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60 pages 2 hours read

Alan Moore

V for Vendetta

Fiction | Graphic Novel/Book | Adult | Published in 1990

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Book 2Chapter Summaries & Analyses

Prelude Summary

The panels are oriented portrait-style and interspersed with bars of music. V plays “The Vicious Cabaret” on piano. The content of the lyrics corresponds to the illustrations in the background: Rosemary gets news of Almond’s death, Finch stares out of a window, the Leader reaches toward the Fate supercomputer, and Evey decides to follow V into the “land of doing-as-you-please” (91).

Chapter 1 Summary: “The Vanishing”

On January 5, 1998, in the Shadow Gallery, Evey asks V why he has never tried to sleep with her. V says maybe he’s Evey’s father. He says he has a surprise for her and tells her to put on a blindfold. As he leads her out of the Shadow Gallery, snippets of their previous conversations play, perturbing Evey. He tells Evey that he is not her father—her father is dead—and he vanishes, leaving Evey alone.

Chapter 2 Summary: “The Veil”

Rosemary attends Almond’s funeral and notices that neither she nor any of Almond’s acquaintances liked him. She feels alone and vulnerable regardless. She decides to accept Dascombe’s advances even though he disgusts her. As Rosemary talks about how she will navigate life after her husband’s death, the illustrations depict V breaking into a media studio on February 23. He kills the film crew there, who are screening a movie about a group of Black men who rape white women and are overcome by a white hero named “Storm Saxon.”

Chapter 3 Summary: “Video”

V makes his way through Jordan Tower, where the Mouth broadcasts, as misogynistic propaganda plays in the background. He uses explosives strapped to his chest to threaten the control room workers into broadcasting his video to every television in London.

Chapter 4 Summary: “A Vocational Viewpoint”

Broadcasting to Britain, V lists the things humanity has achieved—the Moon landing, the invention of the wheel, the cultivation of fire and agriculture. He says that despite these things, people remain unwilling to stand up for themselves. As pictures of infamous fascist leaders such as Hitler, Stalin, and Mussolini appear, V says that the state of the country cannot be blamed on its bad management. The citizens who appoint these figures and ignore, and therefore enable, their injustices are also responsible. He gives them two years to improve. As V’s message plays, armed soldiers storm Jordan Tower and corner a figure that appears to be V. They kill him, unaware that V has dressed Dascombe in his clothes.

Chapter 5 Summary: “The Vacation”

Finch meets Peter Creedy, Almond’s replacement. They find out that the figure in V’s clothes is Dascombe. Creedy makes a snide remark about Finch having an affair with Delia, and Finch punches him. The Leader sends Finch to the beach on vacation.

Elsewhere, Evey is lodging with Gordon Deitrich, a smuggler and gangster. Though he treats Evey kindly, he makes sexual comments toward her.

Chapter 6 Summary: “Variety”

On March 8, Evey and Gordon are in a bar called the Kitty-Kat Keller. Evey sees Rosemary get escorted out for overdrawing her account. Gordon’s friend Robert talks to Creedy, who says the government is going to take his mother away. Robert fears he is next. His behavior becomes erratic. He shouts that everything would be better if London had been bombed in the war, and he is quickly subdued. Outside, Evey tells Gordon that Robert was right. V watches from afar.

Chapter 7 Summary: “Visitors”

On April 15, Gordon and Evey start a sexual relationship. On June 11, Gordon is followed home. He tells Evey to lock herself in the bathroom and stay silent. A gangster, Alastair Harper, stabs and kills Gordon. Later, as she stares at Gordon’s body, illustrations depict Evey’s flashbacks to her mother’s death, her father’s capture, and V’s desertion. She contemplates the pistol in Gordon’s drawer.

Chapter 8 Summary: “Vengeance”

Evey runs into Rosemary outside the Kitty-Kat Keller, where Rosemary now works as a burlesque dancer. Evey spies on Alastair and some other men. She prepares to shoot them with Gordon’s pistol but is tackled by men in uniform. The illustrations darken to black as Evey passes out.

Chapter 9 Summary: “Vicissitude”

Evey experiences a hallucinatory flashback to a childhood birthday. Her styling and outfit are identical to when she infiltrated the Bishop’s house. Her dad fetches her for the party. He transforms into Gordon and shows her into a bedroom that is identical to the Bishop’s bedroom. The figure becomes the Bishop as he lowers her onto the bed and kisses her. Evey leaves the bedroom and sees V. She runs from him. He chases after her and attacks her before she can reach safety.

Chapter 10 Summary: “Vermin”

Evey wakes in a prison cell. Through the bars, she sees the state sign: “Strength Through Purity, Purity Through Faith” (148). Officers come in, blindfold her, and take her to an interrogation room. They play a video of Evey from last November when she was saved by V. She is charged with the attempted murder of Creedy. They shave her head. Later, she sees a note in a rat’s hole, written by someone named Valerie.

Chapter 11 Summary: “Valerie”

Evey goes through a cycle of reading Valerie’s letter, sleeping, and being tortured. As the illustrations depict Evey being tortured, she reflects on what she’s learned of Valerie’s life. Valerie was born in the late 50s and came out as a lesbian at 19. Her family disowned her, but her integrity was more important to her. She began to work as an actress in London, finding some success in the critically acclaimed movie The Salt Flats, where she met Ruth.

She was living with Ruth when Norsefire started interning gay people. They took Ruth and forced her to give them Valerie’s name. Ruth died by suicide. Valerie says they captured her, shaved her head, and held her underwater—the same thing the guards are doing to Evey. Valerie wrote the letter to the cell’s future inhabitant to preserve her last inch of integrity.

Chapter 12 Summary: “The Verdict”

Evey is asked to testify that V brainwashed her, abused her, and forced her to commit murder. She refuses, choosing to die rather than lie. The guard tells her she is free and leaves. Evey walks through the deserted halls. She sees that the guard is a mannequin, and his words were prerecorded. She follows the halls to the Shadow Gallery, where V welcomes her home.

Chapter 13 Summary: “Values”

Evey realizes that V orchestrated her torture and imprisonment. He tells her she has spent her entire life in prison and that the happiness she thought she felt is “the most insidious prison of all” (169). He says that Gordon, her mother, and her father were all convicts and did not realize it, and he has shown Evey the bars of that prison. Evey is upset, but V continues to pressure her to embrace the terror of freedom. He leads Evey to the roof, where cold rain washes over her emaciated form, and she opens her arms to the night.

Chapter 14 Summary: “Vignettes”

On September 3, in the Shadow Gallery, Evey thanks V. He takes her to a room with Valerie’s movie posters and says that what Evey read was the same thing that transformed him five years earlier when Valerie was held next to him in Room IV.

At the Kitty-Kat Keller, Rosemary cries as she prepares for the show. Her manager excuses her from the performance but ominously says he will stay with her. The illustrations show him laying a hand on her shoulder.

Back in the Shadow Gallery, V shows Evey the roses he cultivates, partially because Valerie’s letter said she hopes roses will grow again in the future. V reminds Evey of when she said she would not help V kill again, and then of her attempted murder of Alastair. He says that if Evey plucks a rose for Alistair and hands it to V, he will kill him. Evey says to let the flower grow. V says the finale is approaching and Evey will be needed at the very end.

Book 2 Analysis

These chapters are largely about the responsibility people have to maintain their liberty and hold their government accountable for its actions—including the tools women have to navigate the stratified, patriarchal systems that oppress and subjugate them.

Book 2 opens with a Prelude in the form of a song sung by V, entitled “The Vicious Cabaret.” The song depicts the citizens of London as players in a performance dictated by the state. V sings, “They give you masks and costumes and an outline of the story…then leave you all to improvise their vicious cabaret” (89). While the government sets the script and defines the characters, it is the people themselves who carry out the actual performance. By going along with this script, the performers—the citizens of the country—are responsible for the continuation of the “vicious cabaret,” or the fascist rule of Norsefire.

This anticipates the statement V makes to the country when he broadcasts his message. V tells the citizens he is unhappy with their “performance.” He says that it’s “no good blaming the drop in work standards upon bad management” (116), while illustrations of Hitler, Mussolini, and Stalin show in the background. They cannot blame the perseverance of the oppressive state entirely on the men in power but must take some responsibility themselves. An illustration shows a family of three staring at their television screen as V asks, “Who elected them?” (116) Mussolini and his National Fascist Party, for instance, were elected into power—albeit through voter suppression, intimidation, and other Interconnected Tools of Fascism.

In his broadcast, V introduces the country to one of the key tenets of anarchy: self-governance. Rather than “accept[ing] without question their senseless orders” (117), V encourages the people to demand a social system in which they have equal governing power. He gives them two years to begin doing this before they are “fired.” At this point, “fired” is ambiguous, though as V proves when he kidnaps Evey and stages her torture and imprisonment, he is willing to do horrible things to “free” people.

After her imprisonment, Evey is emaciated and emotionally distraught; the illustrations show her cowering from V, running from him, screaming, and curling up on the floor. V says he tortured Evey out of love, to show her the bars of the prison he believes she was caught in. His torture and imprisonment of Evey are like what he underwent at Larkhill, and the reader is forced to consider whether V is any better than the people he is enacting his vendetta against. His actions are also reminiscent of reeducation, a popular control tactic used to align people’s actions and ideologies with a governing body or person in power, often involuntarily.

Before V captures her, Evey finds shelter with Gordon and starts a sexual relationship with him. Though she seems to like Gordon, Evey is mostly driven by a desire to not be alone. The presence of a man provides a measure of safety that a lone woman cannot have; the last time Evey was alone before Gordon’s death, she was almost raped by Fingermen. After Gordon dies, Evey has flashbacks to all the people who have left her alone and therefore powerless: her mother, her father, V, and now Gordon.

This sense of aloneness plagues Rosemary as well. After Almond dies, she realizes that a woman alone in the world has no power. Speaking to Almond’s memory, she says, “You were my lifeline. I was stuck at home. You connected me to the outside world” (104). Because of the patriarchal tools of fascism, Rosemary doesn’t have the job experience or connections to provide for herself. This is not Rosemary’s fault; rather, it’s a calculated social structure meant to domesticate and disempower women. Rosemary attaches herself to Dascombe because she “can’t face going into the dark. Not on [her] own” (106). After Dascombe’s death, Rosemary joins the Kitty-Kat Keller (which, not coincidentally, can be abbreviated KKK), a cabaret visited by Norsefire government officials. Rosemary becomes a physical manifestation of the cabaret V sings about in the Prelude. As such, her state is representative of that of the entire country.

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