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Their small group grows larger as more and more families join the exodus, listening to the warning sounds of helicopters and guns, hoping to avoid being caught or destroyed by either the Left or the Right. They march on through the night and the following day, Nicolás carrying his mother’s shoe and the statue of La Virgen in his backpack. Early in the evening Nicolás and the large group join with hundreds of other people in La Arada. They plan to camp by the river and cross into Honduras in the morning. There is concern about the feeling of rain in the air. If the rain pours too fast or for too long the river will swell and be too dangerous to cross. Tata is worried about Nicolás’s injury. They were not able to stop and see Dr. Eddy because the clinic had been pillaged and destroyed. Nicolás remembers that one should not expose a wound to river water and asks Tata how high the water rises. Delfina, the pharmacist, cleans and rebandages his wound. Then Nicolás remembers the cookies in his backpack and shares them. Ursula says they are her favorite. She points out the words on the package: “Gallettas Maria” (219), or, the cookies of Maria, another sign from La Virgen.
The Army camps on the ridge above the riverbank, keeping eyes on the people camping below. The Army assumes that anyone who flees their home must be a communist insurgent. Therefore, they will attack them in the morning. Private Jose Delgado watches the campfires burn and notes that the air smells like rain. Indeed, the rains have begun in Honduras. The water is flowing down the hills of Honduras into the river, causing it to swell in the darkness. Across the river from the huddles of people are Honduran soldiers. Their aim is to stop anyone from crossing the river into their country.
Nicolás is awoken from a dream in which the river is full and moving fast. He gets up and takes his flashlight to the river. He finds that what he saw in his dream is true. In his dream Our Lady appeared and told him not to cross at this spot but to go down river immediately. Nicolás quickly returns to awaken Tata and tells him that the river has risen. Basilio, Ursula, and Delfina wake as well. When they hear how high the river is, they know that they will not be able to cross as most of them cannot swim. Everyone agrees to move further downstream, to a spot where the river will be wider, before crossing. However, the women want to make coffee and breakfast before they go. Nicolás doesn’t know how to convince them to leave immediately without revealing his dream, so he whispers to his grandfather that La Virgen told him to leave right away. Tata convinces the others to leave before the crowd starts moving.
As their small group begins to walk downstream, they move to flatter terrain with some natural ledges carved into low hills. The sun rises, and they see that some people have already begun to cross the river where they had camped. Suddenly they are surrounded by the sound of gunfire from above. The guns go quiet almost immediately, then are replaced by two low flying helicopters firing machine guns. Basilio tells them to take cover and Tata suggests hiding under a ledge up ahead. Ursula and Delfina decide to join the masses of people trying to quickly get across the river. Nicolás, Basilio, and Tata run to hide under the ledge. From their protected vantage point they watch the massacre of families. They hear gunfire, screams, and pleas. Soon the Honduran soldiers line up along the riverbank and shoot people as they try to swim across.
Once most people have been shot, the Guardia marches through the carnage and handcuffs anyone still alive. Those are marched off with the Guardia. Nicolás, Tata, and Basilio decide to hike along at higher ground. They plan to walk south until they reach Las Vueltas, where Basilio’s employer has a factory. They walk in silence, each holding a weapon. They avoid looking at the river, for it is full of floating dead bodies. Nicolás stops and asks them to check his wound to see if it is bleeding. He is worried that he is developing a fever and an infection. Luckily, his wound is just sweaty. They are taken aback by the sound of buzzards circling above. What they find horrifies them. The buzzards are feasting on three guerrilleros’ bodies. Nicolás is so upset that he runs toward the buzzards waving his machete until they fly away. Basilio notices an M16 lying on the ground. Nicolás takes the gun and dismantles it just the way he saw the soldiers do at the garrison. When he has pulled the gun apart, he hurls the various pieces into the river. They walk on, Nicolás full of “the might of a lion, with the heart of a lamb” (235).
In an excerpt from an El Salvadoran newspaper, dated May 25, 1999, a Dr. Nicolás de La Virgen Veras is noted as receiving the Premio Manuel Quijano Hernandez prize. This award is granted annually to a young doctor whose work aligns with Dr. Hernandez’s goals of helping the Salvadoran people. The excerpt states that Dr. Veras graduated medical school in 1996 and completed a residency specializing in trauma. Dr. Veras was accompanied by his wife, his grandfather, Basilio Fermin, and his mother’s former employers, Mr. and Mrs. Salah.
The novel closes with an injunction against the violence perpetrated against the innocent: “caught in the perilous between were the people. Dying in the crossfire of weapons and ideologies […] there was nothing left for them to do but flee” (215). In the process of fleeing, the novel resolves the contradictory split between Nicolás’s inner lamb and lion. He is forced to take the lead, trusting his inner wisdom (symbolized by the words of La Virgen) to lead him to safety. He pushes his grandfather and Basilio Fermin to leave their camping spot on the river immediately, and as a result they are the only three to survive.
Nicolás believes he was saved by La Virgen, but we can also read this experience as the completion of the hero’s journey. Nicolás trusts his intuition and uses his strength to act as leader. His actions save his life and two others. After witnessing the murder of his fellow people, Nicolás stumbles upon an assault rifle. Rather than keeping the weapon for protection or to get revenge against the military, he takes it apart and throws it in the river so it will be destroyed. This ceremonious dismantling of the gun is a symbolic gesture, showing that Nicolás hasn’t lost his innocence or lamblike qualities. Violence and war have not turned him into a soldier for either side, and he maintains a peaceful, antiviolent position. Just like El Buen Pastor, depicted on the pharmacy, Nicolás becomes a doctor; a nonviolent protector of the people, taking care of his flock of sheep.
By Sandra Benitez