43 pages • 1 hour read
Tarryn FisherA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The Crouches are hosting “Friendsgiving,” a Thanksgiving celebration with Winnie’s friends from college. Nigel thinks that they should cancel given the situation with Dakota, but Winnie does not want to disrupt plans that have been in place for a year. Winnie reflects on her efforts to maintain a perfect façade:
She recycle[s] voraciously, [grows] her own organic vegetables that she [feeds] to her perfect child and smart husband [...] Winnie volunteer[s], always [keeps] spare dollars in her purse for the homeless, and [keeps] her tight-knit group together by being the peacemaker (68).
Wine is passed freely at the dinner, and Dakota yells at Samuel when Samuel bumps into him on his way out of the house to spend time with a friend. Nigel pins Dakota to the wall, and Winnie tells Dakota to leave, something he perceives as a huge betrayal. The friends look on with excitement at the drama unfolding in front of them. After everyone leaves, Nigel and Winnie fight about the events of the day.
Juno notices that Winnie and Nigel are fighting again and that their fights seem to be worse when Sam isn’t home. Juno overhears Nigel saying, “No. You’re right. I don’t know what it’s like to steal someone’s infant” (80). Juno is shocked and begins speculating about what might have happened and if Sam was the stolen infant.
Nigel spends the night in the den instead of in his and Winnie’s bedroom. Winnie pulls herself together, thinking, “She [has] to be Samuel’s mom today, not Nigel’s angry wife” (83). Winnie worries Nigel has told Samuel about her secret. She reflects that she only took the job at Illuminations because Nigel called her “spoiled.” She notes, “He would have believed in her commitment to the cause, too, had she not done what she’d done” (85-86).
Juno is ill and reading in Winnie’s book nook. Still thinking about what she overheard about a kidnapped baby, she makes her way to the family computer. She searches for missing children from 2008, Samuel’s birth year, and writes down the names of children who went missing and were never found. Later, Nigel and Winnie fight again. Nigel shouts that they could make more money if she would allow him to find a tenant, to which Winnie replies, “I made it very clear that I don’t want a stranger in my home—then or now” (90).
A flashback recounts how Juno met the Crouch family. She follows Nigel and Winnie as they walk around the park lake. She is feeling depressed, but watching the family makes her feel better. She notices that the couple seems to have a close relationship, even when angry with each other, and her curiosity quickly escalates to “obsession.” She peeks into the family’s mailbox to get their names and then searches for them on the internet at the public library. Juno moves in when “an opportunity present[s] itself […] like any person would” (97): While workers are building the apartment addition, Juno walks into the unlocked house, hiding in a closet to avoid discovery. When she tries to sneak back out, she discovers that the alarm is on and that she will set it off if she opens the door. She eats cake and chips that were left out for Samuel’s sleepover and returns to hiding in the closet. The family eventually leaves and Juno takes a bath, finds clothes that are labeled “donations,” and takes granola bars and other shelf-stable goods to her hiding place in the closet.
Juno’s plan is to sneak out of the house on Monday when the Crouches go to work and school. She thinks about the places she has had to sleep: her car, a café, a bench, and the park. She has taken some Advil she found in the house and it is helping her pain. As she hears the Crouch family watch a movie and eat pizza, she reflects, “They [are] happy, and there [was] a time when Juno’s family [was] happy, as well. Humans [have] a way of uprooting happiness” (118).
The family prepares to leave the house on Monday morning. Winnie complains that she thinks the workers are coming in the house to use the bathroom (in reality, it’s Juno who is doing so). Winnie and Nigel bicker about the bathroom situation. Nigel brushes against the doorknob of the closet where Juno is hiding and she wets her pants, but he leaves the house without incident. After they’re gone, Juno washes her laundry, finds more donation clothes, and washes up. She is determined to clean up after herself: “No, Juno [has] stayed in their home, and she [is] not a houseguest who [leaves] her dishes unwashed. She [begins] the long process of soaking up the urine with wads of the paper towel” (123).
Juno discovers a trapdoor in the closet where she has been hiding; it leads to a crawl space, which she decides is a good place for her to stay. She names the closet “Hem’s Corner” and gathers supplies to be able to live in the crawl space.
The last chapters of Part 1 bring several revelations that are important. First, Nigel’s complaint about the empty rental addition clarify that Juno is not in fact staying in the apartment. The extended flashback in Part 2, which spans the entire section, fills readers in on what Juno is doing and how she came to be in the house. The story underscores the unreliability of her perspective: Not only is she biased in her own favor, but she chooses to gloss over the uglier parts of what she is doing. For instance, she sees herself as a guest in the Crouches’ house even though she is actually an interloper. Guests must be invited, but Juno took an open door and an opportunity as an invitation. Though she realizes that what she’s doing is wrong, she rationalizes that “any person” would do the same—a doubtful assertion. However, Fisher does not frame Juno as calculating from the start. She initially plans to leave the Crouches house but finds herself falling into staying. This echoes Juno’s tendency to become increasingly enmeshed in the lives of other people. She cannot simply remain in The Role of the Observer, much less sever connection entirely.
In the narrative present, overhearing a hint about Winnie’s dark secret is what prompts Juno into action. Where she previously followed the family drama from a distance, enjoying whatever information she came across, she now begins to seek out specific information on Winnie’s secret by searching for missing children. By doing so, Juno is entwining herself into the Crouches’ story.
The revelation that Winnie kidnapped a child is the other major plot twist in this section. While Winnie’s perfectionism and the friction in her relationship with Nigel have previously cast doubt on The Illusion of Perfection she strives to maintain, this new information appears to expose her entire family life as a lie: Fisher leads readers to believe that Sam is not Winnie’s son. Though Winnie’s secret seems safe for the moment, readers learn it at the same time that real cracks begin to appear in the Crouches’ lives thanks to the presence of Dakota. Notably, Winnie is unable to keep up her usual façade during Friendsgiving. Her friends all witness Dakota’s outburst and Nigel and Winnie’s reactions. They seem almost gleeful to bear witness to the gossip-worthy insider workings of Winnie’s “perfect” family: “Winnie [can] see the excitement in her friends’ eyes [...] They [are] hoping, she realize[s], that her brother [will] disobey [Winnie’s order to Dakota to leave]. This would give them something to talk about for weeks” (73). That Winnie recognizes her supposed friends’ delight in her distress suggests the pressure she feels to live up to a particular ideal. As problematic as her actions are, they in some sense stem from societal expectations. Moreover, the friends’ response to the family drama parallels Juno’s voyeurism. If readers are uncomfortable with Juno’s behavior, the novel suggests, they should also be uncomfortable with the more genteel voyeurism that society accepts and even encourages.
Juno’s remark that “[h]umans [have] a way of uprooting happiness” is closely related to the theme of The Weight of Secrets (118). By keeping dark secrets, Juno ruined the happiness of her family, and Winnie seems poised to follow the same trajectory. The use of the verb “uproot” is telling, as it indicates that happiness would have flourished if Juno and Winnie had not yanked it out of the ground.
By Tarryn Fisher