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61 pages 2 hours read

Irvine Welsh

Trainspotting

Fiction | Novel | Adult | Published in 1993

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Part 5, Chapters 32-33Chapter Summaries & Analyses

Part 5: “Exile”

Chapter 32 Summary: “Feeling Free”

This is the first chapter with a female narrator. Told from the point of view of Kelly, it opens with her sitting opposite Alison. Alison is trying to convince her to leave Mark alone, pointing out that he’s a junky and no good for her. Kelly retorts that Alison isn’t much better off with Simon, “who just comes along and uses her when he’s got naebody else tae fuck” (274).

Alison is in a sour mood because she has to head to the Housing Department because her rent is overdue. As the girls walk outside, a construction worker hassles them with sexual remarks, and Alison fires back: “Have you goat a girlfriend? Ah doubt it, because yir a fat, ugly prick” (274). She and the construction worker get into a verbal altercation. A crowd of other women gathers, including two New Zealand tourists and two older housewives. They jump into the fray and support Alison and Kelly in their verbal sparring with the construction worker.

Eventually, the construction foreman comes over and shoos the workers away. Alison and Kelly invite the New Zealanders, Veronica and Jane, to Kelly’s to smoke hash. They are high and happy, enjoying their moment of female solidarity, when Mark comes by. He decides to leave them to their female fun. As he departs, Jane remarks that not all men are so bad. Kelly replies, “Aye, when they’re in the fucking minority thir okay, ah sais, wondering where the edge in ma voice had come fae, then no wantin tae wonder too much” (277).

Chapter 33 Summary: “The Elusive Mr. Hunt”

Mark and his friends go to the pub where Kelly works. Simon plays a prank on her: He calls the bar and asks for Mark Hunt. Kelly then shouts out for a Mark Hunt across the bar, causing everyone to laugh. Kelly feels humiliated. Mark feels guilty for his role in the joke: “It’s not funny laughter. This is lynch mob laughter” (279).

Chapters 32-33 Analysis

These two chapters provide rare insights into the lives of the book’s female characters. For the most part, they have appeared as objects that are used, abused, manipulated, and even pimped out by the Skag Boys and their male friends. Kelly narrates Chapter 32; it’s the second chapter with a female point of view, but the first with a female narrator.

It’s clear from these chapters that the women are painfully aware of the misogyny around them. When Alison fires back at the construction worker who hassles the girls, Kelly notes the hate in his eyes: “It’s only like, now he’s got a reason tae hate her, rather than just because she’s a woman” (275). She has no illusions about the woman-hating culture she is embroiled in, and this seems to be why she finds some freedom and joy in the moment of female solidarity that ensues.

The fact that women always get the short end of the stick in the world of the Skag Boys is emphasized by the joke Simon plays on Kelly in the next chapter. After a brief moment of freedom in the previous chapter, Kelly is again relegated to being the butt of the joke, an object not to be taken seriously or respected: “The joke is on the woman again, she thinks, the silly wee lassie behind the bar” (279).

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