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19 pages 38 minutes read

Percy Bysshe Shelley

To a Skylark

Fiction | Poem | Adult | Published in 1820

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Background

Literary Context

Percy Bysshe Shelley was part of the British romantic literary movement. The first generation of romantic poets writing in English included William Blake, William Wordsworth, and Samuel Taylor Coleridge. Shelley was part of the second generation of British Romantics; he was a friend of Lord Byron’s and an admirer of John Keats. All three of these second-generation poets died young. The poetry and prose of the romantics often turned to the marginalized and oppressed. For example, romantic poets believed poetry should be written in the language of the working class; that is, it should have conversational diction (accessible word choices) and not heavily rely on obscure allusions or forms. However, Shelley was the most radical and political in his generation of Romantic poets.

The romantics shared a central idea about the importance of imagination in poetics. According to the Princeton Encyclopedia of Poetry and Poetics, Shelley believed “poetry produces humanity’s ‘moral improvement’ not by teaching moral doctrine but by enlarging the power of imagination” (p. 1215). This draws from Shelley’s essay on poetics, “Defense of Poetry.” The British romantic poets also focused on nature, the sublime, mystery, and beauty in their verse. They often acted in opposition to ideas from the previous era, the Enlightenment, prioritizing personal experience and emotions over detached rationalism.

Historical Context

The romantic poets were heavily influenced by the sociopolitical climate in England and Europe. In the 18th century, the Industrial Revolution began in England, moving the country away from an agriculturally based economy to promoting urbanization and urban life. The romantics disliked the dehumanizing machines and the inhumane working conditions in factories. They were interested in writing poetry that the worker could understand and were politically in favor of the working class.

The French Revolution (1789-99) inspired the political ideology of the romantic poets. William Blake and William Wordsworth were anti-monarchist and pro-democracy; they wrote in support of the revolutionaries overthrowing the aristocracy. Shelley was only seven years old when the French Revolution ended, but his pamphlet on the topic, “A Declaration of Rights,” was still too radical to be published in England. Increasing globalization under the English and French imperial regimes also saw the expansion of mapped regions and the decline of unexplored spaces. This change contributed to naturalist imagery in romantic works locating the mystical and mythical in the mundane and readily available, such as birdsong and European pastures.

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