about power or revenge—it’s about freeing people from the Ascended’s control and creating a fairer, more just world. As she tells the people of Oak Ambler in her address after the battle, “We are not conquerors. We are not takers. We are here to end the Blood Crown and the Rite” (220). She seeks to right the wrongs of their rule, placing particular emphasis on the horrific practice of the Rite, which claimed countless lives under false pretenses.
Nevertheless, Poppy struggles to balance her compassion against the necessity of violence in achieving her goals. She wants to bring about change without unnecessary bloodshed but also has to fight to control the rage she feels when faced with the Ascended’s injustices. She faces external pressure from her generals to cave in to brutality, which means her forces risk becoming the very tyrants they seek to overthrow. Poppy, however, refuses to embrace these needlessly violent methods. Her rise to power therefore suggests that she represents a more hopeful, just future for all due to her attitude toward wielding power responsibly.
Love and power are inextricably tied together in this story, shaping the characters. Poppy is deeply compassionate and loving, and her love for Casteel, her friends, and her people drives her actions. As she gains ever-greater power, Poppy must learn how to balance her emotions and responsibilities to ensure that neither her love nor her power becomes a corrupting force the way it has for Isbeth.
The dark side of Poppy’s passionate drive is shown when Isbeth taunts her by sending her Casteel’s severed finger wearing his wedding ring. In this moment, Poppy loses herself and becomes a force of wrath, driven solely by the desire for revenge. She plans to destroy Solis and the Blood Queen, but she is stopped by Kieran, who reminds her of the damage to innocents that will happen if she does this. She reflects on the costs of unregulated passion after he talks her down, reminding herself of what a twisted idea of love and power did to Isbeth:
aI wouldn’t have done what she had, taking all the pain and hurt she felt after the loss of Malec and their son, all that hatred toward the former Queen of Atlantia, and turning it on not just Eloana’s sons but also an entire kingdom—an entire realm. And that would be exactly what I’d be doing. I’d leave nothing but haunting graveyards behind. And I wouldn’t be like my mother. I would be something far worse (77).
Poppy has immense power and love, and she has to fight to keep both from overtaking and corrupting her. The consequences can be seen in Isbeth, whose actions are driven by her love for her heartmate, Malec, and their deceased unnamed son. This love is twisted into something vengeful, obsessive, and self-serving. She wants to destroy Atlantia and everyone living in it to hurt Nyktos. This need for vengeance not only led to her sexually assaulting her heartmate’s twin brother, Ires, but also her attempts to kill Malec to power Kolis’s return. Isabeth’s need for power overwhelms and corrupts what was initially a decision based on love.
As Poppy comes into her true power as a Queen and a Primal, she must learn how to wield her power without losing the love that grounds her. This balance is difficult to achieve and requires constant effort, self-reflection, and a willingness to make sacrifices. Poppy’s commitment to balancing her responsibilities as a ruler with her love for others ensures that she does not fall prey to her own powers.
By Jennifer L. Armentrout