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67 pages 2 hours read

Rachel Kadish

The Weight of Ink

Fiction | Novel | Adult | Published in 2017

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Background

Historical Context: Spinoza’s Philosophy

Baruch “Benedictus” de Spinoza (he used the name Benedictus for most of his scholarly writings) lived from 1632 to 1677. Spinoza was born in Amsterdam to a Portuguese Jewish family, and (like the character of Ester) educated in a devout Jewish tradition. As a young man, Spinoza began to study with Franciscus van den Enden, a philosopher and former Jesuit priest (van den Enden is also featured as a character in The Weight of Ink). After being exposed to philosophical works, including writings by the French Enlightenment philosopher Descartes, while studying with van den Enden, Spinoza began to explore more controversial and radical beliefs. He publicly questioned Jewish teachings about the Torah and the nature of God (although he never seems to have outright challenged belief in God, or advocated atheism).

In 1656, when Spinoza was only 23 years old, he was formally excommunicated from the Jewish community due to his unorthodox beliefs. Kadish references these events in her novel, adding fictional details about Rabbi Mendes (a fictional character) advocating on behalf of Spinoza. After being expelled from the Jewish community, Spinoza never converted to Christianity. He continued to live in Amsterdam, focusing on writing philosophy and fashioning lenses for microscopes. He attracted significant respect as a thinker, corresponding with many philosophers and intellectuals, and was offered some prestigious academic positions, which he consistently turned down in order to maintain as much intellectual freedom as possible.

Spinoza’s writings built on a foundation of Enlightenment rationalism established by Descartes and others, but challenged the idea of mind-body dualism. Spinoza wrote on almost every aspect of philosophy, including epistemology (the study of knowledge), ethics, and ontology (the study of being). He became especially controversial for his writings about God, and was often associated with atheism. After Spinoza’s death in 1677, his writings were banned in Holland, and they were also added to the Index of Banned Books published by the Catholic church.

However, Spinoza’s writings never denied the existence of God. Instead, he argued for understanding God not as an individual persona or creator figure, but rather as a universal force comprising all of the natural and physical laws of the universe. In Kadish’s novel, Ester rebuts a claim that God is the creator of the universe and exists outside of natural laws with a famous quotation from Spinoza: “Deus siva Natura,” which translates to “God or nature” and reflects Spinoza’s belief that God and the universe are the same thing and do not exist in a hierarchical relationship of creator and created. This claim led to many interpreting Spinoza as denying the existence of God, while it is more accurate to say that he challenged a belief in God as an individual entity.

Literary Context: Shakespeare’s Sonnets

The Weight of Ink features a subplot hinting that Ester Velasquez may be the granddaughter of English playwright and poet William Shakespeare (1564-1616). In the novel, Ester’s grandmother, Lizabeta, a Portuguese Jewish woman, has an affair with an English, Christian man, and he fathers her daughter, Constantina (Ester’s mother). The connection to Shakespeare is established through an allusion to one of his poems, Sonnet 144, in which the poem’s speaker describes a beautiful woman who “Tempteth my better angel from my side” (Line 6). The poem is one of the 154 sonnets published in a 1609 collection entitled Shakespeare’s Sonnets.

Sonnets are 14-line poems, first developed in Italy and eventually introduced to England where a number of poets adapted and utilized the form, often to explore themes related to love and desire. Shakespeare’s sonnet collection features recurring themes and distinct personas. The first 126 sonnets are addressed to a young man, the Fair Youth, and the remaining 28 sonnets are addressed to a woman, the Dark Lady. The woman is described as alluring, but not traditionally beautiful, and is notable for her dark skin (which did not align with English female beauty standards at the time). The sonnets tell a story in which the speaker of the poems develops a (occasionally eroticized) friendship with the Fair Youth and has a romantic relationship with the Dark Lady, only to become frustrated and jealous when the Youth and the Lady have an affair.

Many scholars have speculated as to whether the sonnets document events that actually took place in Shakespeare’s life, and whether or not the Dark Lady and the Fair Youth refer to specific historical individuals. Nothing conclusive has ever been established, and it is possible that Shakespeare’s sonnets and their characters are entirely fictional.

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