54 pages • 1 hour read
Anne EnrightA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This guide section depicts physical and emotional abuse against children and self-harm. It also references death by suicide and suicidal ideation, sexual assault, animal violence, and the use of biased language against people with intellectual disabilities.
Nell thinks people are separated by their experiences, which they try to bridge through language. She initially thought that empathy was the key to connection, but now she feels “translation” is the best way to describe any connection attempt.
During her first year at Trinity College Dublin, Nell formed a small group of friends—Lily, Shona, and Malachy. Nell’s anxieties manifested as a concern for the disappearance of small things, like the nightjar bird species. Watching online videos of nature eased her anxiety.
Now, Nell works as a travel and lifestyle content writer. She values her independence from her mother, Carmel, who often denies the pain of others because she believes they are self-obsessed. Nell tries to make sense of why she feels so sad, writes poetry, and posts it on Instagram.
Nell meets a man named Felim at a nightclub. He comes from a farming family. Several days later, Nell bumps into Felim at a magazine stand. They start texting. The following week, they go to a party and have sex at Felim’s apartment afterward. When Felim explains that living in an apartment doesn’t suit him as someone who grew up in a big open country, he tears up, moving Nell. When she goes home, Nell realizes she is in love. They start dating soon after.
Nell has Sunday dinner with Carmel, remaining quiet about her life because she doesn’t want her mother to get involved. When she shares that she wants to visit Lily in London because Lily is anxious, Carmel is skeptical and calls Lily “stupid.” Nell thinks of her mother as the most boring person in the world, someone who never surprises Nell with thoughtful Christmas gifts.
She goes back to her apartment and Felim. Felim says he always wanted to be lucky like Nell. When Nell expresses her disbelief, Felim tells her, “You don’t know you were born” (28), an answer that puzzles her.
Nell writes a piece on the tragedy of human death, which her client, an actress and influencer named Meg, rejects. Nell finds consolation in her relationship with Felim. One night, Felim shares that he was in town and learned from a friend that their former teacher had died by suicide. Nell asks why he was in town, which surprises Felim. During sex, he chokes her and tells her to “say it.” Nell experiences a strong climax and then asks Felim what he said. Felim insists she knows.
Felim’s behavior confuses Nell. He often comes to her apartment, even though she has housemates and he doesn’t, and gives her vague answers about a person he is texting. She starts looking for secrets he might be keeping from her. After a while, he starts making passive-aggressive callbacks to the earliest moments of their relationship. Nell worries that everything she has shared with Felim may be used against her. After stalking Felim’s ex online for more clues, Nell confronts him about seeing someone else. Felim asks if they are supposed to be exclusive. Lily advises Nell to get out of the relationship, and Nell considers visiting her old therapist, Paschal but decides against it.
Nell fixates on the thought of diving into water to die. She resents Carmel but then longs for her mother’s company and consolation. Nell doesn’t hear back from Felim for nearly a month. He suddenly texts, inviting her to an unspecified occasion. He drives her to a church, where they attend the baptism of his brother’s child.
Nell meets Felim’s family and joins them for a gathering at the farm where Felim grew up. Felim’s grandmother asks her if she is related to the poet Phil McDaragh. Nell confirms she is his granddaughter and was born after he died. Felim’s grandmother recites a translation Phil wrote from memory. Nell is torn between feelings of belonging and repulsion.
Felim intermittently visits Nell for casual sex. Nell anticipates but then feels hurt by their encounters. Nell has a one-night stand with a stranger and is so dissatisfied she self-harms. She says it’s a boxing injury when she visits Carmel.
Nell revisits a book of Phil’s poems, which are primarily about birds. Growing up, she used Phil’s books to imagine a paternal relationship with him. She opens the book randomly and lands on a poem about Persephone’s mother, who grieves over her loss by plunging the world into its very first winter. She posts the poem on the Internet and imagines getting a tattoo of the line “like a bird in the mouth, hell yawns her free” (51).
Nell continues to stalk Felim’s ex online and finds evidence they still may be together. Nell writes a story that alludes to her relationship with Felim. In it, everything the man touches falls into neglect and decay; the woman is vindicated.
A drunken Felim appears at Nell’s apartment, urging her to submit to him and call him “sir.” Nell is afraid that Felim will harm her. Another time, Nell feels satisfied after having aggressive sex with him. The chapter ends with the full version of the translated poem that Felim’s grandmother recited, in which a man with a “dark heart” calls his beloved to lay on his chest because he craves her thyme scent.
Carmel reflects on her father, Phil. She is unsure whether she sympathizes with her father and remembers how people said she and Phil resembled each other. One event remains fixed in her mind. When she was 12, Phil ransacked their house to look for a wristwatch after he abandoned their family earlier that summer while Carmel’s mother, Terry, recovered from a mastectomy. Carmel and her older sister, Imelda, have differing recollections of how Phil confronted Terry to find the watch. Carmel recalls Phil fixing the bed to make it more comfortable for Terry. Imelda remembers Phil frisking Terry on her bed.
In an extended flashback, the narrative depicts Carmel’s life. Imelda and Carmel manage the household in their father’s absence. Imelda looks after Terry’s needs. Their aunt, Deirdre, occasionally visits and does not acknowledge Phil’s disappearance. Sometimes, Imelda’s bullying and temper forces Carmel to stay away from the house.
Terry recovers, and Imelda and Carmel go shopping for schoolbooks. Carmel is embarrassed when the shop staff highlights that the check they use to pay bears Terry’s maiden name. Later, Phil returns to discuss the checks. Carmel only realizes that her father has abandoned them when she imagines Phil carrying Terry up to her room to talk. Before Phil leaves, Carmel asks where he is. Phil doesn’t answer, only calling her “birdy” and asking for a peck.
The novel presents a poem Phil dedicated to Carmel, entitled “The Wren, The Wren.” In the poem, the speaker holds a wren in his hand. When he opens his hand, the wren escapes with such lightness that the speaker barely feels it. His pricked palms remind him of the weight of the wren’s love. The poem ends with the speaker pointing out the cold color of the sky to “[his] life, [his] daughter” (76).
In 1985, a poet named Harvey visits Terry and informs her that Phil died. They pick up Phil’s coffin at the airport from the United States and drive it to his hometown’s cemetery. The memorial is well-attended, including by a representative of the Irish president and Phil’s first girlfriend, who was the muse of an early poem entitled “The Twining.” Because Phil wrote often about their sexual exploits, the old girlfriend is well-known. Later that night, a man recounts how Phil threw a girl out onto the street while she was dressed in only a nightie. Carmel wonders if this a misrepresentation of the story she knows, where Terry came out of her room in her nightie to kiss Phil. Carmel later remembers another night when Terry refused a woman who wanted to enter their house. Carmel wonders if that woman is at the funeral.
A poet gives a eulogy for Phil, describing him as “the finest love poet of his generation” (83). Carmel looks at Phil’s second wife, an American woman.
The novel includes “Inheritance,” another of Phil’s poems that depicts the knowledge Phil accumulated throughout life, including “[t]he cost of a modern marriage” and “[a] foreign body in the bed […] [t]he locked safe of her heart” (87). The full text of Phil’s letter celebrating Carmel’s 16th birthday follows this. While visiting the Uffizi Gallery in Florence, Phil saw two girls who reminded him of Imelda and Carmel. His letter describes his pilgrim soul as one that remains tethered to Carmel.
Carmel later teaches English in Florence, where she befriends teachers from England and an Italian woman named Vittoria. Later, Carmel has sex with the man Vittoria is seeing. Vittoria weeps over the betrayal, but it does little to move Carmel. Before she returns to Ireland, Carmel visits the Uffizi. She thinks of what she will miss about Italy, despite the gaudy things its beauty inspires. She attempts to write a reconciliatory note to Vittoria but gives up due to indifference. She determines that she cannot get along with most women in her life. Carmel returns home to Dun Laoghaire.
Terry’s cancer returns. Carmel teaches at a language school in Dublin. She comes home to look after Terry while Imelda is away completing doctoral studies. Terry later dies.
A lawyer tells Carmel and Imelda that discrepancies between American and Irish marriage laws caused Terry to inherit Phil’s debts, which passed onto them. Imelda inherits the house, while Carmel inherits an investment portfolio, which she must use to fulfill their mother’s inherited debts. She feels the situation disadvantages her and gets into a physical confrontation with Imelda. Carmel tells Imelda that their mother loved them equally, even though Phil only dedicated a poem to one daughter: Carmel. Imelda rebukes her, and they become estranged.
The novel presents Phil’s poem entitled “Migrations.” In the poem, birds fly over Ireland to prepare for winter. The speaker meditates on the quarrel between their mother and aunt and suggests that they are the last of their family line.
Carmel has many casual sexual relationships. When one of her friends has a baby, Carmel is bewildered that anyone would love the experience of having a child. By 27, Carmel refuses to have a man in her life, though she considers how her body is aging. After an unenjoyable sexual encounter, she decides to focus her efforts on renovating her house.
At 30, Carmel is running her own language school. She later has sex with one of her students, Edgardo. They meet and have sex again. Carmel soon becomes pregnant, and Edgardo leaves Dublin to return to his partner.
The novel presents one of Phil’s translations, “The Bird of Lagan Lough.” In the poem, a small yellow bird is a blackbird disguised by gorse flowers.
Carmel gives birth to Nell and immediately feels her newborn child recognizes her loneliness. As a newborn, Nell cries constantly, and Carmel struggles as a new mother.
Carmel falls in love with Nell as she grows older and turns stubborn. The chapter ends with a poem entitled “By Mary’s Holy Well.” In the poem, flowers grow through an animal’s ribcage, taking up the spaces where organs would be.
In these chapters, Enright establishes that the relationship between Nell and Carmel is the novel’s overarching site of tension, even as both deal with their respective relationships with different frustrating men. This stems not only from their relationship as mother and daughter but also from the recurrence of Phil as a spectral presence in the narrative. Phil’s abandonment leaves an indelible mark on Carmel as she grows up, but considering that her relationship with Nell sees her daughter refusing to share her life with her, it establishes the question of how Nell and Carmel might bridge whatever gap exists between them. Nell doesn’t think that her relationship with Carmel is a path worth following, which is why she prioritizes her relationship with Felim. Carmel, on the other hand, remains attached and overprotective of Nell, which manifests as a tendency to judge others for their faults. This scares Nell away from her, driving The Fraught Love of Mother-Daughter Relationships as one of the key themes of the novel.
The novel also introduces The Attempt to Define the World Through Language as a theme by framing the story of Nell’s relationship with Felim within the larger question of human connection. Nell begins the novel by meditating on the ways people are necessarily different from one another because of the way they think. That gap may allow for some people to easily connect, but it generally leaves most relationships ambiguous since people can never know how wide or narrow the gaps between them are. This is why Nell prefers the term “translation” over “empathy.” Empathy suggests that one performs solidarity with another person, while translation suggests that one can re-present one's ideas to fit the thought processes of someone else. This speaks to the influence that Phil has on her thinking, yet the dilemma she faces with Felim challenges her ideas.
Nell cannot discern the nature of her relationship through mere dialogue. Any attempt, such as the question of their exclusivity, exposes that she has little to no control over the shape their relationship takes. She becomes increasingly frustrated by the fact that she continues to yearn for Felim but feels hurt by every encounter they have. Nell’s anticipation echoes the way she felt the first time she realized she was in love with Felim. She can’t dismiss the original feeling as something false because of how intensely she felt when she connected with Felim’s emotions. Nell’s sense of control falls away because Felim’s true nature—and, by extension, their relationship—eludes her efforts at definition.
Carmel, meanwhile, wants to make sense of her relationship with Phil, even though he has long since died when the novel begins. She cannot reconcile Phil’s absence with his insistence that she occupies a place of prime importance in his life. This teaches her to distrust language, which explains her later tendency to deny the suffering that other people claim to experience. Consequently, Carmel’s life story can be read as an act of resistance against Phil. Where Phil had chosen to use the ambiguity of language to create beautiful objects, Carmel pursued a career in language education, embracing the pragmatism of direct expression. When Carmel travels to Florence and visits the Uffizi, it comes across as an attempt to overwrite the location’s association with her father by redefining it with her experiences, such as her relationship with Vittoria and the gaudiness that Italy’s beauty begets. She likewise rejects the need for a man in her life. Her relationship with Edgardo is thus more functional than intimate. She uses him purely to fulfill her growing ambitions toward motherhood.
Carmel’s other significant relationship is with her sister Imelda, who functions as a rival for their parents’ love. Imelda gives her mother the care and companionship that eventually earns her the bulk of her inheritance later, yet she bullies Carmel out of resentment for the love she receives while both of their parents are still alive. Imelda cannot shake the sense that Carmel had been the unambiguous love of their father’s life. The fact that Imelda is older than Carmel increases her sense of self-hatred, pushing her to believe that she was never enough to merit her father’s love.
Because Nell cannot find consolation from her relationship with her mother, she seeks it out in the poetry of her grandfather. Though Nell does not have a real relationship with Phil, she uses his poetry to simulate a sense of understanding. The form of the novel echoes this, where poems and translations taken from Phil’s body of work suddenly appear. At times, these poems disrupt the narrative and allow the novel to shift through time, as it often does during Carmel’s chapter. This mirrors the way that Phil’s sudden reappearance throws Carmel’s narrative movement out of control. She finds herself needing to fall back on other memories, either to regain the agency of her narrative perspective or to avoid engaging with her relationship with Phil.
By Anne Enright