52 pages • 1 hour read
Jennifer HillierA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Drew Malcolm, a Toronto-based career investigative reporter who now hosts a wildly popular true-crime podcast, Things We Do in the Dark, cannot believe that Ruby Reyes is to be paroled. He remembers the 1992 trial and the brutal circumstances of the murder: multiple stabbings and then a near decapitation using, of all things, an ice skate. Drew was later a friend of Ruby’s then 12-year-old daughter, Joey, and cannot see why Ruby is being paroled “[b]ecause not only is the woman a murderer, she was an absolute horror of a mother” (67). Ruby had been the mistress of a bank president named Charles Baxter. When Ruby was arrested, Joey was placed with relatives amid rumors of being mistreated by her mother, including a series of disturbing emergency-room visits. After her mother was convicted, Joey was sent to live with her aunt and uncle in Maple Sound, a small town two hours north of the city. There, Joey was miserable, mistreated by her adoptive family and by the kids in school not only because of her mother’s notoriety but because of her Asian ethnicity. After high school, Joey returned to Toronto, where she met and shared an apartment with Drew and his fiancée, and two years later she died in the fire.
Drew decides to devote several podcast episodes to the Ruby Reyes case. He had been friends with Joey—really more than that—and feels like this parole is an injustice. He begins by returning to the strip club where Joey worked when she returned to Toronto. He is directed to Dr. Deborah Jackson, a social worker who helped Joey after her mother was sentenced. Dr. Jackson reminds Drew of how much Joey liked him. Drew asks Dr. Jackson whether he could see Joey’s old file, which contains diaries that Joey kept.
Drew recalls the trial and particularly the details of Charles Baxter’s death. Public sentiment was against Ruby—she was a home-wrecker and she was Asian, seen as an evil seductress and cold-hearted killer. When Joey finished high school and returned to Toronto, she had answered an ad for a room to rent in the apartment that Drew shared with his fiancée. Drew was immediately taken by Joey’s looks and her quiet nature. He admired a beautiful necklace that she wore—a birthday gift, she told him, but provided no details.
It was Joey’s 12th birthday. She was having an awkward dinner with her mother and her mother’s current lover, Charles Baxter. Charles gifted the girl unexpectedly with an expensive diamond-and-ruby pendant necklace. Joey was astounded, but her mother was furious. The next morning at breakfast, Ruby accosted her daughter and warned her to leave Charles alone, not to “flirt” with her boyfriend (88). To drive home the point, Ruby extinguished her cigarette against Joey’s exposed neck, spat in her face, and then hit her repeatedly until Joey fainted. When Joey finally came to, Ruby gently offered to make her dinner.
Drew understands that to figure out exactly how Joey died in the apartment fire, which had been ruled an accident, he needs to retrace her steps during those last few months back in 1998 when she worked at the Golden Cherry, the strip club. He goes to the club. The woman who greets him at the club not only remembers Joey but remembers how close Joey was to another Filipina girl, whose stage name was Betty Savage. They were “more like twin sisters than friends” (96).
Drew recalls the circumstances of his last meeting with Joey. On New Year’s Eve he was attending his bachelor party. He was to marry the next day. He was not looking forward to it—his girlfriend was pregnant, hence the rush to marry. At the time he did not know that Joey was stripping. Suddenly, in the club, there she was “wearing high heels and her necklace and nothing else” (95). Shocked, he left his own party early.
Determined to find out why Joey was stripping, he returned to the club and confronted her. He offered her a ride home. The conversation was tense. Neither one wanted to admit the feelings that they had for each other. He dropped her off. “Had he known how the night would turn out, he would have said and done everything different” (100).
The proprietor of the Golden Cherry tells Drew about how, back in 1998, Joey and Betty were inseparable friends. They looked so much alike. Betty had a boyfriend who led a notorious Vietnamese street gang known for trafficking cocaine.
The woman tells Drew that she remembers how, when Joey died in the fire, Betty also went missing. The police figured that her disappearance was connected to her boyfriend’s criminal enterprise and did little investigating.
That New Year’s Eve, on the drive from the club, Drew and Joey parted on bad terms. She berated him for marrying someone whom he did not love, and Drew chastised for her resorting to stripping. Angered, Joey slapped him. She stormed out of the car and never looked back.
Drew regretted their words, but when he headed back to Joey’s apartment the next morning to smooth things over, he found it ringed by fire engines. Apparently there had been a malfunction in the chimney due to poor cleaning. When Drew told a firefighter that his girlfriend lived in the apartment, the firefighter asked whether he might be able to identify the body that they recovered, burned badly. Drew agreed. He glanced under the tarp, saw Joey’s butterfly tattoo and her expensive necklace, and identified the otherwise charred body as Joey Reyes.
Twenty years later, Drew is still haunted by how he might have saved Joey. Now, as he looks at an old photo of Joey and Betty Savage, he sees how the two girls could be twins. Drew wonders whether Joey’s death was accidental. Why would anyone want to kill Joey? He needs to find Betty Savage.
The investigative journalist instincts kick in, and Drew wonders whether Joey’s death might be related to the disappearance of Betty Savage given her connections to the cocaine-trafficking underworld. Drew figures that it is time to find out why Joey turned to stripping and what happened to her when she was sent to Maple Sound. It is time to read her diaries.
After Joey’s mother went to prison, Dr. Jackson helped Joey to pack for the move to Maple Sound. When Joey arrived at the home, she quickly realized that her aunt and uncle were uncaring, only interested in the monthly government kinship payments that they got for taking her in. The pretty house with a view of Lake Huron was isolated and immediately gave Joey chills. Joey was given a mattress on the floor. Her uncle, Micky, leered at her salaciously.
Drew digs into his old investigative records for anything about the Blood Brothers, the Vietnamese drug gang. He finds the address of Tony Tranh, now the reputed leader of the gang. He drives out to Oakville. Tony lives in a spacious home. Drew thinks that “if he were the head of a violent gang that killed people and got kids hooked on drugs, he’d be rich, too” (130). Drew asks Tony point blank whether Tony had any knowledge about Betty Savage’s whereabouts. Tony tells Drew that Betty’s real name was Mae Ocampo and then tells him that her boyfriend was none other than his own brother, Vinh, now dead after being shot during a drug deal. Tony denies knowing anything about Betty’s whereabouts. “Mae,” he tells Drew, “was bad news” (136). His brother had suspected that Mae was ripping him off in her work as a drug courier and go-between although Tony does not say exactly what Mae might have stolen. What if Mae killed Joey in the fire to cover her own flight with stolen drugs or money?
Drew recalls the night that Ruby was arrested for killing Charles Baxter and how the police were alarmed by all the bruises that they found on Joey. The files that Drew now reads reveal a history of Joey being treated in the emergency room for bruises, broken ribs, and, most disturbingly, burn wounds. Ruby Reyes, it is clear, was “a monster” (144). At the trial, the viciousness of the attack that killed Charles Baxter—the knifing and the decapitation with the edge of an ice skate—is key to the state’s case.
One night during the trial, Drew and Joey shared dinner and Drew impulsively tried to kiss Joey. She pulled back, saying, “You only want me because you think you can fix me […] I’m broken […] I’m no good to you. I’m no good to anyone” (142).
As her mother’s trial approached, Joey’s life in Maple Sound grew more unpleasant. She was blamed for accidents and beaten. Every night she feared visits from her leering uncle, who kept brushing his hands against her rear.
When it was time to head to Toronto to testify, Joey was overjoyed to be reunited with her case worker, Dr. Jackson. To Joey, she was her only friend. Joey envied Dr. Jackson’s real daughter: “If Joey could have killed that girl and traded places with her, she would have strongly weighed her options on the best way to do it” (155).
Drew heads to the correctional center to talk with Ruby Reyes before she is released. Ruby is candid about her affair with Charles Baxter and the revelations since her trial that he was a sexual predator. Ruby is certain that those revelations were key to getting her paroled—she was no longer seen as a home-wrecker but rather as a mother protecting her daughter. Drew responds angrily that Ruby should never be released from prison, that she had abused Joey and then allowed her pedophile boyfriend access to her then 12-year-old daughter. “You pimped your daughter out and now she’s dead” (162). Ruby hints that when she gets out, she will be living a better life and that she is being paid to keep a secret. She refuses to tell him anything more but makes a mysterious reference to the recent murder of Jimmy Peralta.
Drew visits his mother in a care facility. As they discuss Ruby’s release, the television is on. Drew pages through the latest People magazine and sees an article on the suspicious death of comedian Jimmy Peralta. His mother has been following the case and tells him disdainfully that Jimmy’s wife is going to inherit $46 million. A news feature on Jimmy’s death comes on the screen with a picture of Jimmy’s young wife in a bloodstained tank top being led away by police. Drew is stunned. He recognizes immediately the woman in the picture. It is almost certainly Betty Savage, Joey’s friend from Toronto.
Then Drew gets an incoming call. It is the detective back in Seattle whom Drew contacted who has found out that when Betty Savage, or Mae Ocampo, was arrested on a drug charge long ago in Toronto, her file noted a butterfly tattoo on her thigh. The description is identical to the tattoo Joey had on her thigh.
He then sees a wedding photo of Jimmy and Paris in the People article. He recognizes Paris Peralta as none other than Joey Aquino. “What. The. Actual. Fuck” (171).
Part Two, the novel’s most developed section, introduces the nonlinear narrative. The action shifts to Toronto, and Drew Malcolm is introduced. In reopening the apparent accidental death of Joey Reyes, he realigns the narrative itself. This nonlinear narrative format underscores the novel’s larger thematic interest in The Consequences of Secrets.
The reader is pitched back into the seedy world of Toronto’s strip district, the world of lap dances and cocaine deals, and the gruesome murder of the banker Charles Baxter. Hillier hence suspends the question of what happened to Jimmy Peralta. In this section then, the perspective and setting changes jar the linear narrative itself with a movement back and forth between the oddly similar deaths of Charles Baxter and Jimmy Peralta.
Hillier uses the haunted Drew Malcolm, a hard-nosed investigative reporter with a compelling sense of right and wrong and a commitment to truth and justice, to introduce the theme of The Resiliency of Love. Drew has lived with his sense of failing Joey. Hillier establishes a gendered dynamic of his desire to rescue her, not just from the flames but from the strip club: “When Drew saw her, it was all he could do not to rip her out of one of his buddy’s lap and carry her the hell out of there” (95). At this point, the reader has not made any connection between Joey Reyes and Paris Peralta. The showdown between Drew and Joey in the car coming back from the club introduces a dark and troubling dimension of love. Joey cannot tell Drew about her sordid experiences with her mother, Charles Baxter, and her own uncle, while Drew wrestles with going through with a marriage to a woman whom he does not love. That Drew, nearly 20 years later, is still compelled by Joey introduces what the novel will offer as the hopeful contrast to a world dark and dangerous: the resiliency of love.
This section also explores The Traumatic Impact of Abuse. The pervasive cycle throughout the novel is that “[t]here was nobody in Joey’s life who was here simply because they wanted to be” (154). The treatment by her mother, then Charles Baxter’s abuse of Joey, and then the assaults by her uncle have left Joey unable to conceive of herself as anything but a commodity, something to be used and then discarded. Her urgent connection with her social worker after her mother’s arrest reflects her insecurity. Hillier reveals the impact of abuse when Joey thinks how much she would love to be Deborah Jackson’s own daughter and how easily she would kill her real daughter to take her place. This thought suggests the impact of a life spent negotiating with pain and being exposed to violence.
It is the section’s closing scene, set in the Red Oak Senior Living facility, that brings together the novel’s two narrative lines: the one in Seattle and the other in Toronto. Hillier uses national media to bring these narrative lines into contact, exploring the theme of Violent Crime as Entertainment. Paris Peralta is no ordinary widow, nor is she any routine murder suspect. Because her husband was a sitcom star, she is now, led away in handcuffs and wearing notable feather house slippers, a celebrity—even Drew’s mother has an opinion about the wife’s guilt. When Drew pages through the tribute article about Jimmy Perlata in People magazine and recognizes the woman in the picture as the dead Joey Reyes, the novel has the first of its three “supernova” moments—moments when, as Paris describes later, the past and present collide. That moment creates a turning point when Hillier reveals the tangled reality.
By Jennifer Hillier
Appearance Versus Reality
View Collection
Books on Justice & Injustice
View Collection
Canadian Literature
View Collection
Horror, Thrillers, & Suspense
View Collection
Mothers
View Collection
Mystery & Crime
View Collection
Popular Book Club Picks
View Collection
Psychological Fiction
View Collection
The Best of "Best Book" Lists
View Collection
Truth & Lies
View Collection