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Sacha LambA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
At dinner, the Shulmans speak of the strike plans, which began because Mr. Boaz would not give Mrs. Shulman time to recover from tailor’s lung. Without rest, she soon died, and the family was given no time off to grieve. The discontent is widespread in the community, especially because everyone knows that Mr. Boaz gambles away their earnings. Hearing this, Uriel redefines their mission and becomes determined to get Mr. Boaz to change his ways. Uriel and Little Ash ask after Essie, and Malke explains that Essie works as Mr. Boaz’s accountant and lives at his home. The family suggests that she might be found at a nearby revolutionary café.
The next day, Little Ash and Uriel go to the local synagogue, which resembles their own synagogue in Shtetl. Uriel tells Little Ash that after spending time with the rebbe, it can now see people’s sins. Little Ash worries about this budding ability, which is natural in demons but not in angels. Rose meets them at the Café Krakow, and they discover that Essie no longer frequents this particular café. The trio decides to find Mr. Boaz’s house.
At the end of the workday on Saturday, the three friends wait outside the factory and follow Mr. Boaz as he walks to a dance hall. They are each struck by the glamour of the dance hall compared to their own homes. On their way in, Little Ash notices a dybbuk attached to Mr. Boaz, but they lose track of Mr. Boaz once they enter the hall. As they look around, Uriel realizes that it wants to dance with Little Ash. When it asks, Little Ash hesitates, understanding that the sight of two boys dancing together may garner an unwanted reaction. Little Ash breaks away when he overhears a gentile (non-Jewish) man requesting to go into the back to meet with Mr. Boaz.
Little Ash goes around the building and climbs the fire escape to eavesdrop. Mr. Boaz owes the visiting man, Mr. Sullivan, a great deal of money and must pay it back by the end of the week. Mr. Boaz is struggling to raise the money because of the impending strike. With his demon eyes, Little Ash can see that Mr. Sullivan is a very violent man. Mr. Boaz suggests that if Mr. Sullivan kills Malke’s husband, Isaak (the leader of the strike), the strike will end and the money will flow. At this, Little Ash slips and makes enough noise to alert the men to his presence. He flees.
Uriel and Rose hear the commotion and go outside, only to be ushered back in by Little Ash. They hide, dancing in the crowd. When Mr. Boaz leaves, they follow him to his home. Little Ash asks Uriel to bury its papers and forget the name of Uriel, worried about the growing changes to his friend. Uriel refuses, wanting to keep the name and the free will that comes with it.
The next morning, the trio goes to the Café Krakow to plan. They read different newspapers and learn that Mr. Boaz is throwing a banquet for his daughter’s upcoming birthday. The party will admit some girls through the Women’s Council House. They plan to get Rose on the list so that she can infiltrate Mr. Boaz’s house and find Essie. Uriel struggles to summon holy books, realizing that it has lost more of its angelic powers. However, Uriel insists that it still wants to keep its name. Rose writes a letter home and realizes that she is no longer angry at Dinah, for she is now happy with her life in America.
The three friends attend a strike meeting and listen to Isaak and a young woman speak of the horrific working conditions in the factory and the pain that Mr. Boaz causes in their community. Both Rose and Uriel are moved by the speeches, though Little Ash is less so; he is tense as he surveys the room, watching for any threats to Isaak. Meanwhile, Uriel gains a greater sense of what it means to be human and realizes many things that it never noticed before. Before it took on the name of Uriel, its angelic nature compelled it to refrain from taking action because angels are meant to be above human affairs.
Later that night, Little Ash sneaks out of the apartment to search for the account books in the factory. Uriel follows and surprises him. Little Ash, hesitant to put the angel in danger, nonetheless allows it to follow because he is comforted by its presence. In the factory, as they search, Little Ash asks why Uriel wants to give up its powers. Uriel tells Little Ash that it is chasing freedom and identity. Little Ash reminds Uriel of its lament at not having much power, but Uriel reminds him that he is the entire reason for this adventure in America. They find no evidence of the account books. As they leave the factory, people from the street spot them.
A bullet almost hits Uriel, and Little Ash pulls the angel back into the building. They realize that Sullivan and his men have spotted them. The men chase Uriel and Little Ash into the building. The angel and the demon head to the roof. They realize that they must jump to the next building, and Little Ash tells Uriel to trust him. They make the jump successfully and go down through the building to hide in a nearby park.
The strike begins. With the community’s attention focused on the strike, Rose, Little Ash, and Uriel go to the Boaz house, hoping to see Essie. Uriel and Rose dress and act like a couple, and Rose thinks of how nice it would be to act this way with Dinah. Little Ash dresses as a peddler and brings a case full of fabrics from Malke’s apartment. When he gets to the Boaz house, he notices the dybbuk’s trail on everything. By acting the part of the peddler, he is invited into the servant’s quarters, where everyone wants to hear the gossip about the strike. Little Ash sees Essie working on the factory ledgers and is encouraged when she looks up at him.
Rose and Uriel wait outside the house, worrying. Finally, Little Ash returns, declaring that the dybbuk is all over the family and Essie. He wipes the dybbuk’s energy off himself and goes to bury the rag. Suddenly, Essie appears, asking if Malke sent them. She wants them to tell the strikers to persist because Mr. Boaz has no money and will soon acquiesce to their demands. After proving that they are from Shtetl, Little Ash tells Essie of the dybbuk and gives her a ribbon for protection. Essie tells them that the dybbuk must be Mrs. Shulman, Isaak’s deceased mother. They plan for Essie to escape with Rose and the ledgers during the party tomorrow night. Back at the apartment, Rose, Uriel, and Little Ash discover that the strike turned violent when Mr. Sullivan appeared. Isaak and his brothers are now in jail.
Uriel and Little Ash make their way to the Tomb, a prison with a reputation for having people disappear within its walls. They meet Mr. Shulman on the steps, and he tells them that Isaak is not there; Isaak has likely been taken by Mr. Sullivan. They send Mr. Shulman home and promise to find Isaak. Little Ash follows the trail of Sullivan’s sins into a gentile neighborhood and makes sure that he and Uriel hide their Jewish identities. He leads them to a bar named the Irons.
In the bar, Sullivan meditates on his next move, not believing that Mr. Boaz has no money. He plans to take the money and dump Isaak’s body at the party the following night. Uriel and Little Ash sneak into the back of the bar, and Little Ash notices that a dybbuk is nearby. He picks a lock, and they find Isaak beaten and bloody. When they go to help him, he jumps up, wary of Little Ash. When Uriel steps between them, Isaak punches Uriel in the face. They realize that Isaak is now possessed by the ghost of the rebbe, who has become a dybbuk.
The possessed Isaak storms out of the room and into the bar to attack Sullivan. Uriel stops him, but the rebbe laments that Uriel did not get him to Malke in time. The rebbe accuses Uriel of betraying him by waiting too long for Little Ash to emerge from the immigration center. Suddenly, Sullivan shoots at them, and mayhem breaks out in the bar. Isaak tries to get to Sullivan through the crowd, and Little Ash tells Uriel that they must leave because Isaak is too far gone to help. Uriel disagrees and causes a distraction by etching his name in alcohol on the bar, starting a fire. Uriel and Little Ash lose Isaak in the crowd but safely exit the building. Uriel laments its free will and feels guilty about the harm that the fire may cause. Uriel also blames Little Ash for repeatedly exposing them to danger.
With Rose, Uriel, and Little Ash all safely through Ellis Island, they must face The Challenges of Migration and Adaptation by contending with the differences between their new surroundings and the small, eastern European towns that they once called home. This process proves difficult and overwhelming in some ways but exciting in others, and their experiences in the dance hall aptly illustrate this dichotomy. As the narrative states:
The dance hall was, by the standards of New York City, not as rich or elegant a place as it appeared to one young woman and two magical creatures who had lived most of their lives in little towns. Belz and Shtetl lacked such things as electric lights and places that existed for dancing only (249).
Thus, the dance hall is a standard gathering place for seasoned New York residents, but to the eyes of these small-town characters, the dance hall is overwhelming on multiple levels. The dance hall has electricity, which does not exist in Shtetl, representing a technological gap, and the characters have never heard of a place designated solely for people to socialize; their disbelief draws attention to the major cultural differences that they have yet to become accustomed to.
Additionally, the trio’s time in the dance hall illustrates the pressures to assimilate into American society and culture, and the scene also highlights key differences between Little Ash and Uriel. As an angel from Shtetl, Uriel is unfamiliar with the setting of the dance hall because of its lights and social atmosphere, but the angel also becomes distracted by the nature of the people in attendance. Many of the people at the dance hall carry small sins with them, and their behavior differs greatly from that of the residents of Shtetl. By contrast, Little Ash’s demonic nature allows him to feel more comfortable around these people, and he understands them in a way that both Rose and Uriel cannot. Their various reactions highlight the theme of Friendships That Bridge Differences by showing how their respective angelic and demonic identities influence their perception of the people around them. Uriel is fascinated both by the dance hall and by the people in it, while Little Ash’s familiarity allows him to act as a guide for Uriel. Rather than putting them at odds with one another, the two characters’ differences allow them to trust and depend on each other to navigate unfamiliar situations.
While Uriel spends much of the novel crafting a new identity by exercising free will, other characters must also contend with existential questions about identity and desire. For example, Rose struggles with her unresolved romantic feelings toward Dinah even as she strives to come to terms with the fact that someone she holds so dear has chosen to take a different life path. For much of the novel, Rose imagines that she and Dinah were destined to be in America together, and yet she cannot fully understand why she becomes so enraged over Dinah’s decision to marry a boy from Shtetl. Rose’s feelings are a part of her discovery and exploration of her LGBTQIA+ identity, and this process manifests in her imaginings of being with Dinah in a romantic sense, even picturing herself in a quasi-domestic setting. As the narrative states,
She could imagine all too well strolling arm in arm with Dinah through the wealthy square, pointing out details of the expensive brick houses, and how Dinah would describe things like curtains and carpets that she’d have if she lived in such a place (293).
Though Rose does not initially understand what these feelings mean, she does understand her desire to be with Dinah, and the slow realization that she is romantically interested in women stands as a distinct example of The Shaping of Personal Identity. As Rose comes to realize her LGBTQIA+ identity, her feelings and daydreams about Rose evolve into blooming feelings toward Essie, eventually becoming a solid and openly acknowledged aspect of her identity.