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40 pages 1 hour read

GB Tran

Vietnamerica: A Family's Journey

Nonfiction | Graphic Memoir | Adult | Published in 2011

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Chapters 7-9Chapter Summaries & Analyses

Chapter 7 Summary

The narrative returns to the family’s time living in Arizona and focuses on the tensions in Dzung Chung and Tri Huu’s relationship after 20 years of marriage, as the opening panels depict the two arguing with each other. Dzung Chung often threatens divorce and complains of Tri Huu’s selfishness.

In the days leading up to Tet, or Vietnamese New Year, Dzung Chung follows the tradition of cleaning the home and clearing out old and unfinished items. She sorts through Tri Huu’s belongings, wishing he’d throw away the clutter of blank canvases, comic books, and an old coat she finds in storage boxes. She laments that a collage photo frame that has hung in their home for 15 years still has only one photograph in it.

GB shows more curiosity rummaging through his father’s boxes. He finds a military canteen that belonged to his grandfather, Huu Nghiep. From an old photograph, he learns that Tri Huu befriended an American named Leonard, who helped the family flee Vietnam. GB laughs at another photograph, one showing his brother, Manny, kneeling in a corner as punishment—but Dzung Chung tells him that Tri Huu often hit Manny and suggests that she too was struck by her husband. Dzung Chung tells him that Do, his father’s friend, who remained behind in Vietnam, spent years toiling in a labor camp.

Mother and son finish packing Tri Huu’s various belongings into boxes, and GB asks why his mother doesn’t have any souvenirs and old photos of her own. Dzung Chung tells him that his father knew they were leaving Vietnam, so he had time to pack, whereas she was told nothing.

Chapter 8 Summary

Dzung Chung begins the next section by describing the events of 1974, when she and Tri Huu lived in Vung Tau. Dzung Chung worked at a bank, and Tri Huu continued teaching. To convince Dzung Chung’s mother, Thi Mot, to approve of their marriage, Do disguised himself as Tri Huu’s brother and informed her that Tri Huu’s parents approved of the union. That year, Dzung Chung gave birth to Vy, but her stepfather became gravely ill.

Meanwhile, Dzung Chung’s younger brother, Vinh, was drafted in the war and wrote home to his sister. Excerpts from his letters show that Vinh felt distant from the war. In his spare time, he taught poor children in Ca Mau, and he felt that the people in these villages had no interest in the political ideologies circumscribing the war. He described the sentiment that most people simply wanted to live together rather than engage in a civil war. During his service, he was injured in combat and hospitalized.

Do and Dzung Chung shared their feelings about the war from the perspective of each side. Dzung Chung believed that young men like Vinh who were drafted in the South had no interest in dying for a cause they didn’t believe in or for a corrupt government. Do contended that the North would win because their fighters held a stronger belief in their nationalist and anti-imperialist goals.

Chapter 9 Summary

This section takes place in 1994, 20 years after the Tran family left Vietnam. Tri Huu and Dzung Chung depart for their first trip back to their homeland. Dzung Chung asks GB to join them, but he has no interest, and Tri Huu tells him he doesn’t have to go if he doesn’t want to.

GB notes that after the country’s victory and reunification in 1975, the colonial and imperialist authorities were replaced by an equally corrupt communist government. GB describes his grandfather, Huu Nghiep, as an exceptional citizen who deeply believed in the nationalist cause when he joined the Viet Minh. Leaving his wife and children behind, Huu Nghiep devoted his life serving as an operative to fight against the Japanese and then French occupation. He then served the Viet Minh as a chief doctor, training others to treat the wounded. The narrative transitions to Huu Nghiep narrating his own story to his son, Tri Huu, during his 1994 visit. Tri Huu hadn’t seen his father since 1946, the year Huu Nghiep left his family permanently.

Huu Nghiep explains that after the North’s victory, he searched for his wife, Le Nhi, and his family. He traveled to My Tho, Saigon, and Vung Tau only to learn that they fled the country shortly before the war’s end. Huu Nghiep was astonished that they’d leave when he could now provide them with everything they needed. Do gave him Tri Huu’s address in America, while Huu Nghiep searched their abandoned home in Vung Tau for any belongings.

Huu Nghiep, now an elderly man who walked with a cane, retrieved some souvenirs to give to his visiting son. He handed Tri Huu the canteen he used in the jungle and a coat that he found in his son’s home in Vung Tau. (The coat is the item that years later Dzung Chung gives away during her Tet holiday cleaning.) In addition, Huu Nghiep recovered one of Tri Huu’s paintings and couldn’t bring himself to part with it.

At the end of their trip, Dzung Chung and Tri Huu visited Vung Tau. In a scene similar to GB’s culture shock during his visit to Vietnam, the parents were disoriented and overwhelmed by how much Vietnam has changed. When they return to Arizona, Dzung Chung encouraged GB to travel with them on their next visit. GB showed little interest, and when Dzung Chung asked Tri Huu to support her, he agreed and told GB that he should go and might learn something. For GB’s graduation gift, his father gave him a book on the Vietnam War. GB tossed the book in a box of clutter but hinted that he’d learn something about his family and heritage when he was older.

Chapters 7-9 Analysis

In these sections, the numerous boxes symbolize the theme Memory, Truth, and Reimagining the Past. Tri Huu stores souvenirs from his father and his youth as a form of holding onto his past, yet the fact that the objects remain buried among a heap of other storage boxes suggests that he has repressed many aspects of his upbringing. The unused canvases are a painful reminder of his dream of becoming an artist that he never realized. GB discovers photos of Leonard but comments that his father never mentioned him. For Tri Huu, getting rid of any of his belongings is difficult considering his refugee experience of having to leave everything behind in Vietnam. The few items from Vietnam that remain in his possession and his continued practice of not throwing anything away indicate how the objects help preserve memory and instill a sense of security and stability.

In contrast to her husband’s hoarding is Dzung Chung’s desire to clean out unused and unfinished items. Dzung Chung contends, “If you’re not going to use it, get rid of it” (141). Although her perspective appears pragmatic and, in some ways, insensitive to her husband’s need to hold onto his past, GB reveals that Dzung Chung’s motivation for throwing out her husband’s belongings is rooted in her exclusion from the practice of collecting. Dzung Chung, fed up with her husband’s selfishness, admits that she has no souvenirs of her own simply because Tri Huu never gave her the knowledge and opportunity to prepare and pack her own belongings. Although she’s bereft of this meaningful practice of memory preservation, Dzung Chung nonetheless keeps her memories alive through storytelling.

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