40 pages • 1 hour read
Liane MoriartyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Cat and Gemma wait at the doctor’s office for the baby’s first ultrasound. They thumb through women’s magazines that offer the same tired advice they’d read decades earlier as teenagers. Knowing that Cat gives Kara teen advice, Gemma wonders what advice she would give to the girl. She visualizes Kara falling in love and being emotionally abused by her boyfriend. Gemma’s own experience with Marcus bleeds over into her fantasy about Kara. That evening, when she gets home, Gemma feels impelled to call Kara and caution her about her boyfriend. Gemma says that he should always treat Kara well, not just sometimes.
After the conversation, Gemma thinks about Marcus and realizes that she blamed herself for staying with him even after he became abusive. She finally has an emotional breakthrough when she thinks to herself, “I never stopped forgiving him! Me. I forgive me for staying with him. A pressure she didn’t know she was feeling suddenly released. It felt like she was unclenching her fists for the first time in a decade” (298). As the weeks progress, Gemma attends prenatal yoga classes, and Cat converts her spare room into a nursery. By August, Frank has moved back into the family home with Maxine. They invite their daughters over for dinner. Everyone has come to accept the odd arrangement between Cat and Gemma. Back at home that night, Gemma plays Mozart for the baby and begins to give it friendly bits of advice. She catches herself when she says that the baby’s mother was once a toll collector: “She meant your Auntie Gemma, of course. Not your mum. Auntie Gemma” (302).
The ritual of the Birthday Bash began when the triplets were in their twenties. They decided to hold a celebration for themselves with nobody else in attendance. This particular year, Gemma is three weeks away from delivering the baby. The women decide to try a new seafood restaurant, and all agree to have fondue. After their birthday cakes arrive, Gemma announces she has a surprise for them. She saved a school assignment they all completed when they were 14. It was supposed to be a letter from their teenage selves to their adult selves 20 years later about what they hoped to have achieved in life.
Lyn’s letter describes almost everything she actually has achieved by her thirties. Cat’s is similar but doesn’t mention a baby as something she wants. Gemma’s letter is unfocused and vague about accomplishments, but it strikes her as significant all the same. Gemma thinks, “It wasn’t so much the things that her fourteen-year-old self wanted. It was the fact that she so blissfully, so completely, believed she had a right to want anything” (310-11). Unexpectedly, Lyn announces that Charlie has the right to know about his child, so she calls and tells him. While Lyn and Cat snap at one another over this decision, Gemma makes a startling announcement: She’s changed her mind about keeping the baby and about keeping Charlie in her life.
It takes a few moments for Cat and Lyn to absorb the shock of Gemma’s announcement. Cat is angry because the baby plan wasn’t her idea in the first place, but it gave her hope and a distraction from her vendetta against Dan and Angela. She thinks, “All that softness and sunshine had been snatched away, and Cat was back out again in that bland wasteland of memos and office cubicles and divorce proceedings and nobody waiting for her to come home” (314-15). Cat is also furious at Lyn for telling Charlie about the baby, and Cat’s temper once more gets the better of her. After announcing that her sisters have ruined her life, Cat hurls a fondue fork at Gemma. It pierces the skin and protrudes from her belly. Shocked by her own actions, Cat faints, cracking her jaw against a chair leg in the process. Lyn calls for a paramedic team.
Although the fork didn’t penetrate Gemma’s skin deeply enough to harm the baby, she has started to feel contractions. All three sisters are loaded into an ambulance. Gemma calls Charlie, and he’s waiting for them by the time they arrive at the hospital. Cat is feeling so guilty about her actions that she makes a deal with God and promises to behave for the rest of her life if Gemma and the baby are spared. A short while later, Gemma delivers a healthy son. Maxine and Frank arrive on the scene to welcome their grandson. Cat broke her jaw when she fainted, so it’s wired, and she can’t speak, but Gemma tells her, “I thought of the baby as yours […] All the way along. I swear to you. And then all of a sudden, I started wanting—I wanted the baby and I wanted Charlie. I wanted everything” (321).
The chapter ends with an observer’s story. An old woman is talking to her cat about the day she spent sitting by an oceanfront walkway. She noticed three women who must have been sisters, holding a newborn and entertaining a toddler by blowing soap bubbles. The observer notes that one of the sisters is sad. The old woman wants to tell her:
Oh, darling, don’t be sad. Whatever it is that’s worrying you will probably turn out to be nothing. Or eventually it just won’t matter anymore. And one day all you’ll remember is blowing soap bubbles on the Corso with your sisters (322).
Cat agrees to meet Dan for a face-to-face conversation because he has something to tell her. They’ve been legally separated for seven months. Cat’s jaw is now functioning again since the fork incident happened six weeks earlier. When Dan arrives, he announces that his company is transferring him to Paris, and he’s taking Angela with him. Cat is envious because moving to Paris had been a longtime dream when she was still married to Dan. She receives the news calmly but tells him to go so that he won’t see her cry. Cat thinks, “It was nearly an exquisitely tragic moment except that as he got to the embankment, he tripped […] Well, exquisitely tragic moments weren’t really her thing. Farce. That was more her style” (327).
Nana Kettle is spending a quiet evening at home watching television when a brick comes flying through a back window. Before she knows what’s happened, a burglar enters and punches her in the face. He steals whatever valuables he can find and runs away, leaving her lying on the kitchen floor. When Nana’s neighbors find her the next morning, she’s taken to the hospital with minor injuries. The entire family agrees that the old woman needs to live in a safe retirement community.
Maxine and Cat help sort out Nana’s house before her move. Maxine challenges Cat to take the opportunity to remake her own life as well. Cat is sullen and still feels resentful as she contemplates all her losses. She thinks, “It was pride that was holding her back. There was something pathetic about the rejected wife bravely pulling herself together […] She wasn’t going to be a good little girl stoically picking up the pieces” (338).
A few days later, Cat gets her driver’s license back and is legally behind the wheel of her car again. She’s going to Lyn’s house to meet Lyn’s ex-boyfriend Hank, who’s visiting. Cat suspects that Lyn might be trying to set the two of them up. On the way there, her mood brightens, and it occurs to her that getting on with her life isn’t a sign that she’s given up. It’s a sign that she’s fighting back. After her visit at Lyn’s, Cat gets back in her car: “There were goose bumps of possibility on her arms. Her fingers danced a celebratory jig on the steering wheel” (342).
When Hank arrives at Lyn’s house, she’s disappointed that he’s grown fat. Michael is overjoyed because he doesn’t present a threat. The couple entertains Hank with a barbecue dinner as he talks about his latest publishing project. Hank is having trouble finding an author who can effectively give advice to teenagers. Lyn thinks immediately of the email chain between Kara’s friends and Cat. She borrows Kara’s copy of the messages and has Hank read them immediately. When Cat arrives, Hank asks her to put together a book proposal for a teen advice project. He thinks a good deal of money could be made from it, and Cat consents on the spot to write the book.
A few days later, Lyn goes to visit her parents. Her father seems to have aged ever since the attack on Nana. Maxine confides to Lyn that she plans to cheer Frank up by proposing marriage to him. Lyn protests that the two of them had a terrible marriage in their younger years. Maxine points out that they aren’t the same people anymore. Recognizing the truth of that statement from her own life, Lyn gives her parents her blessing.
The family is in a tizzy preparing for Frank and Maxine’s wedding. Gemma and Charlie ready little Sal for a stay with his grandparents. The elders are still deeply suspicious of Gemma but love their new grandson. Gemma has gotten over her fears that Charlie will turn abusive when he’s angry. She’s also learning to forgive herself for almost giving away both Sal and Charlie. Later that afternoon, the wedding is held outdoors in a park overlooking the ocean. Everyone is on their best behavior, including Maddie. The photographer Lyn hired takes a wonderful candid photo of the entire family after the ceremony. Nana is showing the triplets her tai chi moves, which the girls all copy. Charlie and Michael are sharing a joke together. Maxine and Frank are holding hands: “Maxine has turned back to watch her daughters. One hand is shading her eyes. She’s smiling” (355).
The book concludes with an observer’s anecdote. The speaker is Olivia, the waitress in the restaurant where Cat threw the fork at Gemma. Olivia happens to be walking along the waterfront, where she accidentally stumbles across Frank and Maxine’s wedding party. Much to Olivia’s surprise, the triplets remember her and come over to chat. Olivia is relieved to learn that the fork didn’t hurt Gemma’s baby, and she’s impressed by how lively the triplets are even though they’re so old.
Cat points toward the wedding photographer and tells Olivia that he was in the restaurant that night too. He helped Cat get into the ambulance after she cracked her jaw on the floor. He also gave Lyn his business card, and that’s how she hired him to take the wedding photos. Cat announces that she’s going to ask him out on a date. Olivia says, “I thought her sisters were going to have heart attacks they were so excited. So she went off to talk to the photographer. By the look on his face, I reckon he said yes, for sure” (358).
The final section of the book solves the mystery of the fondue fork episode with which the book began. It explains all the actions that led up to that fateful moment. The entire incident hinges on the theme of what to hold and what to release. Each of the sisters has an epiphany in these chapters that allows them to forge a more constructive identity for themselves. The changes start with Gemma when she realizes that she has never forgiven herself for staying with Marcus. Ironically, this is the one instance where Gemma refuses to let go. She has held onto her guilt for a decade. Once it’s released, she is free to hold onto something better—Charlie and her baby. Lyn continues to work on resolving her panic attacks. Her epiphany comes when she sees that Maxine and Frank are building a new relationship; they are no longer the people they were when the triplets were little. Everyone can change for the better if they release old destructive habits of mind.
Cat takes the longest to resolve her control issues. During the birthday celebration, she is provoked into throwing the fondue fork at Gemma when she realizes that she can’t control either of her sisters. Lyn lets Charlie know about his baby, and Gemma decides to keep the baby herself. Although Cat is filled with remorse immediately after her outburst, it takes several more months for her to see how destructive her behavior is. She finally realizes that going forward with her life isn’t an acknowledgment of defeat. It’s proof that she’s fighting back and claiming a future filled with hope. Once she makes that mental connection, Cat accepts the opportunities that life offers in the form of a book contract and a new romance. While the sisters continue to share their meta-identity as triplets, they have each become a better version of themselves by letting go and holding on.
By Liane Moriarty