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Esther Wood BradyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One of the reasons Ellen cannot make the journey to Mr. Shannon’s tavern while presenting as a girl is because of the gender roles typical in 18th-century England and its colonies. This era had stringent, binary gender roles about what type of clothes and behavior were acceptable for “girls” and “boys.” Eighteenth-century medicine and science, as well as “classical thought and Christian ideology” all upheld the belief that “men and women possess naturally distinct physical, mental, and social characteristics” (“Gender in the Proceedings.” The Proceedings of the Old Bailey). Women and girls, like Ellen and Mother, “were expected to be chaste, modest, compassionate, and pious” (“Gender in the Proceedings”). They were largely relegated to the private sphere of the household and oversaw domestic duties. Ellen’s father “wanted Ellen to be ladylike” (11). While Grandfather subverts his contemporary society’s gendered expectation by wanting Ellen to “stand up for [her]self” (10) like he did when he was a boy, Mother upholds them by saying that Ellen “can’t roister about like a boy” (10). Ultimately, Ellen’s bravery and fortitude during her journey subtly critiques the traditional gender roles of the period and emphasizes the capability of girls and women in the American Revolution.
To seem acceptable in the public sphere outside the household during her mission, Ellen must disguise herself so that people perceive her as a boy. Though Mother also volunteers to “dress up as a man” and carry the message (37), Grandfather thinks it would be impossible to disguise a grown woman as a man. As a child, Ellen can more convincingly disguise her gender. Grandfather says that if Mother went and got caught in her disguise, she would “never be seen again” (37), implying that she would receive harsh punishments—either for spying, cross-dressing, or both, though official laws against dressing in the clothing assigned “opposite” of one’s perceived gender would not be formally and widely outlawed until roughly a century later.
In addition to behavioral expectations, traditional 18th-century gender roles also had clothing expectations. Ellen wears her brother Ezra’s old clothes: a red knitted shirt, a blue wool jacket, great stockings, and “breeches” (49). Breeches are a type of knee-length trousers. Ellen notes that they allow her new freedom of movement to “kick her legs as high as she could” (49). She lists everything she can do in breeches that she can’t in traditional “girls” clothes, petticoats: dodge horses and wheelbarrows, climb onto a boat, and even just walk across town. Dressed as a girl, Ellen says, “I wish I could be invisible” on the streets of New York (27). By contrast, being dressed as a boy “was just like being invisible” (56). Since boys were meant to venture beyond the domestic sphere and were not subject to the same attention and criticisms about decorum as young girls, Ellen finds confidence in her disguise.
Throughout her journey, Ellen internalizes this freedom and retains it even after discarding her disguise. She and Mrs. Shannon laugh about “the things we do to fool those redcoats” and “get important messages through the lines to our army” (155). Ellen proves her own capabilities to herself by taking on the challenge of delivering the message, and by meeting others who are facing the same challenges she is. When she gets back to New York, she “felt different” when she saw the bustling crowds. She realizes that they “were all going about their affairs—just as she was” (161). Transgressing traditional 18th-century gender roles has given Ellen courage and allowed her to see the fundamental similarities and abilities shared by all people, regardless of gender.
Ellen begins the novel as a timid, passive girl without confidence. In the first few chapters, the reader learns that Ellen is afraid of public pigs, leeches, Dicey, British soldiers, and the bustle of the streets. Facing her fears on her journey while disguised as a boy leads Ellen to develop a lasting confidence, even after she resumes her normal identity.
Traditional 18th-Century Gender Roles lead both Ellen and her mother to doubt Ellen’s ability to conquer adverse circumstances. When Grandfather proposes that Ellen deliver the message, Mother objects, “A little girl! To do a man’s work!” (38). Ellen enjoys being in the house and is intimidated when she thinks of the unknown challenges that await her outside of its confines.
Ellen and her fellow colonists face real risk from the British soldiers. Ellen and a local candlemaker nearly get trampled by British soldiers on horseback who “rode as if they owned the whole world” (23). Later, when Dow grows annoyed with Ellen and wonders if she is a Patriot rebel, he says, “Throw the rebel over-board. There’ll be one less rebel to fight” (83). In both situations, British soldiers are acting as if colonist lives are disposable and an inconvenience to British rule. When Dow threatens her, Ellen “felt as cold as an icicle and yet her face was damp with sweat” (83). The callous actions of the British make her feel afraid and powerless. This affects her confidence, as she is often not sure what a 10-year-old child can do in these circumstances.
Ellen meets people and develops strategies that help her gain confidence in these situations. The British soldier Higgins is a positive influence, who tells her to “square your shoulders and start. Things aren’t so bad after you start” (105). Higgins is unfailingly positive and supportive of Ellen. After his kind words, Ellen “knew she could do it somehow” (106). His encouragement created a change in her perception of herself. Ellen also uses “a song her father used to sing” to keep time on her way to Elizabeth and distract her from her fears of the woods (109). She thinks about her Grandfather and his Bible, and these memories “made her feel better to think of the words that Grandfather read aloud and believed so firmly” (137). Ellen uses these memories of her father and Grandfather to remind herself of why she went on this journey.
Successfully getting through these challenges changes the way Ellen sees the world, though she doesn’t fully realize it until she returns to New York and finds that, when she sees the bustling men and soldiers on the street, “[s]he wasn’t afraid of them” (161). This makes Ellen laugh joyfully. Noticing the changes in her own confidence helps Ellen confront situations she previously found frightening. When she sees Dicey again, Ellen thinks, “[s]he was ready to duck out of the way if Dicey came too close. But she was not afraid of her” (164). She will not turn to physical violence to get away from Dicey, but Ellen realizes that she has the strength within herself to stand up for herself. Facing challenging circumstances even though they scared her, the support of helpful adults and her fond memories of her loved ones help Ellen gain self-confidence.
Toliver’s Secret takes place during the American Revolutionary War. During the eight years this war was fought, tens of thousands of people died on both the British and American sides. Though the book only discusses the effect of the American Revolution on white British and white American people of various classes, it is important to note that the toll of the war on racialized people was also large, as “100,000 African Americans escaped, died or were killed during the American Revolution” (“The Revolutionary War.” PBS), and the eventual Treaty of Paris “was made without any input from Native American nations” and further disenfranchised them of their homelands (“Native American Soldiers and Scouts.” Museum of the American Revolution). While this middle-grade novel does not acknowledge these groups beyond a passing mention of colonists dressing “like Indians” (82), it introduces the idea that war is a nuanced subject without clear heroes and villains, which impacts family structures and the day-to-day lives of citizens.
The British “redcoats” are largely depicted as old-fashioned, uptight, cruel, and scary. They often run citizens over on the street as they go about their business. When one mounted British officer nearly runs over Ellen and a candlemaker, the candlemaker comments on “[t]he lordly way they push us around!” (23). The British army generally doesn’t seem to care for the lives of citizens. This is further supported by how the army conducts itself under the Quartering Act, whereby families like Ellen’s had to give up their living quarters to house soldiers. Ellen comments on them “sniffing snuff up their proud noses and sneezing daintily into white kerchiefs when they weren’t striding about giving orders” (7). This version of the British depicts thoughtless men who could be classified as villains.
However, one of the main antagonists, Dicey, is a colonist, while Higgins, a British soldier, is a protagonist and a mentor-like figure to Ellen. The impact of the war on Dicey has made her cruel, though she is ostensibly on Ellen’s side. Dicey calls Ellen “Miss Fine Lady” (164). An old woman tells Ellen that Dicey doesn’t like her because Ellen looks “well cared for” while Dicey is neglected (24). Ellen notices Dicey’s “drooping wool skirt. Her pale hair was uncombed and blowing in the wind like a dirty handkerchief” (25). While the reader does not learn about Dicey’s background, it is possible that her family doesn’t have enough money to provide for her or that some of her family has been killed in the war, as Ellen’s father has.
On the other hand, Higgins, a British soldier, defends Ellen from other soldiers, offers her helpful and personal advice about being brave, and gives her a coin to help her on her journey. Higgins confesses that he’s “homesick” and has taken a shine to Ellen because she reminds him of his son. While Toliver’s Secret is highly sympathetic to the cause of the revolutionaries, these humanizing details show the toll the war had on British families and individuals. The novel introduces the idea that war is not made up of simple “heroes” and “villains” and has a profound impact on everyone it touches.
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