42 pages • 1 hour read
John SteinbeckA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The family talisman in this novel refers specifically to a mysterious stone passed down through the generations. Believed to be originally from China, the stone is beautiful but unidentifiable. Ethan views it as a good luck charm. He instructs his children never to move it and closely analyzes Ellen as she caresses the stone while she sleepwalks. Ellen’s unconscious connection to the stone emphasizes the stone as inherently tied to the Hawley family and symbolizes its narrative importance. Ethan takes the stone on the day of his planned bank robbery. Because the robbery is thwarted, it can be proposed that the stone is not a talisman of good luck, but it can also be argued that the bank robbery was an impossibly foolish plan, so the stone’s luck was in its ability to thwart the robbery. The stone’s symbolic importance becomes clearer in the final chapter of the novel. Ellen, sensing her father’s distress, replaces the razor blades in his pockets with the family stone. The stone directly reconnects Ethan to his family, reminds him of his responsibilities to them and his love for them, and saves his life.
The Belle-Adair is the once-legendary ship that transported the white settlers of New Baytown to Long Island. It is the symbol of imperialism, white superiority, and power. But the settlers destroy it, highlighting the importance of letting go of the past. The Belle-Adair can live on as a myth, but it should not inform New Baytown’s present or future. Ethan has heard rumors that the Belle-Adair was purposely burned down in the town elders’ attempts to collect insurance money. This theory shocks Mr. Baker, but it is not shocking to Ethan and, by extension, Steinbeck. Because this story is about American ruthlessness, the burning of a ship for insurance money fits perfectly into the immorality of acquiring money at any cost. If it is true that the settlers destroyed this ship for the insurance money, then the founding of New Baytown is based on dishonesty, manipulation, and fraud. This founding fits the contemporary ethos of New Baytown, which still continues its fraudulent behavior. It also reveals the entitlement and moral superiority of the white settlers’ families to be based on a lie.
New Baytown is both a setting and a symbol in The Winter of Our Discontent. New Baytown is a sea-side village in Long Island, New York. It is notable for its port wealth, status, and history. But New Baytown’s idyllic and romantic image contrasts with a seedier reality. The townspeople who manage New Baytown care more about their own wealth than about the community’s wellbeing. The state government launches an investigation against New Baytown for fraud, emphasizing the dishonesty that propels New Baytown’s success. New Baytown is a place of societal pressure, xenophobia, and a fraudulent history. In Steinbeck’s view, this makes New Baytown a quintessential American town. It is notable that Steinbeck set his novel in New York, instead of the American West (the setting for most of Steinbeck’s fiction). The setting of New York provides opportunities for carefully detailed writing about the natural scenery, but more importantly, New York has four seasons. The symbolic change from winter into spring into summer parallels Ethan’s character development and echoes the novel’s title.
Water often symbolizes emotions, intuition, and the inner world. Ethan is contemplative and because of this, he is more prone to question actions and their motivations than to act. At the harbor he has no such pressure. The harbor connects him to his past: at times, when he visits, he reconstructs the Old Harbor in his mind and thinks about his ancestors. It is significant that Ethan chooses to end his life at the harbor because it represents everything he cares about and believes in, and he feels he has betrayed this. That he finds redemption there signifies that a place that once stood for the past can be a symbol of the future.
Ethan refers to the harbor as the Place. It is where he goes when he needs to be alone with his thoughts, where he can be free from others’ judgement and influence: “This is my Place, the place everybody needs. Inside it you are out of sight except for seaweed: (43). Ethan is by nature introspective though the persona he projects is outgoing and affable. This dichotomy takes a toll on him, making him even more susceptible to others’ opinions because he constantly detaches from his true self.
By John Steinbeck