62 pages • 2 hours read
Chandler BakerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sloane has two voicemails from Abigail’s principal: Abigail punched another student. Sloane worries that perhaps Abigail was the bully all along. Derek gets to the school at the same time as Sloane does and they hold hands.
They meet with Principal Clark, Abigail’s English teacher, the boy she hit, and the boy’s mom. Sloane recognizes the boy, Steve Lightner, as one of those who texted Abigail that she was not invited to the party. Sloane asks Abigail why she hit Steve. Abigail explains that he has been making fun of her underwear for days, nudging her so that he could see its color and telling all the other students about it. Abigail asked him to stop, but he didn’t. Then she told her English teacher, who just told her to ignore Steve. Today, Steve pulled Abigail’s underwear into a wedgie and she punched him. Sloane confronts the teacher, who says the school encourages students to work out interpersonal problems on their own. When Sloane calls the incident sexual harassment, the principal and teacher tell her she’s overreacting and ask Derek to chime in. Derek responds that his wife is handling it just fine. Sloane asks the principal what Abigail should have done; when he responds that “violence is never the answer” (398), Sloane asks why violence against girls is okay and tells Steve never to touch Abigail again.
The chapter ends with Katherine telling detectives that even if Ames asked to speak with her before he died, she could not find him. She tells them she’s not sure what he wanted to meet about. They ask if she is afraid of heights.
The first-person plural narrator declares that when one woman in any industry fails, it brings all the women in that industry down. Women’s mistakes are seen as gender-defining, as they often are for any marginalized group.
Ardie is eating takeout and watching TV, enjoying buying food while she can still afford it. The next day, she will likely owe Truviv over 1.6 million dollars. She will have to get a job at a law firm that she hates and sell her house, making Michael not want to spend as much time with her. Her phone rings, which always makes her nervous that something is wrong with Michael. It’s Rosalita, who is panicking about filling out her financial aid forms—they are late because she got the deadline wrong. Ardie asks for her address.
Ardie arrives at Rosalita’s apartment complex and puts her key between her fingers, an instinctive self-defense mechanism; all women have these ingrained fears. Rosalita’s apartment is small. Salomon tells Ardie that he got into the school and they share a sweet moment. Rosalita is too flustered to find the government papers that Ardie tells her needs. Ardie fills out the paperwork while Rosalita makes tea. One form asks for Salomon’s father’s name. Rosalita tells Ardie that he’s dead, but when Ardie says they should still put his name down, Rosalita evades the question. Ardie notices that Rosalita’s most recent pay stub is for half the normal amount and asks why, saying it’s not enough to live off. Rosalita tells Ardie that she has no sense of what is enough to live off because she is rich.
Using some Spanish, Ardie explains the lawsuit against Truviv and Ames to Rosalita. In turn, Rosalita reveals that she saw Ames and Katherine together in the office one night.
Ardie drives to the Truviv office late at night. She thinks about calling Sloane or Grace, but does not. There is an anticipatory feeling in the air. Back in law school, Ardie had dreamed of investigating white-collar crime, but got sidetracked by a different job that paid more.
She goes into the room with the personnel files and starts reading. She realizes she had not called Sloane or Grace because the story she is reading is not her story to share. Ardie thinks of her own story starting out at Truviv. One night many years earlier, she and Ames got drunk at a hotel bar together after closing a huge deal that they’d spent months on. While Ardie called her boyfriend, Ames bought another drink and then offered to walk her to her room.
The first-person plural narrator explains that women know that the problem has always been their womanhood, no matter how much they alter their mannerisms and interests, or stay silent on matters like harassment.
On May 3, as Sloane waits for Ardie to get to the meeting, she tries to imagine Cosette’s life. Cosette tells the room they can do housekeeping. She passes three settlement papers across the table. Truviv could have just let Sloane and her friends drop the lawsuit, but Truviv wanted to make an example of the women.
Ardie enters with Rosalita and Salomon. Cosette tells Rosalita that this is a private meeting and that she can clean later. Rosalita introduces herself to Cosette and says that Salomon will wait in the hallway; as Salomon leaves, he removes his hat, and everyone sees that he has the same silver streak as Ames. Rosalita explains that Ames assaulted her in this office eight years ago. Cosette argues that it could have been consensual, but Grace informs Cosette that Truviv paid Rosalita twice as much as the rest of the cleaning staff to keep it all under wraps. Rosalita decided to come forward now because her friends should not lose their jobs for simply telling the truth. Sloane gives the settlement papers back to Cosette. Cosette’s team reminds them that they are under confidentiality agreements and cannot speak about the company, but Rosalita counters that she is not.
When Rosalita found out she was pregnant after Ames raped her, she decided to keep the child to haunt him. Before he assaulted her, she felt like an invisible cleaning machine to all the men in the office; after, she wished to feel invisible once again. Before the rape, Ames often worked late and Rosalita enjoyed his quiet companionship. The night of the assault, Rosalita heard Ames’s boss yelling at Ames and felt bad for him. She suspects that Ames saw her pity and decided to exploit it, making “his humiliation hers instead” (431). While pregnant, she contacted a free lawyer and met with the CEO of Truviv, but the lawyer assured her that Ames’s word would be taken over hers. Now, Rosalita still needs money. She tried going to Bobbi, but Bobbi told her to leave and shut up. Rosalita refuses to.
This section addresses the theme of gender essentialism, as the novel repeats several times that being born female is a deficit in a patriarchal society, which treats women as a block defined by any mistake of a single one of its members: “Failure was a luxury we couldn’t afford, all chained together as we were […] when we failed it was because of our chromosomes, it wasn’t because of a market dip or an ineffective advertising campaign or plain back luck” (403). Although the novel’s mostly white women are able to access high-powered jobs that were previously only available to men, they still work under the male, essentialist assumption that women are inherently inferior. This explains the great pressure and guilt that the women feel throughout the book. This mindset is the opposite of how women think about men: While the men’s views of women are gender essentialist, the women’s hypothesis that there are no good men is based on social norms, rather than biology—in a misogynist, patriarchal society, men abuse power by default.
The novel contrasts the ways rape culture hides and excuses sexual predators at different stages of their lives. Although Abigail’s bullies sexually harass her, grabbing her underwear, her school refuses to punish anyone. The administration allows verbal assault to turn into physical aggression, dismissing the boys’ behavior and faulting Abigail for defending herself. This plot thread shows how the constant disbelieving of girls/women and reluctance to punish boys/men creates rape culture: Principal Clark’s treatment of Steve Lightner explains how boys become men like Ames. Truviv’s response to Rosalita’s rape is the logical conclusion of what happens to Abigail. Rather than punishing a rapist in his employ, Truviv’s CEO hushes up the sexual predation, pays Rosalita to keep quiet, and does nothing to prevent future attacks.
In response to this lack of protection, women can do little more than scream and fight back. However, the culture sees this as overreacting: Abigail is accused of lashing out at her bullies; later, when Ardie puts her key between her fingers in case she needs to stab someone, the first-person plural narrator comments,
It was impossible to remember a time before this instinctive and immediate fear for our safety had set in, the need to glance over our backs when crossing an empty parking lot, to check beneath our cars […] the realization that this fear was particular to us came later, that, unlike the boys with whom we played in cul-de-sacs when were little, we would never outgrow the cautionary tales (407).
The novel considers why men assault women. Ames, it turns out, has assaulted or raped all of the novel’s protagonists. His attacks do not follow a pattern. He went out of his way to express his attraction to Sloane and Katherine, pursuing predatory relationships with them and harassing them after being rejected; however, he raped Ardie despite his overt disgust at her appearance and raped Rosalita to soothe ruffled feathers after being yelled at. The attacks show the expansiveness of Ames’s need for power and domination, confirming Liam’s theory that sexual harassment is a crime of opportunity.
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