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61 pages 2 hours read

Irvine Welsh

Trainspotting

Fiction | Novel | Adult | Published in 1993

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 4-6Chapter Summaries & Analyses

Part 1: “Kicking”

Chapter 4 Summary: “In Overdrive”

Simon “Sick Boy” narrates walking with Mark. While Simon wants to chase girls, Mark is less interested. When an overweight girl blocks Simon’s view of an attractive girl’s VPL, visible panty line, he remarks: “[‘]There’s a slim chicky![’] Ah sarcastically observe” to which Mark responds, “Fuck off ya sexist cunt” (28).

Two English girls ask the boys for directions to a theater; the girls are in town for the Edinburgh Festival. Mark surprises Simon by speaking with apparent knowledge on theater and plays, and the girls seem impressed. Simon thinks Mark is useful after all. The girls agree to meet Mark and Simon for a drink later. Simon is annoyed by Mark’s intellectual discussion and leaves him: “Ah shake off Rents, he can go kill himself with drugs. Some fucking friends I have” (30). He concludes that he is sick of all his friends and walks off while having an imaginary conversation with his idol, Sean Connery.

Chapter 5 Summary: “Growing Up in Public”

Told in the third person, this chapter introduces the reader to Nina, Mark’s niece. The young teenaged woman is joining her family in mourning following the death of her Uncle Andy—although she can’t really join their grieving. She is more focused on the fact that she’s about to get her period than her grief.

Her emotions are mixed, and she is a cool and moody teenager: “The whole thing seemed uncool. […] [Uncle Andy] had been her favourite relative when she was a wee lassie […] She could find no emotional connection though” (32).

Nina goes to the toilet to deal with her period, which has just started. On the way back to join the family, she passes the room where Uncle Andy’s body is lying and is horrified to realize that the body is sweating. She thinks he’s still alive and screams for the others. It turns out that Uncle Andy is indeed dead, but somebody left the electric blanket on that he is wrapped in, causing the body to appear warm and sweaty.

The resulting shock finally breaks Nina out of her cool teenage mood:

Nina thought that she would piss herself. Her sides ached, as she struggled to repress the spasms of laughter which shook through her. […] Nina realised that she was crying like a baby. Crying with a raw power and unselfconscious abandon (40).

Chapter 6 Summary: “Victory on New Year’s Day”

Chapter 6 is in third person and focuses on the character of Stevie. Now living in London, he is in Edinburgh for the New Year’s holiday. While his old childhood friends, including Simon and Mark, party around him, Stevie’s head is back in London, thinking of Stella. He had told the girl he loved her before he left, and she didn’t say it back. Now he’s worried he blew it.

He’s been at a house party for days. He gave his mother the number of the house and told her to give it to Stella in case she called the family home. He’s anxiously trying to enjoy the party while hoping for her call. The raucous party guests are tiring to him: Watching Mark and Simon argue, he seems fatigued: “[T]hey bickered on. Stevie would once have enjoyed this. Now it was draining him” (43).

Also in attendance are wild Frank Begbie, the junky Danny or “Spud,” and Tommy, who isn’t involved with heroin. Tommy prefers women and sex plus every other drug possible.

Finally, the phone rings during a football game that Stevie and the other party guests are watching. It’s Stella. She tells Stevie that she thinks she’s in love with him and that she is taking a train to Edinburgh. He happily obliges to meet her at the station. He leaves the party and heads to the station, where some soccer hooligans jump him. He doesn’t even care, though. When Stella arrives, he runs to her, and they kiss on the platform.

Chapters 4-6 Analysis

Chapters 4 through 6 raise questions about “belonging” socially, in part by introducing some alternative views from those of the Skag Boys. In Chapter 6, there is Stevie, who has clearly outgrown his old party pals and moved on from their lifestyle. Looking at his high friends and thinking of Stella and his life back in London, Stevie sees that he doesn’t fit in here as he did before: “It was difficult for Stevie to reconcile this world with the one he’d just left. […] Who were they these people? What did they want? The answer was that they were his friends, and they wanted him” (41). Stevie’s disconnect with his friends develops the symbol of London as a drug-free haven of new beginnings.

Even the Skag Boys (“Skag” being slang for heroin) seem plagued by issues with belonging to their wild party circle of friends. In Chapter 4, Simon writes off his friends completely, even though he knows he will inevitably end up partying with them soon. This drives home just how hard it is to escape a social circle where drugs play a role in connecting everyone. This was also highlighted previously in Chapter 3, when Mark rented a room where none of his junky friends could find him in an attempt to sober up. Addicted social circles serve as a way of drawing the addicts back in. They’re seeking the high as well as social acceptance and connection.

These chapters also emphasize differences between Simon and Mark. Their different approaches to women appear in Chapter 4. Simon seems like a womanizer and sexual addict, following his seduction of Alison in Chapter 1 and Mark’s commentary. Mark seems disinterested but simultaneously has, at least in this instance, more success connecting with the women on an intellectual level.

The character of Nina sets a stark contrast to the other perspectives so far. Although she plays the part of a jaded teenager, she is in fact quite innocent in comparison to her cousin, Mark. She is a virgin and appears to not be involved in drugs. Her emotional breakdown at the end of Chapter 5 shows her as sweet and innocent, a far cry from the tough Skag Boys. Her perspective appears to serve as a foil for the addict’s experience. While a normal young adult has moments of sadness, an addict’s life seems to be a long string of funerals with little emotional attachment.

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