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61 pages 2 hours read

Karin Slaughter

Triptych

Fiction | Novel | Adult | Published in 2006

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Part 1Chapter Summaries & Analyses

Part 1, Prologue Summary

Content Warning: This section of the guide includes discussion of graphic violence, death, child death, rape, child sexual abuse, addiction, mental illness, and cursing.

A newspaper clipping from June 1985 reveals that a 15-year-old Decatur resident named Mary Alice Feeney has been found murdered in her home. Her father is the assistant district attorney. Mary Alice is remembered as being popular, very active in school, and well loved by her peers.

Part 1, Chapter 1 Summary

In 2006, Detective Michael Ormewood drives to an impoverished area of Atlanta called Grady Homes to investigate the murder of Aleesha Monroe. He notices that the streets are emptier than usual because the Falcons are playing in the Super Bowl. Four police cars are waiting in front of Aleesha’s apartment building. When Michael sees the local gang members’ expensive cars, he becomes enraged at the thought that he could never afford such vehicles on his police officer’s salary.

Collier, a young beat cop, asks for an update on Michael’s partner, Ken, who has had a stroke. Meanwhile, Lieutenant Ted Greer tells Michael that the murder victim is on the sixth floor and warns him that the crime scene is particularly violent. It took 32 minutes for law enforcement to arrive. Michael questions four older women who live in the building. Aleesha’s neighbor, Nora, tells him that Aleesha was a sex worker who did not bring her clients home with her. Michael chooses to take the stairs instead of the elevator; he recalls that the first time he was called to Grady, he got stuck in the elevator. The police officers try to maintain a stoic façade as they examine Aleesha’s brutalized body. The killer has bitten off Aleesha’s tongue.

Part 1, Chapter 2 Summary

Michael returns home. He still experiences flashbacks from his past experience with military combat in the Gulf and now feels haunted by the murder of Aleesha. When he has a nightmare, his wife, Gina, wakes up and notices that Michael has a scratch on his neck and smells like bleach. (He has been trying to scrub off the smell of death.)

Gina gets up and prepares for work. Michael wants to have sex, but Gina wants him to check on their son, Tim, who has an intellectual disability. Michael wonders when things started to go wrong between them. He reflects that when he first met Gina, he had been dating her cousin Ellen. Gina wrote to him while he was in Kuwait. When he was accidentally shot, he was sent to Germany for surgery, and one week after he was discharged, he and Gina got married. Gina became a nurse, and they bought a house together and had Tim. Because Tim was deprived of oxygen during his birth, he will never be able to mature past the mental age of a six-year-old. Gina’s mother, Barbara, was the first to notice that Tim was not developing properly, and Michael despises her because of this.

Now, Michael plays hide-and-seek with Tim and tries to clean up a bit before Barbara arrives to babysit Tim. Gina is angry at Michael because he went to a bar and came home late. She is exhausted from working overtime and has been trying to save up for a new therapist for Tim. Gina tells Michael that their next-door neighbor, Cynthia, called to ask them for help with a loose floorboard. Michael asks where Phil is. (Phil is Cynthia’s father, but the narrative does not yet reveal this fact.) Michael hops over the broken chain-link fence and goes to Cynthia’s house, where she is waiting for him in lingerie. Cynthia says that Phil is on a work trip in Indianapolis. They hook up, and it’s clear that this has been going on for a while.

The narrative inserts a newspaper clipping from June 1985, which reveals that police are asking for witnesses in the murder of Mary Alice Feeney. On the night that Mary Alice died, she went to a mall, attended a neighborhood party, and was seen leaving with a stranger.

Part 1, Chapter 3 Summary

Michael feels a bit guilty about his current affair with Cynthia, but he rationalizes his actions by reflecting that he has been lonely since Gina has been working nights. He sees Cynthia as a distraction from his family-related and financial worries. At work, Michael’s colleague Leo tells him that Lieutenant Greer is meeting with someone from the Georgia Bureau of Investigation. They discuss Michael’s partner, Ken, who will never recover from his recent stroke.

Michael meets the agent from the Georgia Bureau, Special Agent Will Trent from the Special Criminal Apprehension Team. Will explains that he is operating in an advisory capacity and asks to compare notes with Michael. Michael is curious about Will, who does not look or act like a traditional police officer. He tries to learn about Will’s background, but Will remains very tight-lipped on this point.

Will shows Michael his files, which feature several similar crimes. Four months ago, 15-year-old Julie Cooper was found raped and beaten nearly to death, and last year, 14-year-old Anna Linder was raped and beaten. Both girls were attacked by a man wearing a ski mask. Another girl, 10-year-old Dawn Simmons, was assaulted in a similar manner. Will and Michael agree that Julie and Anna’s cases are likely related, while Dawn is likely an outlier because she is much younger. Will postulates that the perpetrator is in his mid-to-late thirties and is unhappy with his job and his home life, but Michael does not trust the accuracy of criminal profiling. When Michael asks how the cases are connected to Aleesha, Will states that in each case, the murder victim’s tongue was bitten off.

Part 1, Chapter 4 Summary

Michael and Will meet with the coroner, Pete, during Aleesha’s autopsy. Pete explains that Aleesha’s tongue was bitten off during the rape. Because Pete found powder on her thigh, he thinks that the murderer wore a condom, and he has determined that Aleesha died from choking on her own blood after her tongue was bitten. He, Michael, and Will postulate that the murderer did not intend for her to die; they wonder about the connections between the different cases.

Leo tells Michael that he went to Records and learned that Will’s file is sealed. They are surprised to learn that Lieutenant Greer did not call Will to join the case; Will arrived without being asked. Will has an 89% clearance rate, which is about 20 points higher than their own.

In relation to the case, Michael and Will approach Angie Polaski, a police officer who works in Vice. As Michael arrives, she remains wary of him. She asks if he is there to talk about Aleesha and recalls that Aleesha had been brought in by the police a few times in the past. Michael introduces Angie to Will. Angie tells them that Aleesha’s pimp, Baby G, lives with his grandmother in the same building as Aleesha. Will asks Michael to take him to Grady Homes.

Part 1, Chapter 5 Summary

As they drive to the crime scene, Michael prods Will for more details about his past, but Will does not comply. They listen to the recording of the 911 call that alerted authorities to Aleesha’s murder. When they arrive at Grady Homes, two teenagers are sitting on a BMW, but Baby G chases them off. As Will and Michael question Baby G about Aleesha’s death, Will suddenly receives a call and tells Michael to go home because there has been an accident at Michael’s house.

The narrative inserts a newspaper clipping from June 1985, which reveals that an arrest has been made in the murder of Mary Alice Feeney. A 15-year-old boy was the one walking her home from the party.

Part 1, Chapter 6 Summary

Michael rushes home, trying to call Gina and Barbara. When he arrives, Barbara is sitting outside, and there are two police cruisers in front of the house. Michael screams at Barbara, who tells him that Tim is still at school. Michael runs to the backyard, where Cynthia’s body is tangled in the broken fence. Cynthia’s tongue is missing, and when Michael sees her mangled face, he breaks down. He tells the medical examiner that she is 15 years old.

Part 1 Analysis

The first section of the novel lays the foundation for the eventual conflicts between the lead investigators in the case, and the early revelations of Michael’s volatile temper, family troubles, and illicit affair with a minor also foreshadow his more sinister role in the plot. However, in a classic example of narrative misdirection, Slaughter initially focuses on Michael’s distrust of Will, not the other way around. Because this section emphasizes Michael’s perspective and inner contemplations, Slaughter delivers a shrewdly sympathetic portrayal of Michael despite his glaring flaws, and his clear love for Tim enhances this effect.

Slaughter’s use of misdirection also continues with her strategic omissions when introducing the characters of Cynthia and Phil, Michael’s next-door neighbors. For the entire first section, the narrative implies that Cynthia is Phil’s wife. While this relationship is never explicitly stated, Slaughter invites this assumption by using Michael’s thoughts to suggest that Gina and Cynthia are social equivalents. A prime example occurs when Michael considers Cynthia in the same jealous, misogynistic light that he regards his own wife. As the narrative states, “If Gina ever answered the door for Phil dressed this way, Michael would have fucking killed her” (25). These oblique details are designed to invoke a sexist, subservient image of a wife answering the door for her husband, and thus, Slaughter creates the false impression that Cynthia, like Gina, is a fully mature, married woman. At this point, Michael’s affair with Cynthia is merely portrayed as being morally compromised, but when Cynthia’s body is later found, Michael finally delivers the revelation that his illicit sexual partner is only 15 years old; thus, the absent Phil is her father, not her husband. With this narrative sleight-of-hand, Slaughter deliberately introduces unforeseen twists in the plot, using implication alone to add a sense of tension and intrigue.

When Michael comes upon Cynthia’s body and reveals her age to the medical examiner, the existing knowledge of his affair with the girl introduces a deliberately jarring effect, and Slaughter uses the moment to cement the idea that Michael is not merely a flawed, overworked police officer with a traumatic past and a volatile temper; instead, he is a pedophile who is hiding the full range of his illicit activities from his colleagues in law enforcement. Thus, although the plot has not yet outed him as a criminal, this scene codes him as an antagonist rather than a joint hero of the murder mystery in progress.

From the very beginning of the narrative, the 1985 murder of Mary Alice serves several specific purposes, the first of which is to cast a long shadow over the contemporary events of the novel, thereby demonstrating The Long-Term Impact of Trauma at the community level. As the novel progresses, Slaughter gradually reveals the full details of Mary Alice’s case in such a way that this information strategically dovetails with the events in the primary plotline, adding emphasis and creating a more dramatic picture of the broader canopy of crimes. Additionally, the recurring newspaper clippings anchor the narrative in a history that refuses to be forgotten, suggesting that unresolved crimes perpetuate a cycle of violence.

However, as Michael and Will begin to investigate the present-day circumstances of Aleesha’s murder, the scant attention paid to the death of a sex worker is implicitly contrasted with the constant attention that young Mary Alice’s death received in 1985. Aleesha’s death barely receives any news coverage, while the murder of a young white girl merited far more media space. This discrepancy, combined with the impoverished setting of Grady Homes, demonstrates the class differences that permeate Atlanta and illustrates the true extent of Corruption in the American Justice System. Additionally, when Slaughter makes an offhand yet pointed reference to the fact that it took officers 32 minutes to respond to the 911 call at Grady Homes, she implies that those with social privilege enjoy priority access to the aid of authorities, while marginalized communities remain vulnerable and underserved.

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