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49 pages 1 hour read

Colleen Hoover

Ugly Love

Fiction | Novel | Adult | Published in 2014

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Chapters 21-25Chapter Summaries & Analyses

Chapter 21 Summary: “Tate”

Tate is upset and confused by how things ended between her and Miles during their last encounter. After days of not speaking to her at all, Miles texts Tate and invites her to go on an errand with him. She says yes because she can’t set boundaries with him, but she knows she shouldn’t. He apologizes to her and takes her to watch the planes take off in his car. Tate confronts him about his behavior and offers him an ultimatum: admit he has real feelings for her or take her home. Miles opts to take her home, and Tate cries to Cap, who reminds her of the rules they set and cheers her up with a silly “knock-knock” joke.

Chapter 22 Summary: “Miles, Six Years Ago”

Rachel and Miles’s parents initiate a serious talk and announce their plans to wed. In response, Miles tells them that Rachel is pregnant. Their parents are upset and want to know who to blame. Miles tells them it was him, and his dad is filled with rage. When Miles tells Rachel he loves her, his dad punches him and throws him out. Miles comes back and apologizes. He explains how they met and fell for each other before either of them knew about their parents’ relationship. Lisa wants Rachel to have an abortion, but it’s too late for the procedure. Both of their parents hate Miles, but Miles is happy they’re not hiding the truth anymore. He tells Rachel that he loves her.

Chapter 23 Summary: “Tate”

Tate hasn’t seen or heard from Miles in three weeks, and the holidays passed without event. She’s been regularly studying with her friends from school, Chad and Tarryn, often. That night, Tarryn doesn’t come with Chad to study. When Miles opens the door and sees Chad going into Tate's apartment, he is furious. After Chad leaves, Miles comes over and demands to know who Chad is and whether Rachel has been physically intimate with him. Tate is upset that Miles has the audacity to be mad with her and yells at him. She lies and proclaims that she doesn’t want to be a part of Miles’s “serious issues.” Miles gets upset and wants her to make him leave, but she can’t. Instead, they have deeply-intimate sex. Miles stares into her eyes during the act, and afterward Tate feels like a “self-aware fool.”

Corbin comes home and sees Tate and Miles together. Corbin is angry and asks if Miles loves her or plans to, and Miles whispers “no.” Corbin tells Miles to leave. Later, Tate and Miles talk about their arrangement, and Tate finally establishes her one rule: Don’t give her false hope for a future. Miles apologizes but maintains that he doesn’t want to lie to her. The truth is that he wants Tate but is not interested in love. He explains that he can’t handle a complicated relationship and needs to keep things simple. Tate calls him out on his behavior, and they agree to end their sexual relationship if they can’t maintain simplicity. Tate quietly realizes that Miles has feelings for her.

When Tate chats with Cap, she tells him what happened with Corbin and Miles. Dillon gets off the elevator and is rude to Cap, then tries to flirt with Tate. Tate and Cap make a joke at Dillon’s expense and high-five.

Chapter 24 Summary: “Miles, Six Years Ago”

Rachel and Miles have decorated the nursery yellow to be gender neutral. Miles’s dad makes a snarky comment about the color, but otherwise, the parents avoid talking about the baby with Rachel and Miles. The teens go to graduation, and when they get home, Miles shows Rachel the letter he got approving them for family housing at the university. They are excited and relieved to move out of their parents’ house and live together. When Rachel asks if their parents have approved, Miles reminds her that as adults, they no longer need to ask for permission. Rachel insists that they make the announcement immediately, and Miles and Rachel tell their parents together.

Chapter 25 Summary: “Tate”

Corbin still hasn’t spoken to Miles but understands the arrangement he has with Tate. Tate is trying to make herself change to accept Miles’s rules. Miles asks her what her full name is. She tells him, and he tells her his name. They trade superficial, basic questions, and Miles admits he doesn’t like being away from her so much with his job. They kiss, and something changes for Tate. She feels like she’s kissing the real Miles for the first time. When they’re done having sex, Tate feels suspended, unsure of what to do. She thinks of herself as a “stupid girl.”

Corbin doesn’t like Tate’s arrangement with Miles and fights with her about it. Miles checks on her, and although Corbin is angry with Miles at first, he asks why Miles couldn’t have just been gay and laughs. Tate goes downstairs to hang out with Cap while Corbin and Miles work things out, but she runs into him on the elevator. He’s going upstairs to his room, and Tate rides with him. Tate asks Cap why someone wouldn’t want to love again, and Cap suggests that sometimes people lose themselves in the past. Before she can ask more, the elevator arrives at the 20th floor, and Cap steps off and the doors close.

Chapters 21-25 Analysis

As Tate navigates Miles’s complex, off-limits emotional terrain, she also tries to secure her brother’s blessing to have a sex-only relationship with Miles. In the process, she finds a friend and confidant in Cap. Cap continues to ground Tate in this section with silly jokes and thoughtful advice. He fulfills the role of mentor, and his usually uplifting, comforting scenes diffuse the heavy, complicated mood that hangs over the book. This contrast establishes Cap as an important figure in Tate’s life, and although she doesn’t know it yet, Cap acts as a guide for Miles too. He provides reality checks for them both.

After Tate tells Cap about her arrangement with Miles, he knowingly responds: “What did you expect would happen?” (196). Cap holds both characters accountable for their actions, but he also provides a sympathetic ear and comedic relief. As a father figure, Cap contrasts with Miles’s dad. Unlike Cap, who offers the characters a safe space, Miles’s dad yells at Miles, throws him out, and even hits him. Structurally, Miles’s chapters remain in a center-justified poetry format to demonstrate that his love for Rachel is the most prominent feeling in his life. He is optimistic about his family-to-be, and even though it is a difficult experience, he is still in his bubble of happiness, reinforced by the formatting of his chapters.

Thematically, Relationship Boundaries Versus Emotional Walls and Fear and Control as Roadblocks to Love are at the fore. As the novel progresses, Tate views herself more disparagingly. In order to regain a semblance of control, Tate sets her own rule for Miles. Despite the gesture of authority, Tate is really circumventing her own happiness by acting against her true self. She remains emotionally immobilized, unsure of how to act even after proclaiming her own rule.

Miles’s contradictory behavior further immobilizes Tate. Although he maintains he needs simplicity, his actions toward Tate suggest otherwise. He is jealous that Tate is studying with a male friend, and he attempts to control the situation by demanding answers. Conversely, the parallel storyline shows Miles embracing the truth, relinquishing control, and accepting his role within a partnership. The juxtaposition of storylines highlights The Duality of Pleasure of Pain and shows that fear is holding Miles back from pursuing a real relationship with Tate.

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