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Bessie HeadA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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As When Rain Clouds Gather opens, a young man sits in a hut and waits for dark to fall. This young man, Makhaya Maseko, a South African, intends to cross the border from his home country into Botswana. An old man who has been assisting Makhaya on his journey checks in at the hut, and Makhaya explains to his visitor that he has just finished a jail sentence and wants live in freedom: as a black man in apartheid-era South Africa, Makhaya is treated as inferior by national law.
Makhaya sets out once it is night, evading patrol vans and jumping over the barbed wire border fences. He is dazed by the new, dark landscape and by the sound of bells, though eventually he finds a possible place of refuge, a few huts that are inhabited by an old woman and a young girl. The old woman is suspicious but lets Makhaya spend the night in a hut (for a fee); she also explains to Makhaya that the bells he has been hearing are cowbells. After Makhaya settles in for the night, the young girl comes to him and offers him sexual intercourse (again, for a fee). Makhaya pays her to go away, then reflects in disgust on the people he has just encountered.
In the morning, Makhaya sets out and finds himself in a vast landscape defined by sand, small shrubs, and the constant activity of birds. He catches a ride with a truck driver; this man makes his journey easier but is also a burden because he asks Makhaya prying questions, to which Makhaya responds with one lie after another. Finally, the truck driver drops Makhaya off in a village near a railway station. Makhaya goes to register with the authorities, and is surprised to discover that they are well aware of his arrival; press reports that Makhaya is a dangerous saboteur and is on the run have been circulating. Fortunately for Makhaya, the official who interrogates him is not hostile and allows him to go on his way after dealing with a few forms.
Makhaya then encounters a poor yet good-natured old man, who learns that Makhaya is newly arrived in Botswana and discerns that Makhaya is well educated. This old man, Dinorego, invites Makhaya back to his home village. Apparently, much is happening in Dinoergo’s area, and a man of Makhaya’s youth and talents proves a useful influence.
This chapter open with an overview of life in Dinorego’s village, Golema Mmidi, which is populated by roughly four hundred people and has an economy based on cattle ranching and subsistence agriculture. This rather small village is overseen by Chief Matenge, the younger brother of the chief who rules the entire region, Paramount Chief Sekoto. Although these two brothers are often at odds, the easygoing and canny Sekoto often gets the upper hand over the pretentious, quarrelsome Matenge. In fact, he sent Matenge to Golema Mmidi, a minor village, as a form of punishment, and has recently made his brother’s life even harder by sending a young British reformer, Gilbert Balfour, to transform Golema Mmidi’s agriculture.
Dinorego explains all this to Makhaya as they make their way to Dinorego’s residence. The old man is convinced that the people of Botswana want to make practical improvements in their lives, but sees leaders such as Matenge, who is constantly at odds with Gilbert, as obstacles to improvement. Gilbert, for his part, has proven to be a man of remarkable tolerance and vigor; he has even won over the older residents with new methods for organizing the cattle industry and raising chickens. Makhaya feels optimistic about his newly adopted country.
After he arrives at Dinorego’s quarters, Makhaya meets Dinorego’s daughter Maria, an intense and active young woman who has befriended Gilbert. Soon, Gilbert himself appears; he is a gigantic, good natured man who takes to Makhaya (or “Mack,” as he calls him) in short order. Gilbert and Makhaya eat together, and Gilbert explains that Botswana is ripe with potential for development and that he, too, is running away from his country of origin—in this case, from a suffocating life in England. He has been in the country for three years, has struck up a quiet romance with Maria, and has lived through drought conditions that he feels could lead to a crisis. Gilbert asks for Makhaya’s help in his work improving the country; Makhaya readily offers his aid.
Having found a willing collaborator in Makhaya, Gilbert is eager to begin sharing his extensive knowledge of Botswana’s topography and plant life. One of Gilbert’s major initiatives involves fencing off orderly plots to keep the cattle from over-grazing and thus depleting the land. This innovation was something of a break with tribal customs but deeply impressed the older men, including Dinorego, who saw the good results of Gilbert’s land management. Yet the opposition of Matenge has been a considerable source of strain, even for the vigorous young man. Gilbert has also tried to publicize some of his discoveries (such as the revelation that Botswana is well-suited to growing millet as a cash crop) but has been frustrated by the indifference of the country’s colonial authorities.
In order to speed his projects along, Gilbert has decided to instruct the women of the village in better agricultural practices, since the men are often away tending cattle. Matenge, in the meantime, has been losing sleep over Gilbert’s apparent successes. Unlike his canny and adaptable brother Sekoto, Matenge is committed to the old ways and the old privileges of a tribal society and sees Gilbert as a supreme threat to his authority. The subordinate chief has also made an unsavory ally, a political agitator named Joas Tsepe. It is Tsepe who alerts Matenge to Makhaya’s arrival, an event that Tsepe thinks may be Gilbert’s undoing. Gilbert, after all, is now guilty of harboring a political refuge, a step that typically earns the disapproval of Botswana’s new government. Equipped with this news, Matenge sets off to see his brother.
In Makhaya, we see a viewpoint informed by misanthropy and disgust. Of course, Makhaya’s negative view of the society around him is justifiable: he is fleeing a country where—despite his poise, ambition, and education—he is treated as an inferior citizen in almost all circumstances. He also has the bad luck to flee from the worst of white society directly into an unsavory representative of native Africa, the old woman with the little girl. Makhaya judges that this “loathsome woman” represents evils “created by poverty and oppression” (10), an indication of how multifaceted evil can be in Head’s worldview. Not confined to one skin color or one economic status, it may manifest itself in any segment of society.
Whether Makhaya can reestablish trust in society and find a place in a community will be one of the novel’s central questions, and these early chapters provide at least a few indications of things to come. Dinorego almost immediately tells Makhaya that he will “take you as my own son” (21) just as he has taken Gilbert as his son. Gilbert himself quickly bonds with Makhaya, musing that Makhaya’s greeting to him is “the first real hand-clasp he had experienced in the loneliness in which he found himself in tribal Africa” (24). The pace at which the fellowship among these men establishes itself may seem remarkable, yet embattled men, such as Gilbert and Makhaya, have seen so much of what is wrong with human nature that they have developed instincts for recognizing human nature at its best.
Some of Makhaya’s earliest moments of acceptance in Botswana have been facilitated by white men (such as the immigration authorities and Gilbert himself) and by men who lack his education, such as Dinorego. In Makhaya’s case, the meeting of opposites can be an uplifting process, though the same cannot be said for all of Head’s characters. Matenge, of course, finds an ally in Joas Tsepe, a man of the lower classes whose principles are different from the chief’s yet, in their own way, profoundly destructive. While Matenge represents a rigid old order that prioritizes empty privileges over the welfare of the people, Tsepe is from a group of men who “if they have any power at all it is the power to plunge the African continent into an era of chaos and bloody murder” (41). Even the mostly-welcoming community of Golema Mmidi is a case study in one of the central facts of Makhaya’s life: the multifaceted nature of human vice.
By Bessie Head