62 pages • 2 hours read
Celia C. PerezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
At school, Cy asks about Manny, and Addie realizes there is not much she can share, as he didn’t spend much time with her. This makes Addie wonder if he had been intentionally avoiding her. Instead, she tells Cy about the twins and Mateo, as well as her plans to spend the next weekend there, despite Lourdes’s reluctance.
In drama class, Mrs. González hands out copies of the cast list, reminding the seventh graders that the leads will work with the director to develop the special twist. Cy is delighted to discover that she is the director, while Brandon, one of their classmates, is the nutcracker, and Gus is the Mouse King. To Addie’s horror, she is cast as Marie.
After class, Addie tries to convince Mrs. González to give the role to someone else. When her teacher refuses, believing that Addie is simply scared, Addie explains that she just doesn’t feel like Marie; she is not delicate or light-skinned, like Marie is described to be.
Mrs. González admits that for years she has been casting someone white as Marie because of her own subconscious bias; however, she wants to break out of this bias and envision the production differently, especially because she is retiring next year. Despite Addie’s protests, Mrs. González holds firm on the casting, encouraging Addie to make the role her own.
Before Addie leaves for Esperanza for the weekend, she overhears Alex and Lourdes arguing about her and Manny. Lourdes confesses her worry that Manny will disappoint Addie, while Alex urges Lourdes to stop protecting Addie and let her learn who her father is by herself.
Manny arrives to pick Addie up at the diner a few minutes late. On the way to Esperanza, he confides a big secret in her, revealing that he is a masked wrestler. Years ago, Manny the Mountain was banished from the Cactus Wrestling League because he had to break his contract with them when he received an opportunity to wrestle in Japan. Although the experience there was great, Manny’s priorities have changed, and he wants to return; he will wrestle as “un enmascarado” before eventually being unmasked and returning as the Mountain.
Addie is persistent, so Manny reveals that he is The Eagle. They discuss wrestling preferences, among others, and Addie discovers they both like a lot of the same things—they both prefer “heels” to “babyfaces,” chocolate ice cream over vanilla, and winter over summer. They arrive at the Bravos, but Manny drops her off without coming inside, claiming he has work to do. While this disappoints Addie, he promises to see her at dinner. Addie watches him drive off until he disappears into the distance.
The house is quiet when Addie enters. Pancho is watching a telenovela in the family room, and he invites her to join him. Addie observes the room as Pancho nods off, taking in the range of photographs, medals, trophies, and other wrestling paraphernalia that decorates the room, all showcasing Pancho and his sons. Reflecting on its museum-like qualities, Addie thinks about how the room tells a story that leaves out Speedy’s death, Pancho’s sickness, her and the twins’ existence, and, except for in a couple of family portraits, Rosie’s presence.
Pancho wakes up, and, mistaking Addie for Lourdes, asks her to let Manny go; he says wrestling is his dream, and if he doesn’t follow it, he will be unhappy. He also asserts that one has to chase greatness, while family will always be waiting. Suddenly, Pancho realizes Addie isn’t Lourdes, and when Addie explains who she is, Pancho asks her to tell Lourdes that he is sorry, and he was wrong.
Addie walks outside, pondering Pancho’s words and wondering whether he is the reason Manny isn’t around. When she peers into the barn, she finds Rosie working inside. Rosie beckons her in and shows her the snowman that she is working on, then Addie tells Rosie about the annual photograph. Rosie reveals that Lourdes always loved the tumbleweed snowmen; she would even help Rosie make them. Addie is amazed to discover that Rosie also crochets and welds, and offers to help if Rosie will teach her.
Rosie tells Addie how she first thought of the tumbleweed statues: One night, alone with her three sick sons, she watched an episode of TV where a couple was held captive in a house by a pair of tumbleweeds, and related to the feeling of being trapped. The next day, while driving somewhere, a tumbleweed blew across her path, and she swerved to avoid it, thinking it was an animal. This is when the idea finally struck her.
Addie asks about Rosie’s wrestling past, and Rosie shows her the Mexican championship belt she once won in Guadalajara; in her time, women weren’t allowed to wrestle in the capital city, because “men thought that it was a bad influence on girls to see women wrestling” (189). Nevertheless, wrestling is how Rosie met Pancho, but she gave it up once they got married and had children. Addie looks through photographs and newspaper clippings of Rosie’s wrestling days, and asks her if she ever misses it. Rosie admits that’s all she wanted some decades ago, but it was too difficult to do with children.
When Addie suggests that Pancho and her could have traded off travel time, Rosie claims times were different then. She didn’t want a half-life with her children and is proud of having carried the family through everything. She also asserts that despite getting to choose wrestling, Pancho, too, had to make sacrifices; he was gone so long and so often that his own sons wouldn’t recognize him when he returned.
Addie looks through more of Rosie’s wrestling memorabilia, including her red and black wrestling costume. She wonders why this isn’t displayed in the family room. Addie takes back with her a photograph of a 17-year-old Rosie dressed up in her costume as her alter-ego, “La Rose Salvaje” (“The Wild Rose”).
Eva and Maggie wake Addie up at a little past midnight, and the three of them take their sleeping bags out to the ring in the backyard. At Addie’s request, they tell her about the tzitzimeme, goddesses that were believed to protect the crops, people, and pregnant women. During an eclipse, or at the end of a 52-year-cycle, the goddesses would descend to earth; they held power during a big change to make it go smoothly or badly. The twins chose the tzitzis as their alter-egos as the deities are described as both male and female, and they like the idea of rejecting stereotypes and not being confined to a box. Addie reflects on how this connects to their arrival in her life at a time when she is learning about Manny, processing the adoption, and waiting to welcome a new sibling.
The twins reveal that it is not Mateo, but Rosie who has taught them everything they know about wrestling. Maggie wants to wrestle until she can’t anymore and is trying out for the school team. Eva, however, plays softball, which she enjoys more than wrestling. Maggie has aspirations to go professional after school, while Eva isn’t sure what she wants to do yet, but it probably isn’t wrestling. As they watch the stars together, Addie ponders how the twins seem to want to follow completely different paths in life.
Addie joins Pancho, Manny, and the twins for Sunday breakfast, which Rosie prepares. Maggie asks for someone to help out, but no one except Addie joins in. Mateo comes in looking for glittery eyeshadow for his drag story time at the bookstore, and Eva steps out to fetch some.
Pancho angrily questions what kind of man wears glitter, berating Mateo for giving up wrestling. Mateo gently reminds his father about his work outside the ring; wrestling wasn’t for him. As Pancho questions who will win the championship now, Addie notices Manny’s hurt expression, even as Maggie declares she is a contender. Pancho scoffs that girls can’t be champions, and Rosie’s expression turns mutinous, even as Addie points out that Rosie was one. Eva returns and makes Pancho admit that women make good wrestlers, their championship is just as important as the men’s, and glitter is for everyone. Everything goes back to normal and Mateo leaves with the twins, but Addie contemplates the underlying tensions within the family.
Addie doesn’t go to story time, as Manny promises he has plans for them. By the time he returns, the twins have gone home, and it is time for Addie to leave, too. Manny apologizes that his errands took so long, promising to do better next time, but Addie is still disappointed. She asks about Pancho’s reaction to Mateo’s makeup, and Manny explains that Pancho is a little old-fashioned; Lourdes used to fight back, just as Maggie and Eva do.
On the way to Thorne, they pass by some tumbleweed sculptures. When Addie tells Manny about the annual photo tradition, he reveals that he is the one who started it. Addie asks him where he has been her entire life, and he explains that the work keeps him traveling, so he has never had a home. However, now that he is here, he plans to return as the Mountain, win the league championship belt, and then win the world championship belt like Pancho. After this, he will quit. Addie wonders what will happen if Manny doesn’t win, and Manny’s demeanor turns intense, as he whispers that he will.
Addie, Cy, Gus, and Brandon meet with Mrs. González during lunch to discuss the plan for the show. Cy thanks Mrs. González for the opportunity, expressing her excitement at working closely with the rest of the group; Mrs. González stresses this too, claiming it will be a bonding experience. She asks the group to have their plan ready by Monday.
At home, Addie finds Lourdes setting up a mobile in the baby’s room and joins her to help out. She tells Lourdes about Pancho’s apology, and Lourdes claims not to know what it is about, but suggests Pancho has plenty to apologize for.
Addie asks Lourdes why she still doesn’t talk about Manny and the Bravos; Lourdes counters with a question about whether Addie is happy spending time with them and is getting what she is looking for. Addie isn’t sure, and Lourdes reassures her she can stop visiting whenever she wants; she doesn’t want Addie to feel obligated to anyone. Addie remembers the two heart halves Lourdes and Manny once wore and can’t help thinking of it now as a broken heart.
Addie’s trips to Esperanza become a regular feature in her life. More than Lourdes, who has a more personal perspective on the situation, Alex realizes how important it is to Addie to get to know her father. He supports her as she seeks the answers to the questions she has about Understanding Identity vis-à-vis Family. While the information she learns is limited, she does discover in the little time she has with Manny that they like some of the same things. She also finds out that he is actually The Eagle, the masked wrestler from the opening scene of the book, and that he is planning a comeback as Manny the Mountain. However, he seems constantly busy, leaving her with the rest of the family while he heads out for work or to run errands. Manny offers plenty of apologies and promises, only to disappoint Addie each time, just as Lourdes feared; his priority is still the championship belt, as even his decision to stay in Esperanza is motivated by this, rather than his daughter.
Manny’s obsession with the belt directly relates to the importance wrestling holds in the family, highlighting the theme of The Weight of Family Expectations and Legacy. The family room at the Bravos’ house is presented as a shrine to moments of glory from the family’s wrestling days. However, Addie notices that Rosie, herself, and the twins are missing from the story that the room tells. This is ironic, as such an important display in a room literally meant for family should reflect all the family members within it. Addie’s observation gains significance when she later discovers that Rosie, too, was a world champion in her own right; however, her presence is limited to family photos that do not acknowledge her wrestling past. There is an undercurrent of patriarchy in the way the Bravos operate, particularly in the way Pancho approaches his family and career. He reacts negatively to Mateo’s adornment of glitter and derisively states that girls cannot be champions, despite Rosie having been one and his granddaughters also wrestling. This feeds into Manny’s desperation to win the belt and fulfill Pancho’s dream of seeing one of his sons live up to the family legacy.
While Pancho’s dream is well known, his character presents conflicting information to the reader. For instance, he tells Addie to let Manny go and pursue his dreams when he mistakes her for Lourdes; however, when he recognizes Addie, he asks her to convey his apology to Lourdes and admits he was wrong. It is clear that Pancho has regrets, along with most of the other members of his family, but these regrets are only clear when he is lucid; otherwise, Pancho reverts to the character he was in his younger days, before his personal growth. Rosie explains to Addie how even though Pancho pursued a career in wrestling, they both made sacrifices. Through this perspective, Rosie is a testament to the theme of Using Storytelling to Subvert Social Norms. She won the Mexican championship belt at a time when women weren’t allowed to wrestle in her country’s capital city; once she was forced to give up her career for the sake of her family, she took her feelings of captivity and turned it into art through the tumbleweed sculptures. Despite having some regrets, she recognizes the value in raising a family in place of a successful career.
Wrestling as a form of storytelling continues to be a significant way of subverting social norms among the different characters, but elements of mythology also take on an important role. Along with Rosie, the twins contribute to the subversion of gender norms through not only wrestling, but also their alter-ego. They chose the tzitzimeme not just because the deities are twins, but because they are extremely powerful and visualized as both male and female in different versions of the myths. As Addie learns more about wrestling and mythology, she encounters yet another form of storytelling that attempts to subvert norms: She is cast as Marie in her seventh-grade play. Addie protests this, as she cannot visualize herself as a character who is traditionally described as dainty and light-skinned. However, Mrs. González acknowledges the subconscious biases at play that led her to always cast a white girl in the role. When she casts Addie as Marie, she presents an opportunity to change the narrative. Lastly, there is one more member of the Bravo family who contributes to the subversion of social and gender norms by literally using storytelling to do so: Mateo, with his drag story time at the bookstore.