63 pages • 2 hours read
Ariel Lawhon, Kristina McMorris, Susan MeissnerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In fictionalizing the experiences of real women, the novel depicts heroic acts not often central in public perceptions and historical representations of war. Eleanor’s perspective points out early in the novel that women are often the forgotten figures in military histories, even by other women, when it suddenly occurs to her that nurses like her were at Pearl Harbor during the attack: “She could have been one of them. How many had survived? How many of them were hurt? How many of them had to rush to ten to the terrible wounds of bombing victims? Where in the world had they found the strength to do it?” (23). Eleanor often worries about having the strength to carry out her duties as a nurse while their lives are in danger, and her unrelenting efforts represent many real-life stories that go untold. As the nurses assist with surgeries and tend to POWs, the women take leadership roles often reserved for men and defy the gender expectations of their time.
While Eleanor “loved being a nurse, had wanted to be one since her earliest childhood memories” (2), Penny and Lita’s perspectives subvert the stereotype of nurses and women as natural nurturers. Instead, these characters see nursing pragmatically, as a profession that will provide them with opportunities few other jobs could. Penny acknowledges her limited options: “Teaching. Secretarial work. Nursing. […] Nursing had seemed the most exciting, so she’d gone to college looking to become an RN, as opposed to an MRS like her high school friends” (31). In addition, Penny notes that she didn’t let meeting the man she would marry stop her on her way to a career; throughout the novel, male characters play supporting roles, appearing as patients, enemies, friends, and lovers. By placing men on the periphery, the novel centers and elevates women’s stories.
Male military leaders, when mentioned at all, appear in the context of how their decisions impact the women and are most often fodder for criticism. The novel meticulously depicts the effects of the Navy nurses being left behind “by the brass on both sides—Army and Navy—as though we had nothing of value to offer” (177), a strategy that resulted in Navy nurses being among the first POWs in the Philippines. This injustice is compounded at the end of the novel, when “by the time the Navy nurses landed, their rescue was old news. No families had been flown in for this reunion. No speeches were given” (387). The most explicit criticism of the manipulation of the women’s stories comes from Penny when she and the other Army nurses are being prepped and “spit polished” for their arrival in the US, and their many contributions are ignored:
They’ll present us to the world as vulnerable girls instead of capable women. They’ll say we’ve been rescued instead of acknowledging that we’ve been doing a damn fine job of rescuing ourselves over the last four years. […] Maybe we didn’t knock down those gates with a couple of Sherman tanks, but we sure as hell helped save a lot of people. That’s not the story they’re going to tell, though (350-51).
The novel attempts to correct that record by presenting these three courageous and dignified characters, who follow the examples of real-life nurses Maude Davison, Laura Cobb, and “Mama Josie” Nesbit. In becoming the heroes of their own stories, the women defy gender roles of the time and make their own decisions, refusing to wither under pressure or become vulnerable girls in need of rescue.
The notion of hope and the personal connections that sustain it are central throughout the novel. This begins with the bond the three protagonists share on their HAM Days, and though they’re repeatedly separated, they never lose faith that they’ll reunite. During the early years of the war, as they come to grips with their increasingly dire circumstances, small moments provide escape, remind them of the people they love, and recall the joy of better days. On a convoy through the jungle escaping attack, Helen Cassiani leads the nurses in song, reminding Lita of a childhood when “rarely had a day passed when their house wasn’t filled with music. Singing, after all, cost nothing. Same for their frequent laughter” (45). Though her childhood was poor, Lita recalls it with fondness because of the joy she took in her connection to family. Later during their imprisonment, short on supplies, food, and other material necessities, the characters’ hope and connections give them the will to keep going.
Often, hope juxtaposes the characters’ despair at their current circumstances; this despair is never greater than in 1945, the section of the novel that begins with an epigraph from Emily Dickinson’s poem “Hope is the thing with feathers.” As US forces come closer to liberating them, the conditions at the camps worsen in proportion. At a time when hope is most essential, it’s also most difficult to sustain: “Four hundred miles seemed an eternity away to Penny when a man was dead […] and a child was starving in her cot” (278). Like Penny, Eleanor struggles to maintain hope amid the starvation and death that result from Konishi’s cruelty, and only her connection to David gets her through. He reminds her, “[W]e have to keep getting up every day and hoping every day and waiting. Every day. We have to. This is how we will survive” (292). Though Eleanor can’t stop herself from looking at the ditch Konishi is digging, knowing it surely represents their death, David and his words symbolize the idea that hope allows people to maintain their humanity despite despair.
This theme most closely connects with the novel’s symbols and motifs, which represent the memories the characters hold dear and the promises they hope to keep. Penny’s necklace represents her connection to her father and to Newt. Similarly, Charley’s flag and the eight of hearts are constant reminders of her connection to him and symbolize the possibility that they’ll see each other again. Lita’s notes to Lon, including the one he leaves behind at the novel’s end, serve the similar purpose of reminding her to have courage and strength for others. For Eleanor, hope resides in her memories of home and the comfort of recalling her mother’s lefse, but it’s also symbolized by the people she most admires, like Laura Cobb, Dr. Nance, and David Mathis, who follow their consciences unquestioningly. The three women’s friendships with one another and the promises they make to Reyna, Lon, Charley, and David enable them to imagine a future beyond the war and the imprisonment they endure.
As a novel about war, When We Had Wings conveys key ideas about patriotism, duty, and loss often associated with loyalty, grief, and honor. These broader contexts are reflected in the main characters’ unflinching service to the soldiers in their care and in myriad secondary characters: Yamada’s conflicted loyalties and the humanity he shows Lita; Akibo’s coercion of Penny and abuses of power; Ida Hube’s allegiance to American POWs despite her German nationality; Konishi and Onozaki’s betrayals of the promises they make; and the guerillas, nuns, and priests whose courage forms the backdrop of events. Each represents a different interpretation of loyalty to country versus loyalty to personal values, what it means to have honor and also keep one’s humanity, and how the grim realities of war can corrupt these lofty ideals. However, the novel primarily explores the ways that personal grief can complicate loyalty and honor, as all three protagonists attempt to escape feelings of loss through their service. As they do so, each woman must determine what it means to have honor and identify where her loyalties lie.
For Lita and Penny, this theme develops through the belief that forging new loyalties is a betrayal of their grief. After her mother dies, leaving their argument over nursing unresolved, Lita feels obligated by the financial support her village provided as “a tribute to her mother” (163). She knows her mother would have wanted her to be a nurse in the US and feels compelled to live up to the examples her older sisters set. However, her experiences and connections create a tangle of other loyalties—to the life she envisions in the US with Lon, to Reyna’s definition of patriotism, and to the children she has come to love. Lita’s recognition that she’s capable of deciding her future for herself while still honoring her mother’s legacy lets her resolve these conflicts and move past her grief: “Pridefully it was her turn, together with the nuns and Reyna, to be like the village that had once aided her when she was in need” (375).
Grief initially makes Penny view loving Charley and Newt as a betrayal of the husband and daughter she lost. Even as she reconciles these feelings and contemplates a possible future, the potential for further loss tinges Penny’s most important relationships with fear, including her reluctant affection for Newt: “She listened to the faint whistle of a child’s snore and cursed herself for caring at all, for loving the girl, for putting herself in this position” (278). Despite her misgivings, Penny gradually recognizes that these relationships don’t betray or dishonor the memories of loved ones she lost but are a natural part of moving past her grief.
For Eleanor, the concepts of loyalty and honor are in many ways the source of her grief and suffering. Her sense of pride compels her to put an ocean between herself and John by joining the Navy, ironically depriving him of the chance to tell her how he really feels until she receives his letter at the end of the war. Additionally, her loyalty to Laura Cobb results in her mission to Los Baños, where she learns new lessons about honor but also experiences starvation and the devastation of David’s death, creating a grief that “tore through and out of her, from the deepest part of her soul” (357). While her loyalty to David’s memory allows her to keep going even though she knows death might come any moment, his loss stays with her for the rest of her life. By marrying John and naming their son David, Eleanor again shows her steadfast devotion to those she loves. Significantly, even as each woman mourns what she has lost, their journeys illustrate that true honor comes from loyalty to one’s values and that knowing one’s own heart is the only path forward through grief.
Throughout the novel, the characters’ lives are shaped by the extraordinary historical events of World War II, most of which are beyond their control. In the Epilogue, all three protagonists take comfort in the ordinariness of daily duties, viewing the war only in the abstract until the war zone comes to them. In hindsight, after her liberation, Penny reflects, “[I]t was remarkable, really, how easily things could be taken for granted, until they were gone” (376). Initially, the women focus on the parts of life recognizable to most people: guilt over an argument, an irritating superior, and the wish to forget their troubles by spending time with friends over a cocktail. The novel first brings this theme into focus by jarring them out of this mindset in the aftermath of the Pearl Harbor bombing, as the realization that nothing will be the same settles in: “They’d planned to get dressed up and go dancing. Try a new cocktail. Flirt with all the handsome soldiers. But now? God only knew where her friends were” (31). Rather than casting such impacts as entirely positive or negative, the novel shows that how people respond to such events is what matters.
Many of the novel’s settings develop this theme, as people’s responses to the fortresses and camps where they’re imprisoned represent the resilience of the human spirit. Malinta Tunnel symbolizes this idea: The characters are plunged into literal darkness in the maze-like interior, where “it was easy to take a wrong turn, to get lost, to end up in the armory or the men’s barracks. To take a left instead of a right and find herself in the middle of an officers’ meeting” (58). Despite the relative safety offered by the tunnel’s dark interior, the soldiers and nurses stationed there often visit the entrance to revel in the sunset for a few moments, finding ways to connect with beauty and peace despite their circumstances. Likewise, in the shadow economy that develops at Santo Tomas, the POWs form a community that lets them care for one another and even connect with the more mundane, human parts of existence. Eleanor proudly explains their creativity to Penny:
[W]e have dentists and doctors and dressmakers. Plumbers. Electricians. Cooks. Builders. There are teachers and musicians and welders, wrestlers and veterinarians. […] So everyone helps everyone else […]. You can take classes in Spanish and French and auto repair (150).
Though many of these hallmarks of ordinary life slip away as conditions worsen, Newt’s ebullience and the orphans’ love for Lita and Reyna demonstrate the resilience of children, who seem able to adapt their lives to any circumstance. As the characters control what they can to make life as ordinary as possible, they also must accept a level of powerlessness. Lita foreshadows this early on in the recognition that as “life had mercilessly taught her, there was no point in dwelling on things beyond her control” (5). Eleanor, too, emphasizes this concept when she repeats her father’s advice—“Don’t borrow trouble from tomorrow” (69)—as she reminds herself not to worry about the future. By taking control where they have the power to do so, the characters make the best of their circumstances while never giving up hope that tomorrow will be better. Holding onto the memories of ordinary life and “the tangible reality of those simple things” (230) sees the characters through their difficult circumstances and enables them to form new lives after the war. Though each acknowledges that they’ve seen the worst things humans can do to one another, they’re still able to see the best in the changes this extraordinary history has wrought.
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