62 pages • 2 hours read
Ben JonsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Volpone returns to his house glad the scheme is over. He felt cramped in his public sickly disguise and prefers playing tricks in the comfort of his home. He fears that his fake ailments may become real, and to wash away his anxiety, he drinks wine.
Mosca arrives and celebrates their success. Volpone praises the result, but Mosca doesn’t think he is sufficiently impressed with their “masterpiece” (5.2.13). Volpone doesn’t understand how it can be that the suitors still don’t suspect a thing, but Mosca knows the promise of gold blinds them. Volpone admits he was nervous, but he still enjoyed the trick. Mosca praises Voltore and asks Volpone to pay the lawyer for his role in their success. Volpone agrees Voltore spoke well, but he won’t pay him just yet.
Instead, Volpone plans a new scheme. He tells his fools to spread the rumor of their master’s death. Volpone plans to write a will naming Mosca the sole heir to shock his suitors. When the suitors come to seek their inheritance, they will instead see Mosca dressed up and inventorying his new estate. Volpone, meanwhile, will hide behind a curtain so he can watch the trick play out. Mosca and Volpone imagine the suitors’ upset, but a knock interrupts them.
Voltore, Corbaccio, Corvino, and Lady Would-Be all swiftly arrive at Volpone’s house to claim their inheritance, but they see Mosca taking an inventory of the estate. Mosca ignores their questions, but eventually points out the fake will to the visitors. Volpone secretly delights in their disbelief when they see Mosca named the heir.
The visitors pester Mosca with questions until he angrily addresses each of them. Mosca mocks Lady Would-Be and reveals she promised him sexual favors in exchange for being put in the will. He tells the lady to remember her husband, and she leaves. Mosca addresses Corvino next, reminding the merchant that he was willing to force his wife to sleep with another man. Corvino’s gifts aren’t enough to hide his vices, and Mosca tells him to leave. Corbaccio belatedly understands that Mosca deceived him. Mosca derides the greedy old man who, at his supposedly wise age, committed unforgiveable acts with the hope of getting richer. Mosca threatens to expose everything if the man doesn’t leave immediately.
Voltore, the last visitor remaining, thinks Mosca has done all this for him. Mosca apologizes to Voltore, thanking him for his work in the court. Mosca insists that despite not getting the fortune, Voltore will have a lucrative career as a lawyer. With all the visitors gone, Volpone comes out of hiding and embraces Mosca. Not satisfied, Volpone decides to disguise himself again and torment the duped heirs further. Mosca plans to steal a court officer’s clothes for his master’s disguise.
Peregrine, in disguise, lingers outside Sir Politic’s house with two hired men to play a trick on Sir Politic. Sir Politic refuses the visitor because he is busy with matters of state. Peregrine insists, and Sir Politic eventually greets the disguised man. Peregrine lies that a man Sir Politic met with earlier in the day was a spy and has betrayed Sir Politic to the Venetian Senate. Peregrine’s hired men knock on the door pretending to be officers, and Sir Politic frantically finds a hiding spot. He climbs into a large shell and pretends to be a tortoise. He instructs Peregrine to have his business notes burned.
The men enter, and Peregrine draws their attention to the tortoise shell. They prod the shell, thinking the animal is real. Sir Politic creeps across the floor to keep up the illusion. The men uncover Sir Politic and laugh at him. Peregrine takes off his disguise and gleefully exclaims that he and the knight are even. Sir Politic laments his ruined reputation. Lady Would-Be arrives, and Sir Politic agrees to her plan to leave Venice.
Mosca and Volpone put on their new disguises. Volpone dresses as a commendatore (a court official) and Mosca dresses as a gentleman. Before leaving to seek news at the court, Volpone expresses his wish that Mosca had been born an aristocrat. Alone in the house, Mosca hatches a new plan to deceive Volpone. Since the suitors think Volpone died and Mosca is his heir, Mosca will force Volpone to continue faking his death until he gives Mosca a cut of the fortune. Before he leaves, Mosca frees the fools and takes the house keys.
Out on the street, Corvino and Corbaccio discuss the recent developments. Volpone approaches in disguise, congratulating Corbaccio on his new fortune. Corbaccio yells at the man for insulting him. Volpone turns to Corvino and determines that he must be the heir, proclaiming that the new riches will help comfort Corvino through Celia’s infidelity. Corvino curses the man, and he and Corbaccio walk away. Volpone spots Voltore, his next target.
Voltore walks down the street, angry at Mosca for deceiving him. The disguised Volpone greets Voltore and celebrates the educated gentleman for acquiring Volpone’s fortune. Volpone asks if he can have a house, since Voltore now has so many through his inheritance. Voltore walks away from the man and his mockeries. Volpone decides to taunt Corvino and Corbaccio again.
Corvino and Corbaccio see Mosca walking around dressed like an aristocrat. Volpone continues to pester the men. He asks if the rumor about Mosca’s inheritance is true. He can’t believe someone as wise as Corbaccio and as worldly as Corvino was tricked by a lowly parasite. Corvino threatens to become violent with the troublesome official, and Volpone tries to evade him. Mosca walks near, and Volpone asks for help. Corvino and Corbaccio don’t want to be near Mosca, so they leave. Volpone points Mosca toward Voltore.
Voltore greets Mosca with distaste. Mosca tells him to not speak so unbecomingly and leaves. Voltore groans when he recognizes the annoying official. Volpone teases Voltore again, saying he doesn’t believe a knowledgeable lawyer like him could be tricked by the uneducated Mosca. Volpone compliments the man’s education and good fortune as they walk toward the court.
The Avvocati and other officials enter the court with Bonario, Celia, Corvino, and Corbaccio. Volpone, still disguised, arrives with Voltore for the sentencing. Voltore, struck with a guilty conscience, confesses to his involvement in the scheme. Corvino, Corbaccio, and Volpone all silently panic. Voltore reveals that Mosca was behind the scheme, saying that he has papers to prove it.
The court sends an officer—actually Volpone—to fetch Mosca. Corvino and Corbaccio stick to their original story, and they accuse Voltore of being possessed. They believe Voltore’s jealousy of Mosca is the real cause of his changed behavior. The Avvocati wonder at the continued confusion of the case. All agree Volpone must be innocent, since they believe he died from his ailments.
Away from the court, Volpone laments Voltore’s confession and his own precarious position. He curses himself for continuing the plot when he was already a free man and for provoking Voltore’s guilty conscience. Volpone hopes he can find Mosca so they can fix the problem. Volpone sees his fools out in the streets, and they say Mosca let them out of the house. Volpone worries about Mosca’s loyalty, and he sends the fools to find him. He devises a plan to get Voltore to retract his confession.
In the court, the Avvocati discuss Voltore’s notes, which claim Bonario, Celia, and Volpone are innocent of Mosca’s schemes. Still acting as an officer, Volpone secretly reveals to Voltore that Volpone is still alive, that the plot was made up to test him, and that Voltore is still the heir. Volpone suggests he should act possessed and retract his statement. Voltore abruptly falls to the ground and flounders around while the imaginary devil leaves his body. Arising from his stupor, Voltore declares that the notes are false and that Volpone is alive.
Mosca arrives, lamenting for his dead master. Volpone quietly tells Mosca about the change in plan, but Mosca won’t play along unless Volpone gives him half of his fortune. Volpone refuses, and the two men tell their competing stories about Volpone’s status to the Avvocati—with Volpone still pretending to be a commendatore and speaking about himself in the third person. Believing him to be the commendatore, the Avvocati order Volpone to be quiet, and when he does not, they have him arrested for insubordination.
Realizing that his punishment for telling the truth will be no worse than his punishment for insubordination, Volpone takes off his disguise. Volpone confirms that he, Mosca, and the suitors are guilty. The Avvocati release Bonario and Celia, and they deliver their sentences on the men. Mosca, for his primary role in the plots, receives life imprisonment. Volpone, since he is a gentleman, has his fortune stripped away, and he will be chained in prison. Voltore will be exiled and debarred. Corbaccio will be sent to a monastery to die, and Bonario will receive his inheritance. Corvino will be publicly shamed, and Celia will live with her father. The Avvocati declare the criminals an example of how vice should be punished. After all characters exit, Volpone re-enters the stage to ask the audience to applaud the performance.
Jonson resolves the play’s subplot in Act V, Scene 4, using physical comedy to mock Sir Politic a final time. Sir Politic tries to evade arrest, but he further reveals his ridiculousness through his choice of disguise: “With this cap, / And my black gloves, I’ll lie, sir, like a tortoise, / Till they are gone” (5.4.57-59). The clumsiness of this disguise contrasts with the skillful deceptions practiced by Mosca and Volpone. Sir Politic devised the disguise in case of emergency, and—like with his ludicrous business plans—remains blissfully unaware of how ridiculous he appears to others. The physical farce of Sir Politic creeping around the floor amplifies the absurdity of the scenario. Sir Politic’s choice of a tortoise for his costume also connects to the motif of Animals and Fables. The symbolism associated with turtles in literature illuminates Sir Politic’s character. In popular fables, like the Tortoise and the Hare, tortoises symbolize steadfastness and wisdom. Sir Politic’s tortoise costume highlights the first of these characteristics: He is steadfast in his self-importance, so much so that he cannot see his own foolishness. The humorous costume ironically emphasizes how Sir Politic lacks the wisdom of a tortoise.
Volpone’s anxieties grow in the final act, culminating in his shedding his disguise in exasperation. In Act V, Scene 1, Volpone verbalizes these fears when he says, “I ne’er was in dislike with my disguise / Till this fled moment; here ’twas good, in private, / But in your public, cave, whist I breathe” (5.1.2-4). His soliloquy demonstrates Jonson’s use of disguise as a motif to reveal the truth about a character. Although Volpone portrays himself with bravado and youthful exuberance, he is actually an old man who may become ill sooner than he wants to believe. To ignore these anxieties, Volpone puts on yet another disguise which aligns more closely with his self-perception: that of a commendatore of the court. This disguise expresses Volpone’s belief that his scam with the suitors is a kind of judgment against them for their greed.
In this final act, Jonson explores how Volpone’s all-consuming greed becomes the reason for his downfall, developing the theme The Corrupting Power of Greed. Volpone is not satisfied with what Mosca considers their magnum opus. Mosca notices his master’s itch for more when he asks, “You are not taken with it enough, methinks?” (5.2.9). Volpone’s lackadaisical reaction to their success isn’t as enthusiastic as it was with Mosca’s other, smaller successes. Rather than quit while they’re ahead, Volpone’s insatiable greed for amusement leads him to escalate his participation in the con. He is first satisfied with the “rare meal of laughter” (5.2.87) that watching the suitors’ disappointment gives him, but he craves even more. Volpone wants to talk to the suitors himself and “vex ’em still at every turn” (5.3.112). When the plot unravels and the truth comes out, Volpone identifies this doomed quest for amusement as the reason for his downfall: “What a vile wretch was I, that could not bear / My fortune soberly?” (5.11.15-16). Though he has sought to use other people’s greed against them, he has finally been brought down by his own greed.
Mosca’s betrayal of Volpone in the final act exposes how his own greed grew over the course of the play. Mosca previously expressed his sense of superiority over others in Act III, Scene 1 after successfully tricking Corvino into offering Celia to Volpone. With the further success of the courtroom scam, his inflated sense of worth begins to conflict with his subservience to Volpone. Volpone fans Mosca’s ego when he tells Mosca he looks so natural dressed up as a gentleman that it is “Pity thou wert not born one” (5.5.4). Mosca’s desire to make this status a reality, strengthened by his belief in his immunity, leads him to blackmail his master. Mosca’s request for half of Volpone’s fortune creates an irreparable rift in the pair’s relationship, and Volpone chooses to reveal their trickery rather than give in to Mosca’s treacherous demands.
The play’s main conflict resolves in the final scene when the Avvocati deliver their punishments to Volpone, Mosca, and the suitors. The play offers up the scheming, immoral men as an example of how sin should be punished, adhering to the Epistle’s argument that a play should not only represent the sins of the time, but must also instruct against them. All the players in the main scheme receive official judicial sentences, from economic penalties to corporal punishments. Comparatively, the Would-Bes—relegated to the minor plot—receive social punishments. Although Jonson mocked the Would-Bes for their ridiculousness, this quality is not a crime, so their humiliation suffices. These disparate resolutions illuminate the two possible kinds of justice developed within the theme of Seeking Justice in a Corrupt Society: social justice and criminal justice.
By Ben Jonson