54 pages • 1 hour read
Anne EnrightA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Carmel decides to look up Phil’s television interview on the Internet. She finds it easily but does not watch it immediately. She prepares the house for Nell’s return later that week. While eating a blackberry, she remembers a superstition Phil taught her to explain why blackberries feel so mushy in late September and childhood memories of harvesting berries with Imelda.
Carmel cleans and then goes grocery shopping. Nell is in the habit of working hard for months only to fund trips abroad. This bewilders Carmel, who follows her journeys on social media. Carmel compares Nell to Phil as both espouse left-leaning politics.
Carmel considers looking up a recipe for courgette flowers online but realizes she will have to confront Phil’s interview on her computer. She sends a picture of flowers to her old friend, Aedemar. Carmel wants to tell her about Phil’s video. She remembers how Aedemar told her she was lucky that both of her parents already died. Carmel does not call her.
Carmel plays the video. Phil discusses Irish bird species and his relationship with Terry, who grew up in Dublin, unlike his countryside upbringing. Phil’s early poetry intended to communicate the experience of pastoral life to her. He says their marriage failed to survive after she became sick.
Carmel replays this portion of the interview, noting his use of the word “unfortunately” to describe their relationship’s end. She repeats the word to herself and observes Phil’s thick accent. This reminds her of Phil’s fondness for “The Wren Song,” which he used to sing while banging pots together after Christmas. Carmel enjoyed this annual country tradition before she learned the song was about killing a wren. Carmel replays the interview.
Carmel calls Nell to ask about her travel plans. Nell does not answer. Carmel distracts herself with Phil’s video and realizes how easy it is to love him and hate him simultaneously. When the interview reaches Phil’s discussing the end of his first marriage, Carmel observes the sad look in his eyes, demanding sympathy.
In the interview, Phil recites a poem about a bird seeking company after its hatchlings leave the nest. Phil discusses writing exclusively about Ireland and women’s minds. Phil says his poems function as bouquets for the women he loved. Carmel outlines the poems that correspond to each of those relationships, including Bunty, the woman Phil pursued after Terry. Phil called Bunty “The Heron.” He craved her sexuality but despised her at their relationship’s end. After, he dated poet Selma Karras, alleging abusing her. Connie, Phil’s second wife, never received a flower poem.
Carmel harvests the courgette flowers, growing resentful toward Phil and his self-importance. Carmel alerts Imelda to the video, though she is already aware of it. Imelda encourages Carmel to share the video with Nell, who is in Bali.
Carmel pictures how Nell’s stubborn personality might fit in Bali. She finds one of Phil’s books on the windowsill in Nell’s room and sits down to read it as though she were Nell. She realizes how poorly she has treated her daughter despite her love. She struggles to know how much control she needs to exert as a mother. Carmel wants to share the story of the wren with Nell, believing it is a cautionary tale. It is nighttime in Bali, and Nell is likely asleep.
The novel presents a translated poem, “The Scribe’s Lament.” The speaker writes feverishly, transcribing “God’s wisdom” onto the page. They suffer the aches of writing for others’ benefit.
The next morning, Carmel watches the interview again and sees Nell in Phil. Nell texts to announce her arrival plans and says she is bringing a friend home.
Nell remembers a letter Imelda read at a family gathering after Terry’s death. It described Phil and Terry’s relationship as so passionate they could never ignore each other. Nell is skeptical of this description, though the letter indicates that Terry did not resent Phil because she experienced a great love.
Nell gets a second tattoo in Sydney of a fine line wren in between her fingers. She chooses the wren because of its drabness compared to the Australian birds. She misses Irish birds.
Nell recalls feeling like she was born out of utility. Nell asks Imelda for photographs of the letter, and Imelda sends them immediately. The intimacy and honesty of the letter’s handwriting move her. She imagines the letter writer, a poet named Harvey, thinking twice about sending the letter before dropping it into the mailbox. She compares it to the way people post things on the Internet, waiting with dread to see if anyone will like it. Nell hikes up volcanos in New Zealand and describes the terrain as being relatively young compared to the rest of the world, which feels lonely.
Nell looks at Felim’s farm on her maps app. It has been three years since she visited. She wonders how Felim and his ex from Belfast’s current relationship is going. She now understands that her and Felim’s relationship was merely an affair and he had no serious intentions. She has come to terms with Felim’s strange behavior during their time together and thinks she could destroy his reputation by calling him out as an abuser.
Nell views her hometown on the map. Nell and a friend, David, leave the volcano campsite. They kiss later on the ferry. Nell obsesses over the thought that she could have kissed him many other times throughout their shared travel. They part ways to go to their respective accommodations. He sends pictures of their hike and later lines from Phil’s poem, “River Talk,” which surprises her. They have sex.
They continue to travel together. Nell’s phone recommends a video featuring Phil. She watches the video and recognizes aspects of her family in his behavior. She laughs when she hears him express ideas that resemble hers. Phil explains that every poem is about unrequited love. Nell thinks about David, the man she loves, and the safety and nearness she feels with him.
Nell sends the video to Lily, who asks who the “creep” is. Disappointed, Nell watches the video again. She recognizes what Lily means in Phil’s cold eyes. Nell continues to analyze Phil’s unnerving physical qualities as he recites his translation of “A Scent of Thyme” and the way his voice traps listeners.
The novel presents a letter Connie wrote to Nell, offering to host her at a residency in Sag Harbor. She also encourages Nell to apply for an award scheme that honors Selma Karras. She acknowledges the turbulence of their relationship and Phil’s poor treatment of Selma. Connie reckons with her decision to love Phil despite his flaws.
Nell returns to Carmel’s house. Carmel and Nell embrace, and Nell introduces Carmel to her companion, David. Carmel offers to make him tea. Nell comments on how Irish Carmel is being and feels the warmth of being home.
Carmel and Nell both engage with an archival interview of Phil, allowing them to consider their relationship with him in new ways. Carmel avoids the video for as long as she can, but her inability to push away thoughts of Phil reveals a new dimension to her pragmatism. Carmel isn’t avoiding the video because it is impractical for her to engage with the past but rather because her pragmatism shields her from the emotional labor of unpacking their complex relationship. She seeks distractions through Aedemar and Nell but realizes that she needs to watch the video to bring herself peace of mind.
Nell’s initial reaction to the video is characteristic of her romantic perspective. She recognizes Phil not through her relationship with his poetry but through the subtle ways Carmel, Imelda, and herself have inherited his behaviors. This discovery is especially moving considering Nell’s attempts to probe the gaps between the inner worlds of people. Nell’s revelation speaks to the possibility that she can feel close to people she has spent much of her life growing distant from. Unknown to her, Carmel has a similar experience at the end of her chapter, recognizing her beloved daughter in the father she hated. This speaks to the theme of The Fraught Love of Mother-Daughter Relationships while also extending it to broader family dynamics.
Crucially, Nell understands that the idealized Phil she has imagined from his poetry does not resemble the actual version of him. This underlines The Private Lives of Public Personalities, which the author reflects twice in Chapter 8, first through Nell’s engagement with Lily, who awakens her to Phil’s creepiness, and second through Connie’s letter, where she expresses her attempts to reckon with Phil’s bad behavior. Connie, in particular, makes this revelation by looking at Selma Karras as a mirror of her own life. Selma’s poetic rivalry with Phil opens Connie’s eyes to the possibility that love and resistance can exist simultaneously in a relationship. Choosing to adore him does not mean permitting his abusive behavior, which speaks to Nell’s dilemma with Felim.
Though David emerges as an alternative to Felim, he also bears some resemblance to Ronan. David’s kindness and gentleness draw Nell to him the same way Ronan’s personality draws Carmel to him. When Nell arrives at the realization that she loves David, it also reverses the arc of her relationship with Felim. Nell experienced love almost immediately with Felim. On the other hand, she realizes her affection for David almost belatedly. She regrets all the missed opportunities to pursue romance with him. Her love is amplified when she watches Phil’s interview because she resonates with the notion that love is naturally unrequited.
Across her relationships with Felim, David, and even Phil, Nell has struggled with the idea that whatever love she expresses will go unreciprocated. Phil’s assertion that this is natural to love normalizes the inevitability of absence in relationships, allowing Nell to feel validated for what she has gone through. What matters is her choice to adore the man she feels safe around despite the gaps that exist between them. Enright echoes this tension in the poem “The Scribe’s Lament,” where the speaker experiences unavoidable pain to seek the good of others. Nell also fulfills her discussion on love with Malachy by proving that love can come before communion with someone else. She can love someone else without exhaustively understanding or excusing the one she loves.
By Anne Enright